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-" By Mll’y` Wilkimon Mount. ` 
 ff’-‘VT f°“ “'1---=-°
. ‘ .._\~», or n 1‘nodc-1:'
V. DW  A tinckset young
1,. l  woman looked up
.`r(i\ ;_*.') at mu with an en.
t \ _f J -'~
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>\  guging smile which
` emphasized the u
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and mouth, dh,
Played protrudlnj;
. 
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hness of her jnw 10
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“olh NS, indeed, I feel perfectly uble
D°”°~ 0"' llllly has just been put on,
Hd ull the six weeks the chorus re-
el\f-Svd it we didu't get n cent. \\'e
_ . _
€._.__-,,.., _tt;_,.p(.,.
.--=..f,-‘$5§:.f.r.:=:- .
AW':>‘A';‘°»"  teeth and d h
' '. ' -`.'t\,. ,_ _ . ,
‘ '  4 every wvrinldeptencd llcvu do uinle we ure relieursnlg u ne\v
_\  V time WMC; °  *I Phil' fur that eomonny.
\ "  and hard wgrk  I \\;I`ul.1 fined $3 lust time I cume to
_ ' ' - ou. , - . . .. .
__\ ‘,` robbed of nu scour E Icy Lnlled ri rLlu:us.\l und I left
liness.
I S“\0fl‘¢‘|'0d my #HSD of nsbonishmen
‘ ' » t
and asked the stereotyped question Ee
"Hnve you nny photo,';\':\1lhs of yourself
to show me?"
She hndu’t: nny. They never have
those poor, deluded women in hetere-y
of n beauty which no one eavceptbthem.
selves is nble to perceive. Their photo- be
ome before the mill. They don`t wuut
"5_ t0 P050, but wlult do they s'pose \\'e`re
“mg in live on while we’re leuruing u
W ]\l:\y'r"
"I’ll make it up to you," I told her;
“llns un_\'l>ody Seen Ellen Dey?"
Ellen wus li snur-y, dimplcd benuty with
sparkling L-_wg , d |‘|'f.~ .
geneous ntllre who make the rounds of fr L W U “mt hl Um
the studios rind insist upon rgcgmitiou tl
Om the two young linings discussing
ieir careers while they wllitcd.
"She cuiuc ezlrly. about ten minutes
fore you did, :ind she left n inessnge
graphs “had 'not turned °“t “`0U." U10? for you. She snid to ll-ll rnu tlmt her
sul" _ -_ nwtlier euiue'l|e1‘e :liter her and it wns
_This -applicant \r:is`persisient. The S
sight of n slim yoilngglrcnuty, who un. t
nounccd “I'm on time!" -'ng she grcgtcd
Oluetlling very iu\|iort:\nt and she hut]
o go," it third model informed me.
.-\ lnissing nmdel is :1 serious thing
""5 “ml °f "“°tll(‘\' Wlllllllzr model who when one luis sein-duled certain pietures
l°0li0‘l like UDDI!! l>l0S30l“§ and tangled The pliotogi-:|1>lier sympnlliired with me'
sunlight us to [lice nud lim-_ in nowise
“I niust: say" he cumlnented, “thnt
‘ll5°°n‘3'¢"t°d hcl- Sh” left her nddross Eno" D"5"s mlollit-1' looked remnrlmbly
:ind urged me to let her know when 1 li
vould use her. g
he n tall young num in u iii,-_'li hnt."
And then he went on rummuging
*The slim girl .with chesmut hmwn hnstily tlirnugh his desk.
hair that erisped into curls dyommd into
“Where are the stmups?" he demanded.
11 chair and begun slowly un( pniufuuy "I’\‘e get to have stumps ri_-:ht nwny.
\Drub 'her limbs. These pictures riiust go inuuediritf-l_v.”
