., IN ,i AUGUST. .16. 1950 if?! last. he no lee cream cone. I out a bowl of llalaa loaoi"(A-in.) III! FIOI I001 IIOI.E IIEII .. . its whole wheat in in most , pulse form! In sunsroerdml. don't aids the grear food you need-whole wheat. It contains vital food elements. And NABISCO SHREDDED WHEAT is mule from 10096 whole what. Serve crunchy NABISCO SHRED- DliDWHliAT...withlusdoos strawberries. raspberries. or 0!! fresh fruit...forarunsmee Any way you look at the new college sportswear fashions shown for 1950. there is strong headline news. A new character to this season's college clothes can be de- scribed as "deep oa.sual"even for .evening. New silhouettes, itrir.n- mings and details make them quite sophisticated, more obvious when compared with the "baby-ish" lit- tle-girl college clothes of other seasons. A general market survey of this year's college fashions shows that fresh silhouettes are based upon straighter. narrower and shorter skirts. Starting from here, every- thing points to lowering waist- lines: lowelosed boxy and taper- ed jackets; hipband ori rniddy ja ' i , low-bloused waistband jackets; titted-torso uvublouses, belted shirt-tail jackets and shirts worn on the outside. The following new types are "2 to make even the upper- claesswoinen want more new clo- h s. Many Versatile separates Separotel are really versatile this year, making it possible to develop real ensembles with a "prestige" costume look. In fact, ensembles provide THE big theme for 1950 college wear. with sepa- rate iines coordinated every which way. The dress-and-jacket which converts from a suiti type to a date dress (baretop or covered) is now within the college girl's reach (825, for example). So is the matched dress-and- sweater. From the casual coat and suit sel- ections, three-piece ensembles should have more appeal than ever. because they are shown with monotone tweed topcoats this year -especially liked by college girls because a monotone tweed coat can go with so many other clothes. Convertible. weekend clothes like jumper-sheaths with jackets, or extra halter-tops for tweed and tartan suits, all transform casual outfits into "casual glamor" cloth- es for parties and dates. Last year these casual-to-dress-up outfits. which have baretop or bare-armed bodices beneath jackets, were strictly in the luxury class for col- lege girls. This year, both the moderate price casual dress and separates lines offer plenty of these types as the modern. 1950 way to dress for busy, msny-occa- sion weekends. Just as an idea, you'll find jumper drases with jackets: jumper-sheaths with dust- er-coats, ” ppers. ilackets, cardig- ans; tweed. tartan, velveteen or flannel suits with an extra quick change to ya jersey or velveteen halter, or a date-time sweater. Reversible fashions are still an- other newsy and practical feature for college wardrobes this year. They will not only stretch college wardrobes twice as far, but they oflqr both texture and color con- trast. There are ”tricky wrap- around skirts with one side in a bright colored corduroy, and the other in a more conservative gray menswear flannel; plaid skirts with rcversiqle plaid and velvet- een-jsckets; or matching revers- ible jackets and wrap-skirts in two shades of corduroy. making various color combinations pos- oible. As for dress-up scvlratelt 5?? the first time this year you W111 tlnd felt, lacy woolknlt, velveteen and fake fur skirts to K0 Wiih d-ecollete wesklts or sweater tops. New Contributions From the Boys Men's craze for tartans has in- spired some of 1950's newed fash- ions for college wear; the tartan smoking jacket. tar-tan weskits and cummerbunds. tarilll BOW ii” and dinner slacks. The shirt-tail jacket-boxy. belt- ed. split at the sides like a .shirt-- emerges as a leading UP! ihli will still ring new. and IN 31' ways appealing to camera Kiri!