PRlllDE EDWARD iAhNH iiiii‘ ALSO: NEWS] wrrn VIVIEN w: y, 0F on HALIFAX HOTEL FIRE m THE NEWS! M . PRISCTLLA LANE ~ ROSEMARY LANE e 101A LANE - GALE PAGE CLAUDE. RllNS - JOHN GARFIELD - JEFFREY LYNN - DICK FOIAN THURSDAY-“STORM IN A m». cur" “SCARLET" - E WIND” “GONE WITH TH m... .. t~.:\a\ : TDDAY & WED. DAILY s.1s_-_ 1 - 9 P. M. I —-THE out! ans - 1.00 - ass TDDAY and WED. WAVWOITII PICTIIII Ill. I A GOAIIHIIA j l Also: MUSICAL 8. The Central Guardian This column ls reserved for news uf local interest but advertising of s newly nature may be inserted at A cents a word strictly pay- able In advance. CBASWSLI. for Photographs. -_J-_- SPECIAL THIS WEEK ONLY- Chclce smoked bacon 25c per pound. P. J. MacDonald. . Li-l418-3-2tl-2i. ENTEBTAINED-uhe members of the True Workers J. O. L. were the guests of their guardian, Mrs. Mary McLean at an enjoyable din- ner party at her home. l3 King Square. recen . This was fol- lowed by a regular Ledge meeting. 59TH. ANNIVERSARY-Mr. and Mrs. Angus N. MacLeod, Char- lottetown. celebrate their 59th wedding anniversary tomorrow and their many friends throughout the Province will be pleased to learn that they are bzth enjoying ex- celient health. They returned last October from a visit to relatives on the Pacific coast. WAS NATIVE 0F NORTH BUSTICO-Mir. R. L. McClure. Charlottetown received word yes- Wlflfly of the death in Moncton, N~ 3-. of his uncle. Joseph Mc- Clure. retired railway man, The 119M889. was a native of North Rustico. this Province and was well known in many parts of the Is- land. Interment would be in the glow Brunswick City, it was 1mm. SECURE LITTLE LOOT-Burg- iars entered the residence of Mrs. James Paton. Prince Street here over the week end. it was loam- od‘ yesterday. Entrance to the dwelling. unoccupied at the time was made through a second storey bathroom window. The prowlerg ‘burr-owed" a ladder from a near- by lot to reach the window, auth- orities believed. It was thought there was little taken by the 11111811!!! but a definite check could not be made until Mrs. Paton re. turned to the City, police said. ASSURE!) CO-OPERATION— Prince Edward Island was assur- ed m“ night of the full and active glllrgort of the railways in the “Four Daughters” Based On Story By Fannie Hurst .._.__. What happens when four de- voted sisters fall in love with the "flour Daughters," picture based opened at the Prince Edward ‘rhe- a-treyesterday,’ takes that as its theme and develops it into a richly human story_ ' The four daughters of an elder- ly musioan all give their hearts unanimously to a. captivating young man who comes to live their home, and he in turn is en- rapturod by the youngest of them. And it is this girl, scarcely more than a. child, who bravely sacri- fices her own ” ‘ because of a mistaken notion that by so do- ingshe will insure the happiness of her oldest sister. More by chance than by design, the tangle into whioh the lives of the four girls is thrown is eventually un- ravtziled so that makes her hap- pes . The cast of ‘jFour Daughters" is of unusual interest in itself. In the first, place, three .of the four sisters are played by three girls who are sisters in actuality, Priscilla. Rosemary and Iola Lane -the fourth sister being enacted by Gale Page. In the second place, two young actors of emphatic promise are both given their first big film roles in this picture. They are Jeffirey Lynn, a who exudes so much he is expected to win immediate fan favor. and John Garfield, con- sidered the but young character developed on the New York stage since Cagney, Muni and Robinson came to Hollywood. , "Illhe substanm base of tried an proven ac mbility is pro- vided by such reliable troupers as Claude Rains, May Robson, Prank McHugh and Dick Fox-an. “Juvenile Court” Punch-Packed Tale At The Capitol Punch-packed elvose 0f youth in of a 1e ma lls "Juvenile Court’ otive. yet resl he youths are a cross-section of - ood everywhere. hut espsciirly of those wunssters who live and bl-y .. 