“lou dou‘t knvow how they tl-hm-I she He wus distracted. Ilere wus mnil tu
exlilmned. “\\e rehcurscd iftcr me get off, and in the studio models were
performance lust night and wet-e had to
rehearse every dey, besides me pe,
iormnuec. Seems to me the gm-mess I
will never get out of my muschg, _
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Ga_ievlevo'Lym, Now Mrs. J.
‘Mu|‘|‘8y'Al1der30n, Mudd for `:=w:-r. “Ynu'll never get n substitute
MOI( 0f “I8 Sllltllos. this time in the morning." it-uid the it~ gh”
.nivnltlng him nt the
('1\Ill(‘l'l|.
His lmokkecper
looked contlnislwnt-
ingly .nt him.
. “I-Irlun Kenny has
been lierr-," she told
him. "nnd you know
she always takes
the stumps. nml the
postul cards too."
she added.
“It's girls like that
who mnke it hard
for the rest of us."
mourned my indus-
trious young trio,
starting for the
dressing roo ms :
"People think all
models are like
that.”
"No, they don't," _
I comforted. "Every-`
body knows that
none ot the other
glrll not like Ellon
and Edna."
“Why do you hire
thom7"__ . .
Tltonnr boolrlreop-~
er llkod, this very
practical question
from' the depths ot
her ignorance of
studloneedr. The
fihbtodhpher and I
iookghl nt her nghgst
Not hire two of
the most fetching
‘ wt-reus unrclinble ns the weather nnd uno
had u lrenchnnt for other |»eo1»lo's pos
version more tempting thun posing of-
fered und they in-ennle :L joy in the
studin. As [nr pnst.-ure. une could leurn
to keep nn eye on the stump drnwer,
hut one could not e-et eyes on such
models oflcu in n lifetime.
l-"cw moflels nre punctual. Mine were
;:ettiu,': into etu».t\1inr-s and ntvniting n
lmlnletl cnltple hcfure the duy's work
cnulrl ht-gin.
Il-r-r-r»|‘! slu‘ille|_i the tnlephmi:-_
This time the uttcndnnt looked pity-
in;_'l_v ut uit-.
; "lt’s Miss Sanders. nml she sflys thut
I shi- <-nn'i rome. She has n relic.-urs.-il on
this umruini-Z"
I niglwd. "Whom cnn we get oi' her
typl-'."'
pnred rlr-sp:-rntely. Then we beg1\u'ut
the telcpliuncs.
"()ut." 'l`lu1t wus the unvnryinz nn-
tondnnt, helping me get teleplimlc num-
bcrsi.
"llc-llol' Ili-1' fnce suddenly lighted
np. ".\‘ndie (furtcr i.-I nt. honie :ind sh(-'ll
rome if you nt-nil n lnxir-nh for her."
She wus jubilant.
"Send u tnxl"~`--. I lnpsml, sp:-eel
lens. Sadie Cnrtcr lived in lin- llrunx.
“\‘<-s. She says il's rniniuz. She
cnn t rome unless you send n cult. I
I looked out nt the \\-inflow. Sure,
enough n light sprinkle was fullii iz.
"Tell her nil right and to get i'en<l_v
quick; we are whiting." 'I u'r;:c-d hor.
meantime jiugling the other telephone to
get n cab service. _
Wlmt with delays nf models und tele-
phoning the morning ind nlmost sped
nwny, _ _
"I suppose Angelo Ricard \vnn't
ing the climax to my troubles.
tlhle. But you know she-'s always late,"
the attendant comforted.
Back in the studio the other models
reassured me on this point. _
"Yon can count on her. Angeie told
me sho was coming. Shes always late.
You know she can't keel) ll lvl) U0-‘M150
|ho’s never on time. Such a sweet slrl,
too. Sho'| lost her lust job."
"Yoo, sho in nice," I ngreed. “'I'hnt‘s
too had about her company. IIow~did
they come to d\‘0D l\@f7"
"Late for relrmrnals' and Into for per-
formances. The management couldn’t _
stnnd for thnt. Think of n girl coming
along in the middle of nn net and ek-
peetlng to he kept in the chorus!"
