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f , , __r . tn. ___,»;_¢_3~.'_-.j_k'_____’?. _ __ ____t_,_._fi___:» 
5 ;w» _ . . , c .
i:he_ Largest
Circulation
Province.
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mia irtorinow I    i   
' MORNING DAILY FOUNDED 1891 ' t "” ' - _ _ _
WEEKLY (Now RURAL. D , 7 ‘ » _ r ~~ _ _ ,
A1tY) its t LHARLOl`TETOWN, PRINCE EDWARD ISLAND, SATURDAY, FEBRUARY 12, 1910. l_$z_3;§;‘8“°YNl§?B§§Y`“§i1fLmm*&;§N“§%n
' ' " "'-~~ ---~ -»`-'-~- --‘lf-'-1 1’-‘ _'__' f _ -_ --- _ ___ _.__  _,_ _ ._.f ,=,____,; _,
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1
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i-i L nr/ants* or Tn i; rrortr.  
00D old Songs T/.af 1, ..“=   
_ Qnce Set You a-Humming ,.,._ hu h ° °"" °" "";°‘ _"‘° `_,_ . _ _“-‘_"'_~  4
 Heard in Public' N0 More  “_-E: 'V/ J, *__ ._'  A
“"'l}‘*li"”   No! For ot‘Ierz,' buf Are ' A   -~ _ 'A  °   Div ‘t-..,...;:._5__¥...»
ED ra ti-ii; ,sr G. i   si GV.
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` '. ‘ By V _ ` »
\*'\`_,_\_ cspymiti. mos, ‘ry inept. w. sum it cs.
rime .Favorites in Private Li _e F“‘““‘°“* "°‘;‘,?,E'°..1;‘;;".I_§1f,%"°' *“° 5°"-' ., _> __ -W A ,_ _
_ ._ f Covvrtnie, im.svt_:t»-ft¢¢i1.M-r-_'.\. _   E 
" tCopyrl,;l|l, lllltl. by the Nou' `x'orL licraiirl Ctr. All [lights lL1.eicr\'ct’l,)
RE they forztolicti? 'i`lie inuslw sellers .=:1_v no.
Old fittnliitir suiign, tlit~_\' niii_\‘ halve tiisziplilitirt-tl
`i’roin the \':iutle\'iiit~ :intl |»<»|iiil;ir t-niirtirt _<t;\ce
and iinvc been .-i||,»pI:iiiti-tl i»_'.' the r:ipltl tire _stic-
Cession of 1etiipoi‘tii'y hits, hut t't~i‘;u‘tit-ii tln~_v
have not neon. Tiicy still nrt- .~uti~,; in parlor :intl
"best room” und by niiiny li tir.~~‘:<it»_ lfnr they lite
in the hearts of those whotn lliin-rin t;;illt‘d "the coin-
'mon people.” ‘
Go into it music store and ti-i< for ".\i;it"_'ut~r-lic."
The salesman tloesn’L imvo to u ili.~al.- up in the not-I;
room for it. It may 'not ln- on tint ~;|i-_-- vntiiit~\i'_ ltut'
all he has to do is to turn tn n limi-,~l\:»' .-nt-it'---:intl tiirrt-
|315- That dne5n't lfioli `iuut-li :in if lt i|;.tl iteen for-
!0(ten. Anil thc sumo is true of n\:it~y :intl iminy il
“U8 ibut no longer t:unit~s titer tht- 1`notil~,"ittS-_
_` MOTQOVCP, if the .\'liii:t:i',~' only liitvu' it, they ctiulll
' make a bigger hit with Nunn- of_tit~.~-» oltl s<iii;,;»- than
U18! do with the new onus tinit ~.it_- siitititiitl into iwli'
ularlty, soon die :iwtiy liltt- :i faint i»wiio.`;iiid. \\'ll0ll
f°f¥01tan. are furgruiteii l`ure\'ci'. it :in.\' lI~‘U\l ~`lilF"l`
came out before the fnotligllts t<»»iin=i-i-ntv :intl with
due etpre sion anti <'li:ii'tn of ruirti s:t~i§_: ".\lt\ri:tt<°i‘itt~."