0mm ‘ lmmvsllligiloom in such The boys are playi “cops lfll! .” Suddenly they ear a mach gun fire. Dutch wns$iawiionmenmertigbut who was x ma" ‘ gangsta, ma’ "lids ‘all? and‘ unl- rtovo crssous l ' Lemons Check Pain Of Rheumatics In 48 Hours Oh, v/hst joy awaits the sufferer from rheumatic. or neuritis pa ‘who uses‘ this giggly ingrkpensive ome rec . us a D age o thrRU-Eke PRESCRIPTION Ircm your drugglst. Mix it wi h of water. add the uloe o1 4 It's easy. No trou le at pie . You need only 2 tablespoonfuls two times s day. Often within 48 hours — sometimes ovemi ht - main loaves, stiff joints are l nber- ed. Try this prescription. Fieel good, years younger. en oy e again. costs only a few cents daily. Money back if it does not help you. For sale and recommended by THE JENKINS PHARMACY THE REXALL DRUGSTORE Charlottetown Rotary Albert A. Gardiner, Assistant General Passenger Traffic Manager of the Canadian National Railways who took a great deal of pleasure out of the belief that. his title w the longest of all on the longes railroad of North America, spoke at the Rotary luncheon yesterday. Mr. Gardiner took for his sub- ject the experiences he had enjoy- ed in dealing with dlflerent peo- ple with whom he had some, in contact in his more than thirty years experience with passengers travelling on the Canadian Nat- ional ‘Railways. Not all of them were bound either to or from Prince Edward Island, he admitted, but he did have a great deal to say upon the excellent and Outstanding way in which, for many years past, Judge Arsenault had nraiie the passenger traffic men of America Island LU! . In his role as one of the contact men of l-he Canadmnlfational. Ml‘- Gardiner has had the opportunity of travelling with "the captains and the kings translated into terms of visitors to Canada." All had some especial and dis- tlncttgolnt of interest to offer. W1 out exception. all the call- ers from overseas were seized not so much by the immens'ty of the country, as by the fact that we continued to exist as a sovereign. free, and above all as a different and distinct country. by the side ta of our neat southern neighbor, the United States. Interested in developin tourist travels and anointing m arrest deal cl the work the railways did ‘“ ‘ti.’ “ti. imfli "i.."°a'l’.‘° ve n au om e. - - llrihcr irfsisted that the Canadian National Railways were particu- larly lntemsted and full seized with the fact that the d hi! something of rtlcular and unique interest to o er, and whether we car the touristsor not. what is for Prince Edward Island is good for Canada and w t is good or Canada is good for e Cana- diaén National Rgilwzyl- m“ rave an .~ 11mm critical. undersltalading and mysti- fied, in Mir. Gard-net's description! friends from other lands rolled across the story. y Eotsrian Heath Macilntyre pre- sided and the guests were m. w. Macltkvnon. Superintendent of piano . .12.. Ch ltteiown: Hush l gull,“ ‘lenient of the Junior Board of sde; I‘. R. Saye hib- iiqm Rppfeseh live of the llLNJI... lawn: mm. J. P. W1"!- D. hMalcLeah -_ususirrssan EMBALMER i Charlottetown and~ Nortlt Wilisnlre Plunge. 1,49, i celebration sched- “M M‘ here In July. Although he wu unable to make specific prom- ‘ifirbiefi“°i“.°i~.iw‘“°"i “m; er a c managero the Canadian National Railways. Montreal assured those in charge of arrangements fcr the J-uly cele- bration of his warm support. Yes- Bl’ MT- Gardiner met the Provincial Government and dis. cussed the traffic angle of the in event. Special fares for visitors to Cru the Province were hinted. During the day Mr. Gardiner met His Honour Lieutenant Governor George D. DeBlois. He spoke be- fore two service clubs and last llltht addressed a joint meeting Cf the senior and junior Boards of §l3rit§§§n1°?;1°‘s’°°“’ pgonnrlgdel/ugn l . sccom MI- F- R- Beyer of Mongton. y Personals - Mr- and Mrs. E. S. Norton of CB-Fdlfiim left last. week on a holl- day trip to Florida. From Boston 14888.. they will be accompanied by their scm. Mr. Ediscn Norton and Mrs. Norton. Miss Hester Wood left yesterday mcrrtinfi for Boston, Mass., where she wl spend a short vacation with her sister, Mrs. R. L. Mac- Ewen. 31,1’; ‘ ______BIR’I_‘HS__ YEO-At the Prince Edward Island Hoibital on March 27. i930 to Mr. and Mrs. Wendel Yeo, City, a daughter. WHITE-Alt the Prince Edward Island Hospital on March 26. 