“I thought |l1u'd on the road for
_ the girl who 1-:|n`L hold d|»\\’n her juli for
time und telephones? Sometinlcs no di- i
"\\'<-ll. I'n\ llmnlcful she lot me know." __
u
Over n list. of nrsulnlrlc models we }_,‘
hut nhl- lrruvl-fl it out. _
, . Visit |u_\' lmnn- iwnivlt- on-r ilu-it-. rn
_ ,, l ol ilu- .\ll:||iii~-. .
001118," I d0CllPEd» by WHY °f nnucipn' it is lu-lpl°l|l to |n:\kr~|‘s ni' |iir-lures. ll<»\\'- y
" rflslll-in
She did. She hull :i niet- iiurl for IICY
buck home. I"r|:m ’\\';iy out \'.`e.~'t. ton."
“-'\ud she wurlls so lmnl null does H0
Well wlion you enn get her 111011.-." suid
her friend.
"Yes, she's u good girl nnd she noses
br.-nulil`ully," I evilxtiilllrtl-fl.
“Tin-.re she is!" her 1-ritit-.~\ exclaiui-‘-L
And then they _lt-l-rt-tl lu-1', l`x'il-llrlly\\'isf!.
“Here vein(-s the girl who can never
“'l`l\<- ul\\':|_\`.< lute .\ii>.» iii:-:\\‘d Y"
"\\`h:|l.' do _\|.|| .~'|n».s|» \\lll l|n|i;n.-n in
t-vi-ii li \\'|-1-l:`."'
.»\|`f»-l‘tion:1te hedinnge it was in tone,
if it-lllnc in ivortls.
.»\n;:<‘le sluiit-ll lzizily and tried to I:-ol;
indi,-:n.'1ut. hut her tl-inner Wm- loo s\\'|-et
in he smiroll by :|n_\'lhili;,' ir:|t~. unin-
ugr-rs, jr,-\-l'ili|.: i'1'i<-lids nr il'l'iiul4~il [virt-
url--niiikers, \\'Im.<.~ dullurs \\‘r-nt with her
llc-Inys, could suy to in-r.
“Wlmt would you do il’ you did|1't
lmvo :I nuilln-|~ to help you?" all-luulnlt-d
tho you||;_' things \\'l|~rlin1l no such hlvss-
ing in sn-illnr lift- for ilu-ln, null \\'l1n
wurlit-ll r:lu-el'il_\- :ihmit t-i;:l\le1-n to
ing," fir.-felulrd l‘Iu;;s-le, “und I'\'¢- got n
j..i."- --
i;"-t 'I .lfvltl .\l\-»|l|<-;~j1»lrl"
“limv dill you do il?"
_ \\'h:it l|i:1lm;:-~r \\-nulfl lnlte _\'~n'."'
'on ilu- |»l|f»|o;'l':\|il\|-|~ join:-rl they
chorufé of ('x<~ln|||l\Iioll<, |
-\llZ<-lv lin-lu-ll n ilii`||~ |li.w~.»\\1-|»|»||-fl,
\\'ilh lin- l'1i~:il\|l'l?fl\\'|v l'|»\-lj-;|v:_'»'."
ilifnrlin-rl us. "`l`|t1~_\"r|- J--in-; nlr,-will
in 1| i|~\\' \\<~4-its :ind l ll|~u;.l|l l`~l liltl- tn
jolliwl ilu- (_-.nil|\»z|»_\-_"
“Iln\\"ll you t-ver ,gr-l l--lei.  l
'l`l|t-1-l‘_\' \\':|.~4nn|- ulsi-if-1-x'|-fliwvifly. li
I l‘x||r|~.~---il lllr- f|u-i-;.»|»|- 1-mil-ill~i».|i thu! 
‘ . |
the mise(-qui:-:it-:~< of "l»t»|\‘; l-tw-" ui uh!
l`nll-»\\' .\||'.'|-lu v\`lu \||u|n llw ntl.:-r sitl
'l`lir- ]>l|ol|>,-_'l'nplz|-l' pill l|‘~ l|-':x¢i rlrfinufl ,
ilu- <~:|nu‘l':\ :lull im--\x'l:<-il :-n-ll_\‘: »- 
l .