- Best angle to these shirt-tail jack- ets is that they look right with practically any skirt silhouette, an important factor in this season of transition from wide to narrow. Little boy jackets-barely fitted single breasted jackets with nar- row ahoulders and high lapels-- also make bit news this reu- They won a small high-fashion play last year: now they are gen- eral enough to pep up boy fash- ions wlth a really new silhouette. Weskits have been coming up so steadily that they look import- ant ln any background for fall. But with all the tartans and tat- L 1950 College Fashions tenant and bright solids which look like the boys', they are doub- l)' important. Newest "setting" for weakita is with tweed and tar- tan and gray flannel suits, just like the boys wear them. Trouser-pleat skirts. mimicking the pleats and darts in men's slack-I. are so well represented for college that they can be called basic this year. And shirts un- limited-new styles from the men that include: the tucked-front, wing-collared dress shirt; "sisal- fled" little-boy shirts with ruffle- outlined closings, in shiny sateen: regular boys' shirts in striped shirtlnga. and in surprise fabrics like velveteen, silk shantung, cor- duroy. And there are many more washable fabrics in "fashion- skiris"-birds eye pique, linen. white-on-white shirtlngs, unbleach- ed muslin. cotton-and-wool flan- nel-all are dealgners' selections for contrast to charcoal fiannels, tartans, tweeds, velveteena. And Now The Costume, Sweater Beyond the classics of dyed-to-2 match sweaters and skirts and due gauge classics in all-the new yarns and blends for 1950, there is a new brand of well-styled sweater blouses in new cuts, with applied trimmings and design worked in, producing a new kind of college costume for almost any occasion, according to Women's Wear Daily editors. Yoke designs of velvet and jet on wool chenille, puliovers with companion striped sleeveless cardigans; soutache-braid trim- ming on wool jersey are typical of some of these new intricately de- signed dress-up sweaters. seven Basic Fabrics Fabrics which have been "com- ing" for many seasons really have arrived this year. At the same time, established fabrics have, new twists. The result is that there are seven fabrics to count as basic, all at oncce. The wonderful news for this year of contrast-textures is that almost every one of these seven basic fabrics look well to- gether. Charcoal or Oxford gray flannel paces the whole season of grays and yarn-dye color themes in sportswear. A fabric and color which definitely can coordinate with practically any fabric on the books, the yarndye grays are an excellent wardrobe starter for the first season college set; and they mean wonde ful "nil-in news" for upperclasswomen with basic ward- robes intact from last year. On the flannel bandwagon, "oxford brown" and "oxford navy" come right along for high fashionnews; lots more heather wool jerseys, heather-tweeds and heather-yarn sweaters tune in for rnatch-ups. Tartan Piaids-always basic to the college season-rise to top- notch importance this year in all of the "boy fashions" mentioned above. Tweeds have finally hit their stride, after several seasons of "coming back." Tiny- patterned colorful tweeds and some hand- somely colored bolder checks pro- ducc one of the most stimulating color-coordination stories for 1950. Velveteen:--because of their deep, rich, velvety texture-are the fashion accent-mark of the season. Wool Jersey has so much nov- elty appeal that it stays right up with the newer-sounding fabrics. Some of the reasons: new tweedy and lacy and rib-textured wool- knits; endless novelty patterns based on heathers, and linked with "plain" lieathers; suiting weight wool jerseys, making this fabric applicable to slimmer skirts; in- teresting pleatings and all kinds of leather braid or velveteen trim- mings. I Corduroy comes out in striking "tweed print" versions and inter- esting wide-wale textures. Basic "dyed-to-match" groups of separ- ates still keep this fabric right up there for another potentially big season. Fake furs have shot up so viv- idly this year that they must be called basic to the season. New fake furs like "pony", "Holstein". imported wooly lamb and curly furs, "broadtaii,” eic., offer hand- some contrast for all fall woolens. After charcoal, Bright Colors Charcoal gray is the color-pivot for the 1050 season, blending per- fectly with all other leading fall Dress Up Your Clothes Cupboard 'llgltlyoolerod,beribboaodooatbangsrawil1addafraahtouehItoyoar oupboardud!9tI'ilIladthelIlIIiclaasloUModo.Acoodidoalor huaargIhtoo.Grochtaaotiasbadeaofptak,lrIus,qreaaaadyallowand .u.'