1939, to li/Lnand Mrs. Vincent “mite, City, a son. KEIZER-At the Prince Edward Island Hrsbltai on March an, rose to Mr. and Mrs. Roy Keizer, Grand Tracadie, a son. SCOTT-At Kinross on March 141th 30, to Mr. and Mrs. Eric Scott a daughter, Norrnajfiileegi. n- c: MARRIAGES_ DAWSON-CAMERON —At Hamp- ton. on Saturday March 18th. 19:49, son of Crapaud to Margaret Jean gB-IIIQIZQILOI Hampton. DEATHS __ MscLEAN-At the Charlottetown Hospital March 96, 1930. Mrs. Mary MacLean. City. Remains resting at A.A. Hennesseys Funeral Home. Funeral notice later. STYMEIST-At the P. E: I. Hos- pital March 2'1, 1939. James St - meist 0i Murray Riv/er, aged 3. Remains are resting forwarded to Murray afternoon. Funeral notice later. MURRAY-Alt Albany. March 2'1, 1939. Mr. Aeneas Murray, aged '10. years. Funeral Wednesday morning from his late residence to St. Mal- achi Church Kinkora. MARTIN-At Uigg on Much 3'1. 1939, Mrs. Hugh Martin, aged '18 years. Funeral from her late resi- dence on Wednesday. March 29, service starting at 2:30. Interment Orwell Head Cemetery. CUDMOIIE-At the Provincial. Sanitorium. March 2'1. 939. John Cudmora of Brackley Paint aged i9 gar-s. Remains are resting at the uloliffe Funeral Home. Funeral notice later. loved daughter of iianfladdad of Amherst. ene Islands, aged 18 years. Fune- ral from A. A. f-fennesseyh lune- ral Home on Wednesday moral at M6 to the Giurch of the Mos Holy Region-met thence to the Ro- man Os cltc cemetery. In‘ Memoriam n. mo. ‘ ‘ I - C b‘ ally from its doctrines. The Art and Daily Lenten Meditations the Atonement n, oil-rm Caries 1M It was only gradually that the Crucifixion mad-e its way into the subject-matter of Christian art. The sufferings and death of Christ did not concern the early fathers somuchasdoctrinesoflfisperson and His piace in the Trinity, and though the writers of the gospels did devote so large a part of their narrative to the Passion, th said singular] little about the suf ertngs of Chris and only the words "I thirst" supnl a spur to our imag- inations. T 's reserve on the part of the early Church regardings rep- resentations of the Crucifixion continued throughout the Patristlc period for a. number of reasons which we can readily appreciate. The death of Christ on the Cross was the feature of their beliefs which more than any other called forth upon the early Christians the taunts of their pagan opponents and evoked the antipathy of pos- sibie proselytes. They possessed. too. an a/wful and deep reverence for the Godhead which did not encour- age its representation in art. They had. in addition. symboilcnl images of mystical importancwThc Good Shepherd. the Lamb. and so forth. which gave the idea of redemption in a glorified form and relieved them from the neCcssil/y of dwell- ing on the sufferings of the Cmss. Again, the Crucifixion was not like- ly to be represented in art while it was still the usual method of execution throughout the Roman Elmpire. Those who had been eye-witnesses of its unspeakable horrors- would not desire that it should be imaginatively suggested to them, and in this we may have one reason for the reticence of the gospel writers. Fleury said that when the early Christians wished on their monuments to recall the scenes of the Passion they chose those the representation of which would cause the least sense of hor- ror. At length. with the triumph of Christianity, the Cross appeared in art. But Constantine chose it as a symbol of victory rather than as s memento of an inglorious death, and this note of triumph is struck throughout the whole of the Pa- tristic period Eventually, from beinr; merely a symbol, the Cross enters seriously into artistic repre- sentation and wit-h it, the Cruci- fied as well. The British Muse- um pcssesses a carved ivory box, dating from the fifth century. which bears what must be one of the earYest representations of the Crucified Saviour. 'I‘he first painted cifixion scene is though-t to be that in the Syriac Bible of the monk Rat/hula. printed in 5M. Be- ing for the use only of the learned and devout. this manuscript depict- ed the scene with a frankness un- unusual for some centuries in o'c- tures pain-ted for public view. with tire entry into art of literal transla- tions of the gospel story, in the seventh century. thesubiect was drawn upon more frequently. In these early centuries doctrinal in- fluence is marked. All the cruci- fixes are the so-called ‘trium h orucifixes’ in which Christ is e- picted as ‘Christos Victor.’ He is represented as alive and frequent- ly clad. Although Hr l5 the Sui‘- ferer. He is at the same time the Vlfllflf. who gains His triumph by the sacrifice or Himself. Tbs is s direct. reflection of the ransom theory which until the time of An- selm, was the dominant doctrine of Atonement. It was a dramatic conception of l-he Cross as divine conflict in which Christ; fights and triumphs over the evil pwers of the world under which mankind is in bondage. One conception which might be stated briefly is that of St. Chryeostom. who described the d-evl as a tyrant who tortures those who fall into his hands, but. meets a king or a king's son whom. un- justly. he beats to death. and by that death liberates the others. The ‘triumph-crucifix‘ reveals that to i-he early church the tragedy of the CrCss was forgotten because it was lost in the triumrrr of the Resur- rection. ‘Death was swallowed up in Victory.’ During t-he period from the thir- teenth to the sixteenth centuries, when Italan art reached its apogee. Crucifixion pictures were produced in hundreds. ‘Ihrouzlhout thistime the doctrine of the Atonement which was dominant was the ‘sat- isfaction theory’ of Anselm. which seems to have been modified to only a slight extent by those great teachers of the Mddie Ages and heralds of the Renaissance. St. Francs of Ass'sl, St. Dominic, and Sit. Thomas Aquinas. Each of these men exerted a conisderaihle influence upon art generally. but the'r departures from the doctrines of their time were too slight to af- fect the representations of the Cru- cifixion. The fallcwers of St. Fran- cis rvere marked by a practical p.ety and mysticism which brought a feeling of love and air of simplicity into the religious life of the r time. but they did not depart very rugg- mlnicans, who, as a. teaching order, might have been expected to pro- duce greater dostrinal changes. proved to b2 not so much innovators as the watchdogs of the existin dog-rustic t-heology_ which they se out to formulate scentlficaliy. Thus. while the greatest religious painters the world has ever known were painting their conceptions of the Crucifixion, the dominant doctrine of the Atonement remained sub- stantially the same, a t“ which regarded the death of 5hr st as a sacrifice made for sin- Whlle this theory of the Atone- ment was domlnant any variation in its sculptural or pictorial rc- sentation would be determin by the personal reactions of individual artists, the geneal characteristics of the various schools. and by such outside influences as the reerudes scenes of eva ellesl fervour which occurred from ime to time. and the r his of humanism. 1f the Franciscans and Dominicans did not materially affect religious art through their influence on doc- trine. they dfd so in this way by their part in moulding the religions spirit of the Middma Another- eample of an e influence which encouraged the repaesmtv- tion of the Crucifixion was theft _cept’on. Another clmely related influence which encouraged sentations of the aibject was the Passion Mysticism or Devotion to the Pas- sion which was periodically very popular among the devout. Theol- ogy and piety [joined in concentrat- the atltent on of the spiritually minded upon the Passion and Death 0f Ohflet. and the appeal of the Cross as a martyrdom took‘ ho of men's hearts then as never b ore or since. The whole life of Christ was s. Cross and a martyrdom,’ said Thomas a Kempis, in his ‘Imi- tslio Christi,’ and the attitude of the Christian which he encouraged was that which entered with lov- lug compassion into the unspeak- libC sufferings of Christ. Under impulses such as those, it was nat- ural that the note of triumph which had characterised the early Church should be lost in the mor- bid and gloomy contemplation of the sacred wounds. The ‘triumph- Crucifix’ was displaced bv one in which the Christ, clad only in a loincloih. both His feet. pierced by one nail. is dead. His head hung down upon His breast. The Northern artists revealed how psychological considerations affected the representation of i-h-o subject. ‘Their conceptions were always particularly tragic due to their literal and realistic temper. contrasted with the more logical Italians. Their art was altogether