“.\l.'|_\'l»<- \\'v`ll sm- .\.=r;;1-||- lin:-it nauln ;
wlir-u ilu- ir.-ill.i-i:'s not -l iroiu l’ul‘i~." ‘
Anuf-lv f-xliillirwl the lmit lh.|l i.|:|il~ f
donned the enslniim in \\'l|i~ll :.l||- \\‘:\.<`
tn pose mul tool: In-r plum- \\it|\ un~;
ruffled mit-n, df-in-.' :ill with n |l:-lil\v~i-;\t~- 
1-xpetlilioii us rs-.-lful to the onl~»o|;i~:~ us
Over Init- .\ll;.:1-lt- lnilzlll in-_ n.-4 lu-r fl'i|-n|l- l
"Oh, -Ve°¢5h°'3 °°mi"'l She’ dcppml' snid, when shr- wus "there" she \\'orl;|-d ,
well null with un unhnsling; r.'\|iidil_\' rdru l
in either inollel or <~l\o\'u.-. Nu wontler *
niunngcrs \\'<‘rv ghul to rf-walr-l her \\'i|l\
parts when she could he lu-ld tu re-
hcursnls long ennngli to lv:\ru them.
Sntlle Cnrtur cnlue tripping in, fyupnhlc,
pri-ity. well groomed, nn ull lllcse haird ,
worked models nre, und with n mere
word of cxplnnniioii \vn.~4 ready to curry
out the purt oi her missing conirere of
the studios.
“Are you posing so ns to keep yourself
on the stage until you 2-'t n good i\nri?"
nhl- nsknd the girl \\ith the npple blossom
fuel-. II
"N0," the gllnting hnlred one told her,
“I'm _never going on the stage; posing
pays much better."
tor so advert!"-
l.-.~,~ , _ l _
-tai-lllllfl _ig .
' \_,..f
self. Apurt,lnindyoulnudslie1-ouldn`t.
he punctual und they luul ll- ~~hip iwi'
l\\'ont_\~ lu»||r.~< ;| d:|_\'. l
“\\'|-ll, l just <~:ln`l ;:t't up ln the n\nr|\»|
ht-r\':1lu:|||l1~. l\'l|'- hzul 1':-In~l_\ lli~'|n-li\'l-il I
\\`il|\ her \\r:||r~‘. ||r|‘.'|i:g|~<l hor lmir. j'
_#__
Miss Katherine Clements, mont-.
I U Model by Harrison Fisher.
nu-nts.” explained the chestnut haired
girl. “'l`lu-y ||:\_v hi-llcr thnn the stage.
“l|'s nwful hurd work till you get 3
part." udiuitted nnelher girl. "but when
_von mire get n gum] srnrt you chu
.'|l\\':iys ||»:il.'c u livin,-.:, und lu polling
l lveoiilc- get lirefl of the slime faces and
` drop _\-nu, nnd then you'\'e nothing to fall
lmul; on."
"Ur else you get u dnuhle chin, like
llllmil.-i Miles, and they hnve to drop
l you." snid nnollu-r,
“Ur get too fnt, or get sick nnd
- . ~ ‘ » . . " . .
hold doun hu Joh u “<1 l_\_I V " l .~r'r:i\\'||y. 'ilu-res nlwnys something
"Ill-|'ocol|1t‘s the init- .\»|.~':i iii#-nrll! [|]}_,.|_‘~ |,, lmmmn “,|“_“ yDu»ve nothing
i
but ]n>.\'in,-; for n living," commented
.'\ll;_'<-le.
Alun! I)idn`t I know? Iladu't I lolt
,.-u.-\‘s-|'nl henutiful models hccnuse of
tlnuhle <-him, ole-sity or the ravaging
1-f`l`t-els of illness? D `
"i’<»sing's u mighty nlee thing to keep
_von lniing till you get ulong ln you!
clmsen prof:-ssir»n." nnid u chorus girl.