that lov# little Soni: still tvoiiiti lr ~ ttiiiiiil to inzike ns
strong an appeal to thc iieiiris or its ln\ni~t~i~s :is \\~lit~u
It wa! Brat written niitl f*-_ftiipow-tl :intl tirst niiitlt- its
Way to_a sale of ii million t-oplt-.--»~»soint\tiiiiig, it is
said, no othei’ song luis lit-cotitplislied. .\ i\0it\l1=\\'
linger of the day when “l\liii",'iit~i-ite" was first pub-
lished used to sity that she cnniti non: its 1-rt`ct-t Hilti"
U18 y0\l|J¢ people in ilio iiittii:-in-t-, see thtini tlrtiu'
clolel' together and cxirliiiinzc- tciiiioi' ;_'liiiil-vs; :ind that
she had even`itnn\\'n quiirrel.~a to iw f0l`£l|\'0ll nfl"
lovers who had parted in tt-tn|~t=,i- lttni heard "Margue-
litl" sung. _
- Thisris it very cltnrining stiiig, this "‘Miii‘i!\»\l\`ll"~"
Ind there is every reason why it _-limiiti not ht- fount-
hll. In0eet1,ln nctunl inuslcni mt-rit it is r:it\it~r tilinvo
tha l`v|?\‘_d¢e'[iopnltir soiig. even tilinvo tliose liint, like
lt, have gone Fir living tinohtt'ttsi\'t~i_v for innny l'\‘2\”9-
It! ¢0lIlDolol',.ihe lltte Mr. (‘linrlt‘s .\. \\'iilt<~, t‘nllPtl
it I “romania” oh thc t|tlt~ pitch, nnti ntitlr~'r tliait' lis"ttl
it may Weil be class(-ii. it hint n hrt-._ttl. llftivllti-i l\\il0'
duction and a charming iiielntly, and the tmiiic “.\iiu~-
lueritg" ig rqpenti-il 'et`i'or~tl\'i-ix st~\ 1-rni tinit-s in the
eourn ofthe song, limi twice t»¢'M“l ef ill" "ml “""
added moot. `
~ A - ‘Tl1c`Story of "Mn\'g1`Ff.if°-" ' _
li flct., _tho song is ujltiti. tiiiisliitiits wotiltl cnll
I  °‘°v°"=~_'-;~_s'_-°°'=_°se°_° =-_==i-
l i
_  ,
- ‘- -,sw n.: 4 ,
_ _ _ `
oily is simple, without litfing primitive. introduction
:intl intt~t'iud<- i~cil»_~rt the cllztrricter uf tin- “t°oniniizii."
:ind tiir volt-t» piirt wni'ics up to an extfolli-iit eiimex.
\~.'ltit~li in tht- svcoiid verse gains zitltiiliniiul force from
:i .<\i'viictln~ttii\;; oi-the uccoiupliiiiiuczit.
'_i'liort~ is no rriisnti wily tt sitigcr of to-titty in search
oi' :t i‘c:ill_\' eller-tl\'e s<eiiiiiii\~titnl song: should not re-
iiitrrnliirt- “.\i:ir;.,f\i\\rite" to the fot\tli;:iit~'. it is ii'ue
tit-ii the words tnken hy tlien'isel\'cs :ire tiultc coinmon-
; l::t-t-_ hut they :irc not noticvniily so when stun.: to the
iun<lc_ In fnct, they sound :ippt'np1'iiitel_v sciiiiiiiontal
\\'i\:u coiniiiiieti with the romantic melody.
.\lr. \\'iiite is said to have made $200,000 from this
one suing: uionc. :intl its hc also wrote “Put Mc in 513,'
Lillie Bed," ".\lo<mliglit on the Lake" nntl ot'iie`l‘
songs that wt-ro popular it is tio wonder that he en-
joyed ti latrgc iinfoiitc from his coiuposilions. He wus
born in '_l`iiuntoii, Mass.. het~t_\ine proilessor of dancing
at tlic l'nit<-tl Sttttes Nitvni Academy in Aiinnpoils,
:ind when he dicti in Boston, ut the nge of sixty-two.
htni ct\iupo.-ed soiiivtiiiiig like sixteen thousand songs
null iii_»'trun\entai piei-cs.