more subjective and it would seem- and it is apposite to the present subject-that they had s deepe sense of sin. To the Italian, sin was a more or less soft and venisl infirmity of the flesh. but lo the Flemish-and above all, the Germ- ans, who iook life much more seriouslyt-sin had s. power which they realised with tragic intensity and which coloured with deeper tragedy the sufferings and sacrifice of Him who died for those sins. To the Flemish and Germans, the Cross and Passion were above all an agony and blood sweat. to represent which no details were too gruesome or horrible to introduce. Even the commercusliy minded Jan van Eyck when he painted his famous ‘John Arnoliini arid his wife.’ which is in the National Gallery. could not for- bear filling the twelve little spaces on the frame of the mirror which hangs upon the wall with tragic scenes from the Passion. But it is in the work of Roger van der Wey- den that we find ‘s sense of trag- edy insisted upon to the degree that it outweighs all other consid- erations, and from him. through Memling, to Durer. we find little more than a preoccupation with the purely tragic aspects of the subject. Indeed, the works of some of the lesser German masters. such as the artist of the Westphalian School Crucifixion in the National Gallery. seem to have been paint- ed purely for the purpose of lac- erating our feelings and horrifying us with their ghastliness. There is no atmosphere of spirituality about them, only the air of a chamel- house. which suggests that the art.- ist has understood nothing of the inner meaning of the event he was depicting. Roger van der Weyden" was typical of s. higher type of tragic art than this; yet in his work the groups of wailing figures. their gaunt eyes gazing at the Cross. the'r hands wringing con- vulsivew up to heaven, and the landscape background, which is bare and arid, as though nature, tco, had been petrified when Christ was slain-all speak of tragedy with no hint foreshadowing the tri- umph of the Resurrection. Them is none of the native blitheness of art here, none of that ‘smiling through its tears‘ of the religious s irit of which Hegel speaks. In I Ly, with the exception of Fer- rara. where the influence of Roger was felt, the tragic aspect of the Cross was less emphasised. With the Franciscans it was treated as a historical event and the women were presented as weeping, and the soldiers as disputing, before the Cross, dramatically enough. for ex- ample, by G’otto. but without, ac- centuation of the tragedy. elioo, working under the more scholarly influence oi’ the Domin- icans, evoked a theological rather than a historical statement of the event. His ‘Christ on the Cross’ is full of spiritual significance. a sym- bol of divine sacrifice, an illustration of something deeper than an event in human history-of the eternal dealings of God with man. In only one corner of Europe was there an artist working who could depict the events of the Passion with utter sincerity, but without. propaganda purpose, excessive em- phasls on his technical means and accomplishment, or morbid pre-oc- cupation with the tragic aspects cf the subject. Rembrandt was always able to reveal the spirituality which was masked by the rc-ugh. coarse exterior of his Christs. and his etchings of the Passion are no ex- He seems to have avoid- ed the central incident upon Cal- vary; but such illustrations as his ‘Pilate washing h hands’ will ever be immortal. nce the end of the sixteenth century the spirit of the world has been against the rep- resentation of the Crucifixion in art. The frivolity and rationalism of the eighteenth century and the materialism of the nineteenth were alike unfavourable to n. sincere re- alisation of its meaning. Even had it been so (and in the eighteenth century there was one movement, that of Platists. which was claseLv role, the Passion mysflcism of the Middle Ages and might have similarly encouraged the subject). yet the devout would not have wei- oomed its representation ln art ss much as they did its imagery in their hymns Modern-tats and evan- mlicsls alike would pio-bsbly agree day that it is a subject best left alone and that the early fathers, in the reserve they displayed, were wise in their generation. Pictorial