UPE STupeRt REwserarven editor-in-chief matt STEWART production manager/graphics thomas LLOYD copy editor catherine SWEET news editor laura FANNING entertainment editor brodie MACRAE sports editor alex FIELD photographer brad DEIGHAN reporters mariéve MACGREGOR julie VEINOT advertising manager natasha MACKINNON distribution manager lennie MacPHERSON contributers adam GAUTHIER jon DEAGLE mar- garet DOYLE The Cadre is the official newspaper of the UPEI Student Union. 2,000 copies of The Cadre are printed 10 times per semes- ter. There are meetings open to anyone Mondays at 4:30 in room 213 in the W.A.Murphy Student Centre. The dead- line for submissions is Thursday at mid- night. The opinions expressed within The Cadre do not necessarily represent the views of UPEI or the UPEI Student Union Inc. The Cadre is a full member of Canadian University Press (CUP). The Cadre is represented by Campus Plus for multi-market advertising. Campus Plus can be reached at 1-800-265-5372. The Cadre UPEI 550 University Ave. Charlottetown PE COA 1TO Tel: 566-0629 Fax: 566-0979 Ads: cadread@yahoo.com Letters to the editor: mjstewart@upei.ca www.upei.ca/~cadre Cover photo taken by Tom Lloyd UPEI Theatre Society: As Everyone Likes It The UPEI Theatre Society held three nights of their major year-end pro- duction, William Shakespeare's comedy As You Like It. And there was a lot to like. Set in the 1 te —o included the whole gj play —all three hours | of it — along with songs of the hippy / period (instead of the © Elizabethan). All characters, the dukes to the lords, were donned in retro cos- tumes, which makes sense when you con- sider how hard it would have been to ‘ find Elizabethan peri- 7 od costumes for the | two dozen or so actors. Though it was | a little disconcerting to have people spout- ing Shakespeare prose while dressed in Afros and flowing 1960s gowns, it was not something that changed the flavour of the production con- siderably. While the people were dressed as though they stepped out of 1969, the set at the Carrefour Theatre was a beautiful for- est, often highlighted with green lights, that was both pleasant to look at, but not so distracting that it was hard to focus on the players. For those not in the Shakespeare- know, the show follows the love story of Orlando (Matt Stewart) and his amour, Rosalind (Sharon Eyster). Both end up in the forest of Arden. Orlando is outrunning his brother, Oliver, who tried to have him killed in a wrestling match (wrestler was Danny Maloney). Rosalind is joined by cousin Celia (Melissa Vloet) and Orlando from your library fines. Robertson Library Food for Fines Do you have library fines? Would you like to help a needy family or individual on P.E.I. this Spring? Bring 1- 5 non-perishable food or grocery items (e.g. canned goods, pasta, light bulbs, toilet paper, etc.) for the Charlottetown Food Bank to the Circulation Desk at the Library from Monday, March 24 to Monday, April 7 and we'll deduct $2.00 per item-(up to $10.00) page [2] March 26 2003 is joined by an old man named Adam (Alex Field). To complicate matters, Rosalind is banished from the court by Duke Frederick (Corin MacFadden) and to keep herself from getting caught, she dresses as a man. Though they could live happily in the forest ee he hippies who sing and picnic) with a woman dresses as a man, you know things aren't going to go smoothly. In the | forest, a shepherdess » named Phoebe (Mary Clements) | falls in love with _ Ganymede, a.k.a. | Rosalind. To com- plicate matters, the shepherd Silvius (Adam Gauthier) loves Phoebe. Of course, as it is a comedy, there is a happy ending. Duke Senior, played by Lennie MacPherson, who was banished, gets his happy ending, along with the loving couples, including the clown Touchstone (Joey Weale) and his country wench, Audrey (Jennifer Jackson). All aspects of the production came off smoothly: the singing was clear and beautiful, thanks to Christa Rehberg, Derrick Vokey and Carrie MacLellan. Even without the help of microphones, the voices carried through the theatre. As said earlier, the stage was beautiful, with enough props to create interest, but not overpower the acting. While much of the acting focussed on the dramatic as opposed to the slapstick comedy that could occur with a play, there were laughs to be had, especially when the country wench (Jackson) couldn't allow her country-self to adopt a proper sitting position. The makeup came off flawlessly: Field, who was supposed to be an old man, actually looked old. I wasn't the only person to give the production a good review: even on the first night of the weekend, the 80-member audience gave the players a standing ova- tion.