lt` _ton seo ti pit-co of music in n cover with ii "cn-
eriii iieep glowing ctlect anti occasional red tone; in
it :intl on exuiniuingr it more closely tiiid that .1 vouit
my in eveii ng cos time ii rec u ng n it rc <-us ~
i t ' i t i tt i i ti ` ng
tniit-tl iirui vhnlr with the glow ot u red shaded lamp
on hor fuel- und it but-kgronisti of heavy maroon col-
ori-ti i-tii'itiiii.~_i--wily, it's “.~\ ter the Bull." if you
.take np the music you will see also in red letters on
the cover "ily Mr. tjhnrlcs K. Harris, composer of
‘Wotiltl You Gare' and ‘Without it Wedding Riniz,' "
.wa .\ir. Harris is sultl to have drawn $4S,`000 in roy-
alties within n couple of years after the publication
ui' this song. _
lit- was horn in Poughkeepsie and then went to Mil-
wnukoe, witcrc he was living when "After the Bull'
inntie liiiri i’.ini-nts as it writer of popular songs. lie
itn...»<»it is ;in~.il\»i'ity for the statement that he doosift
lation' otzi- non- ni’ iuuslc from the oLit;~;'_. Yet he iris ti
ii_t;;.;-.11 mi- ft t- inclody and ti naturnl gift for playing
inusicitl iii~li'ittiit-lilo, for wiien lic wrote "After the
liiill" he nlrctitly ~.\-as trying to make it living hy giving
It-.-.»-oils on the banjo and the guitar. Ile had written it
few .<t\iigs» iinit is, he hnd`concetvctl the tunes in his
hesnl und had whistled them to some one who wrote
them out for him and harmonized them.
".\ftt-r the nail" was written at the request of s
fi-ivi-ii u-no \vnntcd soiuetlring to ling nt .1 seinl-]:rrofes-
sloiizii <-mei-tnlnnient. and as this was to take place
within it few tiiiys the friend wantedit quickly. Mr.
llnrris had not up to that time made n great success
witch :iny of his stings. but his friends reggtrded him gg
it _-hunt: ;,'t~nins who could lmoclt off it song to order in
,... tint.-, 'l‘in- tiny hir. friend came tn him. however.
fnt- ii snug for the entertainment lu which he was Yo
take_p_srt_lii°.-B_5rri_| was tired., Ho h_!d,bee_n to a
not he mine Will break my heart,
Marguerite, 31.11' - gnerite- )
_..--/~-/
~ f.\
\
Ll _ 
F tl
____/[Fragment from Chorus of “Marg'.~:rlt¢:.
some universal hit as the song which iirst brought
him his reputation. '
To have a city named after them in not the lot of
common mortals. Musical composers. like artists.
used to be named after cities. This in the days of the
old Italian painters and the old Italian composers of
church music. Since then it hits not happened often,
if at nil. to any of the composers of serious music.
It is not recalled that there is :i citfrejolelng in the
name of iladyn. Mozart or Beethoven, But out in
Indians-"\\~ti_v down in Indiitnn" might be more ap-
propriate to the occasion--there is a city named
Dresser. lt was named after the inte Paul Dresser
when his great snug hit. "On the Banks of the Wn~
bash." was at the height of its popularity.
Mr. Paul\Qresscr was a‘woi;dcr ut writing words
with the sentimental home association that never fails
to touch the hearts of the people and iwtlrliiig those
words to tuneful and iipprtuirlste inusic. Even if you
never had seen the Wabash, hut heard his song about
the edect of the moonlight “on the banks of the Wu-
bash, far away," you longed to no there and look at the
thing for yourself or regretted that you weren‘t born
there, so that you could share the poet-composer's
homesickness for those picttircsqiiely deserilied shores.
Nor were you apt to be disillusioned unless you heard
the ditty sting by the coinedliin who l>etwccii`e:\<~ii
verse had u habit of saying. “I ave you ever :won the
Wnbns-ii? It's just about flint broad," making n tres-
ture with his hands lndi tiling that the Wabash was
about the width of ii brook.
“The Banks of the Wabash.”