repreaentati of abs Crucifrixéon o n- iimsiiiuu IN srssini vrsrniniv Legislative Assembly. March 21th. The House met st 8.10 p No questions. On motion of Premier Campbell. first reading was given t0 an Act to amend an Act to enable the Government of Prince Edward Is- land to receive y loan. Mr. Speaker acquainted the House that he had received s com- municatdon from the private sec- rotary of His Honour the Lieut- enant Governor that l-lis Honour had appointed the hour of 3.15 p.m. this day to receive the Ad- dress in reply to the Speech from the Throne. The hour ap ointed having ar- rived, the Spa er and the House proceeded to l-he Council Chamber to attend upon His Honour. and being returned the speaker re- ported thet the House had duly presented their Address and that Hs Horour had been pleased to receive the same and give reply thereto. His Honour subsequently appear- ed in the House and gave his as- sent to an Act respecting thePrO- vincial Statutes (the Interpretation .111. GO: any ilrne Thursday, April 6th, unlll 2.00 pun. Monday, April 10th, Inclusive. RFPURN: leave destination up to midnight Tuesday, April 11th, 1939. Lu D u; I rill-end h wee bonoguev WWI The Central Guardian This column is reserved for news of local Interest but advertising of a newsy nature may be inserted at. 5 cents a word strictly pay- llalnhlllnee- _, ,_H__ coursnansnou use issua- ANCE a-aw ). The following bills were read the third time and passed: The Frauds 0n Creditors Act. An Act to Amend the Succession Duties Act, 1905. An Act for the better security r of the Liberty of the Subject, and Tekulafing the practise of Certior- in. Affidavits Act. An Act to amend an Act to in- Eleanors Electric n 1 On motion of Hon. Mr. Allen the House went into committee with Mr. Cox in the chair on an Act to further amend the Summerslde Incorporation Act 1903 (No. 2i. The bill authorizes the Town of Summer-side to acquire all the property. rights and franchises of the St. Eleanors Electric Ll ht Co. Ltd. and to establish a d tribu- tion system and operate the same in supplying electric energy for all urposes to residents of other dis riots within a radius of ten miles of Summer-side. Author- ization is given to issue special debentures upon certification of the Town Council of the amount re- qulred for the nurposes set forth. Hon. Mr. Allen explained that previous to 1920 the electric plant in Summerside was owned . s private company. ‘The Town took over the company's franchise for $30,000. Sinking funds. more than adequate to meet requirements Wiiontlnnee on page '1. c311)‘ National Asset Interesting Talk Mr. A. A. Gardiner. assistant general passenger traffic manager the Canadian National Rail- ways, Montreal, gave a ver inter- esting and thought-prove ng ad- dress on “Some National Assets of Canada". at the regular weekly meeting of the Gyro Club held last evening in the Canadian National Hotel. Mr. Gardiner, who is an out- standing alter-dlnner speaker, in- terspersed his remarks with marry humorous stories which were great- lyl eanjoyed by the membe of the u . The speaker went into some de- tail in discussing the advantages which we Canadians enjoy by be- ing neighbors of the American nation of over a hundred and twenty million people. He also discussed the important roles played in the nationhood of Canada. not only by the English- spsaking and French-speaking un- its, but by the third largest unit, the Ukrainians. He also made some suggestions concerning the desirability of in- augurating a suitable tnemonial for riaturalizlng new Canadian ci%ns and the great part that can be-taken by Canada in inter‘- preting relations between the Un- ted States and the British Com- monwealth of nations. A vote of thanks, moved by Mr. James M. Clish. seconded by Mr. S. T. Green, was tendered the speaker by the chairman. Mr. John E. Cameron. The guests were Hon. Mr. Jus- tice Arscvsult. Mr. F‘. R. Sayer of Mcnctcn. and Mr. PW. Clarkin of (lharlotietown. erful as pacifist propaganda, than any photographically real illustra- tion of actual carnage. In the same way, Holman I-f-unt. one of the few great religious painters of the nine- teenth century. was giving the sub- ct of the Crucifixion more effect- ive pnesentaton by treating it