The Cadre November 25,1997 
     
    
   
   
    
       
     
    
   
   
    
       
     
    
   
   
    
     Pychedelic Nostalgia | (]MN 700 AM (892-CIMN) 
     
    
   
   
    
     By Matthew Hennessey 
     
    
   
   
    
     remnana ne soe sears ene] PPOOTAM Guide SHOW 
     
    
   
   
    
     quickly established the strength and appeal that “black” music 
     
     had in the New World culture. Although the hit list charts 2 ° 
     
     express a white character in the early days of rock during the 
     
    

    
     50's, (Presley, Holly, Lewis, &co.), the influence of all of 
     
    

    
     these artists came from southern blues and gospel. The 
     
    

    
     transformation which took place at this time pushed black 
     
     artists to create their own path and regain their own identity. 
     
     R&B, soul, and funk was the result and it revolutionized 
     
     the state of rock music. With these transformations and the 
     
     ability to adapt, a new music was taking shape on the inner city 
     
     streets of New York, Philadelphia, Chicago, Detroit and Los 
     
     Angeles. Hiphop and Rap emerged. In their purest form, it 
     
    
   
   
    
     was the perfect tool of expression for an oppressed culture, : Making Noise . 
     
     ~ form produced the beats that allured the global Jay Collins hosts n on Sundays from 9PM to 10:30PM 
     
    
   
   
    
     culture. i i heard 
     
     Controversy was a key player ia the development of A wide range of music from CANADA and around the world that should be ! 
     
    

    
     Rap music. Artists often preached about the hardships of More Rock! Less Talk! 
     
    

    
     ghetto life and issues such as cop killing preoccupied the . oe hi ot A sa 
     
    

    
     school of public opinion as well congessional hearings. Public} UK ~ Pop -- Dance -- Rock -- Blues -- Jazz -- Reggae 
     
    

    
     Enemy, from New Y ork City, lived up to theirname in more) Cjassics from Duran Duran -- Tom Petty - U2 Frank Zappa -- Police. 
     
    
   
   
    
     ways than one as their innovative sound attracted a wide : sie el -- Radiohead -- Gandharv eadst 
     
     range of people from around the world. Their lyrics and their Now Fitts from Rusty — Big Sagas e en BEN 
     
    
   
   
    
     grooves crossed racial lines and made huge headway into the 
     
     white suburbs of North America; needless to say, the power- 
     
    
   
   
    
     ful white upper class patriarchy, was very threatened by this Cory Judson delivers fresh vibes on Stone C Id Groov 
     
    
   
   
    
     form of free expression. 
     
     Public Enemy's most important album, was /t takes a} Tuesday 10PM to 11PM 
     
    
   
   
    
     nation of millions to hold us back, blending heavy guitar, a v covered from to Hip Hop to Old School and 
     
     strong base precence, 100 million radio samples and beats th (Ae eee Rep et 
     
    

    
     at hit the airwaves with machine gun accuracy. The 18 track 
     
     album came out in 1988 and immediately caused squirming in 
     
     the upper echelons. Their topic of choice was the state of the 
     
     black community in America. They addressed the problems 
     
    
   
   
    
     through a thought process of critical analysis that pointed the tes all h in Damage, Incorporated. 
     
     finger at the established institutions as well as the African] Crris Gaudette consolodates all thing heavy 
     
    
   
   
    
     American people themselves. Singles like “Night of the living 
     
     baseheads” and “Black steel in the hour of chaos” each cover| Yhursday 3PM toSPM. 
     
     issues of drugs and crime, but they differ on causal factors and 
     
     even the consequences are separate. ; . ..| Twiceaweek, take atrip into schizophrenia with you host Chris Gaudette. Playing a wide range 
     
     sustingn ad Reach thee boschegher colideclen a rater OF of styles but with a focas on n the hard and heavy itis Chris's goal toleavehis 
     
    

    
     e ite ite : : : more. 
     
     the shetio colmnaaieyaneitl werful to be ignored, even by listeners eithercompletely or begging 
     
     hiphop artists like Puff Daddy and Mase who contrib- 
     
     ute to the dilemnas of inner city life rather than help them. The 
     
     times of KRS-One, N.W.A., Paris, Disposable Heroes of 
     
     Hiphopracy and Public Enemy are to be rejuvanated in the 
     
     very new fete. 
     
     Public Enemy Jt takes a nation of millions to hold us 
     
     back ei 1988) countdown to armageddon-bring 
     
     the noise-don't believe the flavor flav cold lampin- 
     
     terminator x to the edge of panic-mind terrorist-louder 
     
     than a bomb-caught, can I get a witness-show em whatcha 
     
    

    
     ot-she watch channel zero-night of the living baseheads- 
     
     Black steel in the hour of chaos-security of the first world- 
     
     rebel without a pause-prophets of rage-party for your 
     
     right to fight 
     
    
   
   
    
       
     
    
   
   
    
       
     
    
   
   
    
       
     
    
   
   
    
       
     
    
   
   
    
       
     
    
   
   
    
       
     
    
   
   
    
       
     
    
   
   
    
       
     
    
   
   
    
       
     
    
   
   
    
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