( Album Reviews| The Beach Boys The Greatest Hits — Volume 1 EMI Arguably the greatest musical group ever, the Beach Boys were known for their outstanding har- monies and inno- vations. This CD (A+) takes the listener through the bands’ career fro the “cars and surfing” days, the studio marvels of Brain Wilson, and wraps up with the groups’ 1988 hit “Kokomo.” With gems like “Little Deuce Coupe” and “Good Vibrations,” this is a solid CD worthy of steady listening. -O’Connor ve et There Be... Ruff Ryders/ Pinterscope ve, originally on Dr. Dre’s Aftermath abel, has since elocated to the Ruff Ryders camp. She omes through on her first album with funny and original skits, only a few featured artist, wicked-ass beats fro Swizz Beatz, and hard rhymes. Ruff Ryders’ First Lady makes the grade (A-). -MacDonald Oist ercedes Five And Dime MI he third full length Mclease from the David Usher lead proup (B), it sports heir driving hythm in a more extured, heavily Produced way than before. If their hit “Breathe” tickles your fancy, you're liable to enjoy the full album. More mature sounding than before, this CD will keep the fans happy — as well as convert some new fans. -O’Connor Richard Wood Fire Dance It’s impossible to listen to this CD (B) § and not feel Wood’s §& passion for the fiddle His fourth release, it ¥ features a mix of originals, covers and § traditional pieces. Ranging from an emotional air such as [3 “Kimura,” to the rocking dance beat o the title tracks, this CD is a delight. -O’Connor (sles) Richard Wood Me If you thought the previous CD was again! His fifth release (A), Wood with new styles and sounds. The title track is a piece of studio wizardry, capturing his raw energy perfectly. fuss is about! -O’Connor Come Dance With cutting edge — think manages to keep the integrity of the tradi- tional fiddle sound as it is worked together Find out what all the Chris Cornell “Euphoria Morn- ing” A&M/Universal Surprisingly low-key considering that this is his first solo post- Soundgarden release, Chris Cornell has created a very fine and somewhat eclec- tic release (A-). Except for a few songs, don’t expect something that you’d expect from Soundgarden. Most of it isn’t heavy and fast rock, with his usual loud lyrics. It’s a bit lighter, and much more attention has been paid to melodies and subtle studio effects. Some of his side melodies would make very fine songs on their own. This was totally digitally recorded, but old equipment was filtered through the new high-tech gear, so unique sounds emerge. It’s emotional, a bit more personal, and at times quite touching. These songs, some soft, one an homage to 60’s R&B ballads (my fave), and some rockers have won me over. Kudos to Chris on what I deem an excellent start to a solo career. -McQuaid