Mr. l'aui Ilresser was forty seven _vcnrs olil when
he rilril, it fe\v days ago. lifter :ni illness of only three
days--heart failure induced by tlropsy. rather ii sad
ending for a man who really had done nice worlx of
its kind. He came from the___St:\te through which
flows the Wabash and he lived there until he was
twenty years old. when he left home and went into :i
patent medicine house. While he was there he wrote
“Paul Dressers Songster," but it was not until he
gave up business and took tn the stage, zippe:ii~ln;;
opposite to “Billy” Rice in it uiinstrel troupe in Chl-
cago, that he wrote his first hit, “I Believe It, for
My Mother Told Me S0." \vords ln every way typical
of the “home nntl mother" style of songs he turned
ont. But “homeand mother" are good old standbys
for song writers if they only know how to work them
right, and Paul Dresser did. That ilrst “home and
mother" song of his took him od the stage and
brought him East:'°tO' New York. where he ss-tried
down to the profession of song writing. ' At one time
it seemed asf! there wasn't a popular singer in vaude-
ville, a inlnstrel troupe or it quartet in rnrnl melodrama
that wasn’t: singing "On the Ilnnks of the \’i'_ahnsh"
with "weepa" in the :iudil-tice.
Another wonderful “nnnie und mother" production
By C. A, Vlhtle.
Copyright, |553, by White, Smith 13.- L'>.
ing n popular song. it is that subtle iriiility of nrt'
ting over the footiights and uiaklni: ai. tntpreninioh.
brief or lasting. that makes it song pngiullr for a siwrx
time or forever. And it ts their lnsbllits to get over
the footllghts that has inzitie failures ot niriu_\~ songs
which on paper iiosness lar more in'-rti than thou
that have succeeded. _
In any event, "Dci\rle!" got over the footiightii and
got over in great shupe. Fftrgotteiii' Not ut 'xiii All:
any niuxic denier und he will be :apt to tell _vnu tim:
its author and `coznp)isvi' still slxuvftl he milking ii
comfortable living: --nr of \h»- i'oy:ii;: -- it unit' not
be getting over thf- .-ttiitxtiis, int; fr .-.iii iii getting
over the counters ui' .he inuslc srnrt-.~_ > _
` ` _ All of Them Catchy.
“Dcarle!" situ- iii# llfrhr nf dsx' in ?\lr_ "init-ie: Dil-
llnghxtnrs prodn-'~\it»ii oi' the iiiiislciii fur t~ "r4i-igt-;ii\l
Brno." in n'lill~li Sir. i-‘|"i:\3; llnuii-is -__ -1; tin- .~'t;ir.
Miss E:'liit‘ l-`l\`T`tr, lin- lnztilim: woiitteii \\ i'ii\tiiv rout-
DBUY. \'.":n is ti`f:'li-:.tl nt' .\li's. l{uintiii~i‘.<. tvotir tu
Mr. Dil`.ii';_'li:\n: ore tiriy :intl told iir~r nianiiift-t' chili
she coi:`<l tri-i it i_t'i'i\~ x‘rntn in-i' friend. und \\'m< told
to go alsrztil iinfl get ii. llesult, "Dearie!" ti som: with
li c:iicii_\ tune :ind \\'<rrtl~' to match; or. if you i'li/,mov
to put it :inotiicr \\':i,'.', \~.~itli rntclty words anti int -'
to iiltittfii-ti \‘t~r_i.' iglioil _~ioii;; in fzill in with tiiiil tt
pieiisuitt song to hear. lirs, linuitner is ti trrnlid-
niece of Henry \’\'::i~tl l’.:»i><»iu=i- and ri cousin nf .\ir.
William Gillette. Sho wrote ft wlioir- opcr-_ word.<
and music. ily inir-|<'.f_ it is f-:tiled "_\.'n=i`|'~ Ark."
lint the iiiiltiit' fiillcfl it- i`\i'tl tivo oiite ltr:ii\"L~._ How-
ever. ihfirt- is nn\ii‘<- .-f~~-~= -I -'l ci lu hi-int: ti siicrvssfttl
wriicr :ti-ti on-~~-~  ‘ - » -.if iikp "Dpm~ip[" and
the inter _-nr-_-4 lm. '~¥'-_~\‘~' " .' nn- of the creat emu-
posers, for t-r;;iiupic ltr-iiiii-.iwii in the sch§‘r1.o__i\f_ tim.