.g,g...,g);yrytggoa&haagarwithalal&hgorooutrutlnq 'aathbow.hallpaclbatIaeaaewaotaaeIaIl'IIVuu&ldIrtgrtppata. Iyea'weeldltbotshavotaqIrooHeu.lsr-naIhoIass,X1.'l'Dl!fAltGn V oovno. wrttatotba lteodlsweri -rm-v-d. ..g.u.....s' i j anvalopo."'AiIorl.saletllo.iG-III. - THE GUARDIAN. Cl-IARLOTTETOWN Paris Mlllinery slum lisw Simplicity for Fall V PARIS. Aug. 15 - (Reuters) - The Parts Millinary picture. as sketched in collections now show- lns.-has two i i ” - trends. First, for the small girl, there are many v- 'ations of high crowns to add inches to the silhouette. And the tall girl will find her complement in draped turbsoa which continue on to the shoulder, softly framing one side of the face. simplicity of line is the signal 1951 millinery. Glamor is intro- duced with exciting new trim- mings. Diamond pins dangle from the centre of Mary Stuart bonneta. Simple velvet berets are embroid- ered with good-slaed brllliants. Dior. to give supplementary inches to the small girl, has tow- ering hats for tiny heads with "corkscrew" Buns "made of fur. tulle, or even hair, crowning n plain-lane hair do. Jacques Path. whose millinery line is always sensational tops a ' d all? ” with , shovel hats. diminutive derbies and little feather caps trimmed with pale feathers which sweep forward into bird's beaks. Maud and Mario feature pixie calls in panne velvet, the old-time stand-by of milliners but the sen- sation of the new season. Albcuy has new veil treatments, using two layers of fabrics con- itrasting in color and mesh. A large black veil is worn over a fine flesh- colored mesh which tints t.he skin. Another hat inspiration is found- ed on the keprof the foreign leg. ion, The woollen scarf falls over the back of the neck and over the shoulders to protect hair from snow or rain storms. Cambridge courses For Working Girl: CAMBRIDGE, England, Aug. - (CP) - Nownham college, famed Women's College at Cambridge University. is holding-o summer school for working girls who.lelt school at the age or 14, and who now feel the need of further edu- cation. Twenty-five such girls live in aESidCI'lC5 at the college for two .weeks, side by side with under- graduates, sharing all phases of their living except studies. The girls study in the morning and evening. devoting afternoons to tennis, boating and sightseeing. Subjects taken include English literature, history. zovornment -and citizenship, - ,, jy, physio- logy and music appreciation. other subjects aro available if desired. only charge made is for food and lodging. "Perlon" Stockings Warmer Than iiylon: NOPITNGHAM, England, -Aug. -- (OP) - Perlon, a synthetic yam invented in Germany, rnaka stockings said' to be as fine as ny- ions, and warmer to wear. Thirty scientists in laboratories here are arranging with the Board of Trade for a. sample supply. The yam will be tested for strength and sample pairs stockings will be issued to men employees. Perlon is unknown in Britain so far, apart from that used in odd pairs brought by retairning visitors. colors. Beyond the grays, light or dark, it's brightlaocentgcolors like gold, tangerine, orange, pumpkin, and new basics like warm, tawny, reddish browns; sharp combinat- ions like red-green, orange-black, red-black. EFFECTIVE BEDSPBIAD nasioic xo. I-iias It is fun to crochet these squares and join them together to form a handsome bedmroad. Pattam No. 5-M69 contains complete hatred- ons. - - To order. Send It oanta in coin to Needlework Bureau, Oharlotw town Guardian. Design No. E-1159 NIDO Paris Fashion Show Continues A By FLORENCE MILLS PARIS. Aug. 15 - (AP) - But- tons, bat-wlng sleeves. vouched L .n Ind 4 I ' u. a pluad so low you have to bend double day at Maggy ,Rouff's fall fashion showing. Plain black bone or pearl but- tonsiin double or treblsformation march down jackets at both back and front..froin bust to heniline on dresses and down skirt side- seams and pleats. size pockets come on topcoats lined with oivet and black seal which hang loose from the shoulders. Like other designers she uses loads of trimming .on dresses and suits." Her bodices are weu molded and darted to fit the waist. skirt full- ness lg derived from a