“I di|n`t. know how I'd li\‘e without lt."
"i'|l give up the stuge nnrl do nothing
hut po.-<0." said nnother member of the
|'l|r~ru.~i, “only I'd feel ton uncertain
nlmul my li\'i||;:. l<2\'t-ry non' and then
|1l\otf»:r:\|iln-|'.~‘ drop u model, for |\ while
nn_\hn\\'. und shi- hnu untliing that nba
l;n|>\\'s lmu' to dn to .uiimiort herself."
“i'n.<in,-_- for nrli.-its is lnlcrestinl."
1.-uid :| ,nf-ntle d:mf‘1-I' with soft eyes. "Ik
||i~¢-.~'|\'t |m_\' .is well ns the plmtugmphlo
\\'orl;_ but il is onsii-r null it`s intl-rcstini
tn .we tm- |»i<-ture |:rn\\‘. I like to hc in
pit-t|||'<->x und sl-e lion* the artists hnve
'hun-,'1-ll me. 'l`lu-_\' gt-in-rlllly clmlllle
~m||1-lllilig und irl<'nliv.<- tht* fncc sn IIA £0
iimln- it nmro in-uutil`ul thuu the model."
There was nv rainity in this enrmf
:_-=;virn|\l, for ninixf- in-lmrs.
"l should think Ana:-le would like to
.---ju~t -it still. It`s lazy
\»rk," lnu,:lu-al 1| frienll,
"l dnn‘t mind 1\o»=i|\_-.1 for artists." ud-
milli-il Ann:-le, "hut I like the llthge. I
lil.i- to tru-el with the companies IMI
.v-<- in-\\' |l:\¢-es,"
"\\'|-ll." 1-oiiiessf-il Smile Carter, "I
ali<!n'| ln|o\\- l|n\\~ to do anything when I
lmll to main- my living, so I tried poslnf,
:mil I ner :ilnmg \-ery wt-ll, but lt's nny~
thin-_' hut the cnsv \\'o|'k people think ii
ls. `
"ilk .'\\\Full_\' hard," every one sympt-
rhizefl, "l~'ll't_\' ef-ms nn hour for artists
s it-ry little \\'l|»-u the aluys are shtlrt und
he lmurs are it-\\‘. 'l`h.\t only llelns
i'|'-un nlyuul 1-ll-\'|-n uuiil three 0'0|00h,
\\'lu»n tlu- lieht 4-lirlngl-4." ,
"l'n~'i|\;: for |ilu|to;gl‘:||»lu-rs nt $3 (0 $5
gm
'I'
7.
I n |-f .~i|i;: is hnrd en-lu:l|," explained the
,I ' . nl l. "
ir' l`\-s,~do|\'\l lu- e but posing for
urti<l- i~ lunrdv-r. No umtif-r how coll-
.~d:l|~mt~ ther nrc, tht-re nrr- some pict-
ures \\l|f~rv- _\'u\\ lmiw- to hold l\ dlfilC\Il¢
:mit-\|l~~ until you fuirly nf-he nil over."
“l l;n~»n~," unrecd the girl who danced
until her must-les were sore. She rubbed
her limhs ft-f-linply. “Ilut lt. l!n't ll
hnrd ns dsineiuiz und rehearsing all the
lime. \\'ou‘t. i he tlmnkiul when I. [dt
n part to play!" ller eyes lvenmed.
The other girls smiled with hor lhtl
mnde little cooing sounds of eneo\ll\¢U~
ment.
Th.-it was the incentive to tedious dlyl
of studio posing nnd exacting hour! ol
sings- practice-there was n camel' bo-
forf- them th-it proinised nn independent
living nnd help. usnnlly, for some mem-
ber of tho family. They are full of cour-
oge and hope, these young thinll, md
had w@ lm no tqron lor tlun.
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