"Erolca" syinplit-ii_\-. lint-e utilized po1m1nt”r\‘IlIll§_`§Drl
their themes. flouic ;:rcnr co_nipn.=t>r. if girlr'-ther ever
comes x\i'ui;.'. r~<:u'd inztlce :i \-:_-rr attractive episode of
"Ilenrivf" _ !tir.~=_ iitiiiitiivr peruilitlnc. `
“Anil "V-z' Gnltlrn i-isiir Was liiinzinz Down Her
ll:ick." ‘.`_"»_~' lt, ii:d:=r=d? Yrs. iiidcvtl it wntl when
the slit-_ ’~ ilttlc in:iitlr=n arrived at the Grand C¢nh’l_|
Stnticti. ini wlien she itift it wus don# up nnrl tlleill
was ":i t=£it;;lit_\' little twinkle in her eye." Thi!
pm-tical effusion. with iippropritiie music, is :iii Angler
American protlur-t-the words American. the milf
English, the work of Mr. Felix .\lcGlennon. Mr. K0-
Glennon is interesting because hc is the coinpooer of
"Comradcs." Sonic years ago one of the New York
newspapers recorded with great glee that. an a polli-
icnl excursion sailed past Blackwell's island, when
the coiivicts were doing time and the chain step. th!
hand played “Coinrades." This English compose!
wns born in Manchester. Ho had a musical educadnl
and first tried his hand at composing high class mush.
Apparently it was high but not “clasa." Accordinlly
he went in for popular niusic, and the result wll
f _
D Ar, H2; 3"'
not sh!’°
L
Fragment from Chorus of “Maggie I.~Eurphy’s
By Dave Braham. '
Copyright, treo. by wiiit-m A. Pond it co.
tlniivc thc niglit before :intl ilitli\`t feel up to the mllrk-
tlonstiiiiieiitly when he was ificed if he would have ii
song rctidy for the occasion his answer was. "Don't
nsk me now, 'I)oc,’ l’m so tired after the bull."
I-lis friend went away tlisappoiiitetl, but hardly had
he gone when .\lr. Harris found his own words. "after
i t him and soon as
” H A » `
the ii'iil" t~tmsi:\iiiiv recurrng o . _ _ . ` FJ'  T- g f l l
` ' ` if- witi mem ' f lil”  ' El _l;- I
.t `,~
..-
Horne.”
QB
101°
¢\°°°°
Fragment from
“Ta-Ra-Ra Boorn-do-Ay!"
By Charles D. Blake- .
Copyrighq lliyby _Chu1¢l_D» _B&
J copyright sy oimr Dime _cd
l l-3- _Er-_ -F3-L %lr€i'-,r:i;*~£E-”;,:-
g -
Com - rules, onm - nides, ev - er sinus vo were boys. . . _»
tliev i't\cnrretl_ hu heizun to iienr inns. 1 . _
is L his -side - - -_- ,.f_~”'“"'_/-" _D ,_ ff- '-
Before limi: he litid his music ziiiinnneir- ii
writiiig down har ufttrr hnr of n. melody that Mr. ' J/ Fragment from comrada*
Harris was whistling. 'i'hnt: was the genesis of
" un it is ii ood example of what it \ ’-i~~ -- * ° . _ , 3-y|=¢|;; M¢G|¢¢gg`
“After the Bull. d g
few imrs of music und n little rhyme will do toward
iict~oii»~_-nting it young man into the rays of the popular
ll
‘i
liniellglit. 4' of Dressers-_wonderful. that is. from the standpoint
After the Ball. of the popular song writer-was “Jtist 'i`t.-li 'i`he;n
-f 'i’hern does not .seem to he much association he-
ttveeii Air. Clizirlt-s Ii. Harris and the lute Alexandra
iliiniiis. but ns. one cannot make ii success without
helm: found fault with by those who haven't, it ls,
perimps, not surprising that the author and composer
of “After the llnii" has been :mill to have gotten his
idea for tho sung from Alexandre Dun»ns‘ “Quai-_n‘s
i\`cckloce,” This stanza is quoted as snowing simi-
larity to Mr. Harris' words and as hnvlng`suggt_°stcd
theni:-- '
"After the trngedy's orer, l
After the play is done.
We must go home with the ladies.
Coupledjtind not one hy one."
Aside from the fnct that it is most unlikely that
Mr. Harris was familiar with the “Queen's Neck-
lace," that the metre of the stanza just quoted is by
no menus an unusual one and that any writer of verse
readily nilght drop into it there is little or no re-
semblance between the Diiinas stanza and the lines
of “After the Bali" with the familiar refrain:--
“After the bali is ot-er,
After the break of morn.