sym- bolically. as he did in his ‘Scape- goat.’ than if he had depicted it realistically as a chamber of hor- TOYS. DDeIDYour Fox Production Out 0f the Red In: and Mink Ranchers! With pelt prices at s low level It ls of even greater importance that maximum ,.l‘0tlll0ll0fl of pupa be obtained. Good feed ensuring high production la cheaper thus "cheap peioa hi“ feed with ensuing poor production. ma‘? feed so little real and - lerfoodeostc says few 1 oe of uoh "preachers 3mm lg; "i=3 gggltlgyrrlr" llfirfilfmfili‘ .27." pclvl; Jill m" ‘ma! of mow cheap faada The richer tamin Mint“! . , , content af_ ~11 Vita Crumble an. m: $8011 and morbidly ma‘: m: fsaisr in lit-Idling t I mmeisntllnpllwum tummsrrr m‘, “figfflfihml, ‘:33’, w}: from the all.“ 1:119! eedinf schedules. v - ler , °" lire Subject 0f “*1” 119-7 ~21 -3l.- HIGHLANDERS HOLD SING SON (IF-Members of A. and B. Companies and the Band of the Prince Edrwapd Island Highland- ers adjourned to the club rooms on Kent Street for a sing song and get together following drill last night. Several committee members were absent and the reg- ular meeting cf the Black Watch Club was postponed. Music for the sing song was provided by Drumrnond Odbb, accordion, Daw- son Hooper, guitar, Bill Bentley, harmonica. Vocal solos were given b? McLeod. Jack Gallant, and George Arsenault. All Highlanders joined heartily in a general sing song. A very en- joyable evening was spent, brought to a close by the King. Eastern Guardian .."l‘hls column Is reserved for news of local interest but adv - tisinéeof a newsy nature may be st 2 cents a word !l_l’.l°l_ll__llfl!_5;l9_l!l__ldv.lifl- ..'SUBSCBIPTIONS ro . the Charlottetown Guardian may be handed to their Rent. Archie Hume Personals Matliidfm” F“ in dame in I1 W Y! Souris on ollfliecisl .—-L. ..'We are glad to re that Mrs. William MaoDonal Monts- Trinity llnited Church TUESDAY. MARCH 28 3.30-—Mlsslon Band. ' 7.15—-R.angers__-;_East_§_sr_l_9r. ..'Mi's. Lina Gay. Mont-sane. a visitor to the City on Friday Saturday-l... - ..'Mrs. Jack Saints, Charlotte- town, spent the week end in Monta- gue.-L. ..'Mlss Blanch Dewar. R. ‘N. is out again after being down with the flit-L. ' ..‘Mr. Fred McIntyre, Montague was a visitor to Murray River re- centiy.—l.. MscPherson Sum- ..'Mr. e1 merside, speennr several days- ~11: Mgrvsgue and vicinity on business- — 4-Day: Sale-Al‘ TUESDAY, WEDNESDAY, " . THURSDAY AND FRIDAY} 24 lb. Bogs flour 63, and 73" 98 lb. Bogs Flour $2.00, $2.43 and $2.53 l0 lbs. Sugar 55c :74 l0 lbs. White Beans 39c _; l0 lbs. Rolled Outs 39c, V‘ 3 cons Peas, Corn ~-‘* or Tomatoes 25c , 2 u». Mixed Biscuits 25c . 2 lbs. Lord or > Shortening 25c 2 lbs. Bulk Raisins 25c Phone 2461. MacPlIEE anus. 55 Prince Street. fir’. who has been ill for' the past o weeks a making a good recov- SPRING Mcllowan’: Ltd. April 3rd. to April 12 3$aT3a$fi if.“ s"°°“‘ 322 National veg. Soup‘, Lar 9c Rlw. 5lbs.—-—--— 25c Soda Bulb]: lbs 13c l —- C shalom‘, lb. - 9o 'l‘omstoes. quality 0c Bulk Dates. 4 lbs.--——— 25c Brooms, each — — — — — 5c grit: Seedless Raisins 2 lbs. C lohards, 2 for — — -- -—-— l! gnaw“, 2 m. _ ‘_ _ ._ 21o See our other values in Footwear Salmon, 2 for - — - —- — 21¢ SOAPS ' Clams. a m r ———— — — 25¢ Roma Coffee ——— — — 29‘! P- Handy Ammonia ——— — — —- 5° IPREE-FREE-Save your Sales slips when total lsv $10.00 we will give free l Pair Scissors Value about ‘$1.00 during this sale only. Buying O-ats 40c, Hides 4c Market Prices McGOWAN’S LIMITED KILMUIR, SALE at Stove Oil — — — — ———-lilo InwPriceeonFlMr Beaver 88's — — — — — 51-90 h t s§7______ 2'“ ComyMeal:-——-—-— fill leyp --—-— 1.00 Galv. Wash Boiler! — — -— 89o Handy Rd. Shovels — ——A0o Men's Oxfords - — —- Lb. Eggs, Butter etc at‘ P. E. I. “ Erhan ” RUST- RESISTANT Tllla variety ls the coming Oat Farmers to grow. Free from good yielder. We or lale. Price $1.40 per bus fret. I‘. 0. B. om- Warehouse. L-iass-a-z-s-au-e-ll.‘ farour Bust, and a have s limited quantity hel, bags SEED WHEAT “CORONATION” RUST - RESISTANT We have already sold u lariglmqyuartlzrom cutting. Book your order new. e c9235‘...- t vThis Wheat is qualities. Ins-mere who t. while their neighbour's Prise l-Dfl m»: ‘ ""lv...in".‘.fl% l - ~ »:.-.r....-.-;r».e~e-.r.‘ . i, ':....am§.-,s-;¥.-.1-...d.r-<;a-sr;~..r t l