wide flounn attadicd at thigh level. Her suits are broad-shouldered and ' i i only at the waist, and have hasques that curve down from the waist to envelop the hips at the back. Her evening wear also is trimmed with fur. She shows evening suits com- prising is backless. Wlter-necked bodice and hobbled skirt, usually in velvet and a tailored jacket with long flared basque to match it. The bodice of one suit in black velvet has a draped halter neck which could be pulled aside to re- veal flesh right down to the waist. A diamond clip held to the skin by suction saved the dress from censorship. LONDON GOVERNMENT The City of London is governed by the Common Council, which consists of theimrd Mayor, 5 ald- ermen and 206 common council- men. to reach them were introduced to- ' The bat-wing sleeves and out- i u i-Nip FRET: Jano Ashley's Tested Recipes-Send postcard to Home Service Department CC 20, The Canada Starch Company, Limited, PO. Box 129, Montreal. M Cup Sugar 4 Clips Milk 6 Tableapoona Canada Corn Starnla IV; Teaspoon V4 Teaspoon Salt Vanilla Mix sugar, Canada Corn Starch and salt in top of double boiler. Gradually add milk, mixing until smooth. Place over boiling water and cook, stirring constantly, until mixture, thickens. Cover and continue cooking 10 minutes lon- ger, stirring occasionally. Remove roin heat. Add vanilla; cool. Pour into moulds or serving dish and chill. Makes 6 to 8 servings. th . i " i cl Fl ' Ialand, choooiiu Blane 174 mm," c..'L'dix".i' Biauo Mange and Pistachio o Mange are in- Asistxa Recipe Folder entitled "For Finer: cious Desserts". canal)?” CORN STARCH Dorothy lilx Says T that. DEAR MISS DIX: Continued from page 2 thinks we should do thus and so, and mother says we shouldn't do But if mother is one of the rare women who can keep her fingers out of other people's pies. and if husband is an easy-going, good-natur- ed chap who likes company and doesn't object to a third party, and if you are an adept at rubbing fur the right way, why, there is no rea- son why you shouldn't marry and live happily ever after, despite the handicap of having a mother-in-law in the house. i I am married to a man who is good and kind, without any bad habits, and whb is a good provider. happy with each other and quarrel over little things. because I like to stay up late at night and read and sleep in the morning and he has to get his own'brcakfcst. He-.has to go to work early, but I leave the things on the table at night for him to cook. Also, he tracks in dirt, and when I acoid him he only says: harm does it do?" And he leaves his shoes on -the floor for me to pick up. Don't you think that he is unreasonable in these matters? ANSWER: No, I don't. I think you are making mountains out of molehills and that if all you have to complain of in your husband is But we are un- l-ie complains "What S. E. C. 1 rise: rnsrrron isrsi"o"rrr: 141 Great loam St. that he leaves his shoes on the floor and tracks in a little dirt, you' are blessed among. omen; ' If you had a husband who beat and mistreated you or one who was a. drunksrd whom you had to haul in the door because he couidtfty find the keyhole or. if yo had one who was s philandercr who kept you awake wondering wh t pretty young girl he was out with, then. you would have strigiit to bewail yourself, but,you have no cause "M weep over a. pair ofahnes or a.,mud or snow stain on the floor. 1 Also, it seems to me you are giving your husband a. mighty raw? deal when you won't get up and get his breakfast for him of a morn-j ing, and if he were not as patient as Job he wouldn't stand for it." Hi 5 man is willinx to toil hard all day to support his wife, she might at; least be willing to cook the food that he brings home. 1 i DEAR-DOROTHY DIX: You have never given a logical definition , of love. Please send me that information at your earliest convenience. .R.!.v ANSWER: Nobody has ever given a logical definition of love be- cause there is no logic in love. it comes and goes as it pleases and none know why they love nor why they cease to love, nor to-thoro any way of reviving love when it is dead. ” : nouozrnr nix-aumoe reply " to readers. but will Dfobleml of toners! interest through her column. I 1 L . . , s . basall-