After the dancers' leaving.
After the stars are gone:
Many it heart is aching, if you could read them nil;
Many the hopes that have vanished-aftei' tlie hall."
Mr. linrrln has composed it great many more songs,
among them "Soine\vhero." “Would Y. u Cnre‘."'
"Dreamin love, of You" and "Tho Belle of the
..Bgti.'c nu§'no'tinn;_-o:_ai»'im: .york  ;n_»s»,i,°,-‘L
` __
l
ihat You Saw Me." The words may be tional. but
,tin a popular audience they somehow never foiled to
make straight for the heart.
"Just tell them that you sow me.
And they will know the rest.
, Just tell then! I was looking well, you know;
Just whisper, if you get n chance,
¢ To mother dear and say
i‘ That I love her :is l did lung, long ago."
' The song is in narrative form, nmi whatever you
may think of the words from it literary standpoint
they "fetch" you every time. in fact. the charm of
all truly popular songs is that you aon't stop tn
think of the words from ii literary point of view ir
itil. You hcnr them with the ntusic and that writ.-
to throw a halo of sentiment around them and for tin-
time being saves them from the charge of being
mludlin and trashy. '
“That's ii classic." They were speaking of
“Dearle!" The man who said “'1`hai‘s »\ classic" is
not the nrst one tn pass that indcment nn .\trs. Claire
Boot-lier l(itimner's song. 0.' t~rur~.» :nr \\-nrli i~!;i.-st.:
'~-fl vs to its |ii~tlln;: qualities. not in niiyiiittng statin!
ir -_umpiicated "_ii its melody and liarinonitnitlnn. it
i- sttnpliclty itself. and in that very sliupllciiy ih-1
its great merit.
Plenty of songs are simple but hnve _nothing else
to recommend them. hut the songs that nrr simple nr.-'
'curry' must possess some merit peculiar tn them-
selveii or they would lot last. in het, were you to
snalylo all the songs that ever have been popular
_ i_.
' / V 0 \
.
“Comradcs" and standing contracts with two-h_Ul'_~.1
tired singers in lingiand. Domesticity is an l\il_\~&_
Mr. McGlennon in writing his songs. so that they MI
be sung at the iirehide ns well as on tho btlirdl.
"'l`:\-r:t-rn Bonui-de-ny!" Do you recall how
~ \o~ n s und the abandon of Lottie OCX
qur~t~| si rc, BQ!!
ni: t‘-- :init song? To think, too, that it nctullll _
into _ne Chancery Court of Londolh Chki I _
sun-ling rendering a decision, in s suit brought _
infringement of copyright. that the will of the I0 _
\ not discovernhle-s. decision that brought; down'
\'l8
the price of copies from four shillings to a poiilll
This song, which made its greateot hit in lug
gut there by way of America. It may _lava-
in England but it wu an American vonlon which
Mi-_-t ceiiiné amines no one is Lesson-he nog.-
ntiio h the words sim I sn s jargon. lmkiil Q
I UK PY
.~n'.~cei-is because of the fiery Gian and Barca l|l!'lI.\_¢
the air. qualities into which Mill Coillll tlldw F-
self with sincrity. ,l
A London house bought tho copyrillt _Holi II.
Presto, there appeared upon tiioreono lh Gilirlrt.
n composer of most serious music; who dawg!!
the slr had been taken from itil élltatl “A _ ll."
'i‘ln»reupon the publishers bought the olltltl IM,
brought out the song with Miss Collins ill hd il*
on the cover. '
."l.hough ftill of fini Pm never rude, ,pm
l'ui not too had and ‘m nom ¢00d." 
The some tniglit'bo said of -soul, bil! llild
arent vogue for s long time and still loo to bold
its own in the stores. At tho time' of \
.':.'t';i.i'.:i‘t..’°......°'°°“. ii:°::““;,,,...,';' ‘~ ~ ;",,.~"3-
wwaw\r4cmia.uQra.nt1\a'°!t M£8 sTlf#a%w 1l't»°°°‘i>\till~¥9i::;°’
my .-,.t._....».t._...o..i»-..i»....,,_,,,4
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