egance IS theme for new handbags Tho biumt hand in tho i‘lastcr iiiiio Leather" tag when you‘re Parade 11:11 go :41 you as you Easter-shopping to insure _\tIll swmz doun tho arciiuo carrying get the good looks and Inn: lifc n clczunt lcnthcr liandha: that a loa1bor hand ba 2 pro Whatci'cr thc handliau's >1_\1P, ritlcs. the lcaiiicr and 1111: liiics 11111 rate isliapcs and Sims 1131111~ 1'01) o rt 8 SIMPLE Blur SMART All eyes on skirts at show ‘1'-~iiil.~ iliat blossomed inthe -- criiiiti‘e spring collections p: L- 11 11111 suits new {as h i on 1 . amp/wry" , from a little to a whether it was Just . , tho iinadornc s 11-191 11 ‘1 in: thcir 11.111 clczniico to those d a I r ‘W m a rm . sutiiigcrs are 111:1111' rlis- :ra'”“d~ “ax." “1‘ ‘lell 1““- :311’.‘ .~ 1 ‘ . ' ii"?lll“”““"‘ h :1; s 1 loathcr iiidusti'ics, but 1101101811) If you 1'? a gal who likes to b1- “ on to S - é thcv are 1111c 101‘ '11111 s111ci' ii ‘ tics itct‘f‘ V 3. 1 1 l r - l l casual own at hastei'limp. 1’)\£‘d. 1116) had every degree 11- 1111111119 1111: scason (‘111111'1biit- f e o I m I I _ . 1 _ ' ‘ 1 i 1 i rm 1 - 1 1111111 "f 3"“ \V‘Iagsruggiespgglga'f tun-1110 1 c a 1 .1 ci's 1171.219 d, “101‘ Ii 1119 bin! for you. Siiiiplc 1 111- a 111W” '“h‘” were key m: VSHIDOHI, :i'nuitio patcni. 11am; . 1,.” s m a r, ,nmlzh ("r am. us“ “'0'” f;'l1’;lfsnew “feels 'F'llhth‘N‘. 3”" 5111‘“? 1071111?“ fashion promcnadr. than 1921- Sft‘dlflllu alluered “wough out Fashmn dwnilinz in ii femin- Ilier handbazs for the lalint‘Fd Is the P103 5 inc mood enliiincos 1h:s spriiiz's 1351? MP tt'itn. )‘Pi proportioiiml v v lciiilim: couturici‘ housesi " M “Joddiun, kniifc. grad. b‘ n, ihutnlbags. ti'oiii 1119 pouch and 111 1111111 all the essentials a no ’\' i v - r v 1 '1 ~ ‘ 1 “1'0 {mm m- ba‘k and the box hrfL .o the (1111111110 11111.19 1 W T h e v gave a flesh C111 - outs, 1111b contrasting: or 1‘.1\\Icr orcusng and o t 11 e r ,1111ust‘1'.m"me direction m suits embosmd loaibcr iiiidoi'liiys. are spring nights will so? 1111: mm. “13 ‘ r at their rippling llwf‘d to charming otfoct. Scai- iiiz “111119 leathers" ontc111p. 31 m 1.631119 r y shetla nds. 10111112. dainty brusth g 0 1d 1 CS. clutches and pout-lies in min- “on! m- uorstcd flannels. an d h..i11.1.111, (11111 $011 - loai h or iatuie showing off the 11111!i i trim arc tIltli‘I‘ s11 11> notcs used to ncss of polished. lustre, su «1 dc poi iit iip1iin bounty of 1119 ioa-‘and embossed loatltors \ [1111 1111~r 1111' 1. 11c \\'111 1119 ai’cont of jcwcling. a clziiiiiicr n.’ o '1 1' on 1119 lt‘.‘111|t‘l‘. 11': w l s c to look or a soiipi-on of silicr add Iiioii for tho hint-k 1 and - gold "(loin radiant-P on clasp or ill1_\‘ orna- """" "" " 111 Popular 1111s soason is 1114‘ 1111’ MILITARY TOUCH ‘ fill;d1.:f”{.1‘l‘.’fI1.1.123'."fo Ti.‘ "11‘. his rollf‘t‘llml, and his "1111” 11111 “as 111 grey wool flannel 1111 11.1.1 pleats breaking below 12b: '1‘1‘ .\'1“<‘ 1 mi; 111-11 attciit i o n to skirts '_) 41.111011 up in “'l'ilpix‘d find anoint: - typo scallop scvn ' ‘ isiiclicd cft‘ccts. The famousl I Tho I’lf“.\(‘\f :n spriii: Sij'llnfl with and Without jcwclwhrim - - - Spring {ashlons now J‘hant'i i'ittii‘ navy bl"? “00‘ I from Fiitiirama for bi: and Palcnnd prctty arc the loa- . w a 11111 111111 a two - ti cred 1 liiilp sistt‘i‘ \11 wool double .thcr colors in spring bags PM 0” dISPIQYI I“, and pink WOO] "wed rm at 1 111111 Fort llciiry m i l i Iary . tcls to put a rainbow to sham» - 11-111 a three - tiered skii‘t.’ 111 re sk:r1s i‘ciiiziiiicd straight-t 111ml thcy wre shiri'cd onto the \‘.if>[h.'lfltl. not darted. 1 (MT EFF 3C _ 11511 of schial interest 11-331 1111 double - bi'casted skirt (yes. 1 11". wlich repcatcd the 1111111110 - bi'castcd closing of Itsi 1111“ 1111.1 “11‘ the effect of It ;.;1- PM.‘ has a name for It ":"nlilDP ‘ d'ocil." I Suits 111111 similar continua- 1.111.! 12119 had buttons. so ants 11- 1'11' fronts flowiiitz from Jack- 1 :1». skit“, (‘ourrcgcs slio wc d s ci-a‘ of this type of suit. iin—. coat 112111 1111111110 bi‘castorl 91- blue, pink, yellow. grcoii. Bonc I . 1 {oi-1 and fif‘lflt‘lléllllt’ czipc. 1911- off - 1111119 and “stocking t‘ ' S L d w tml waistline loads to gently continue in the 112,111 rein. A | s 11 a flarcd skirt. (‘apo fcniitrcs lPa- important will he navy, b 1‘1! 111 . _ . . r . . tlicr trim around edzcs and red and hillP. and the "natural ("ml ‘" mo“ NHM Challon‘et'own collar. loaihcr" colors. 1 f m . notably tailored in off - W 1111! .rowning ories “in! mills. the major couture| (alit'lf‘ El‘tnll! also appearcd ‘in! row hei'rincbone weave suits by. 11111 and nicci. I I Repetition of line in jacketI nrd skirt 11 as just one part of the i pionsaicd suit silhouette prcyag Icni'in all the collections. Each' (ic,~‘.L'iic~ :ichim‘ed this in 11 (111-1 11.0111 11a\_ but the end result- “as it long - liinbcd. long - bod-! 1M Took 11911511 in'hP'! — very Impor- tart? _— u-ero one way. 5 h o r t! “ “twp-M ¥ "ribcnzc" and "bushoy" jab: 11m mm a yokcd skirt we rot To be well dressed — observe rules In 1 1r " inclined “ H ‘ M ,‘TM.Chm'\..l:?;i:w:qu,..ed (in, When is in man well dressedfidressed executive. A breast pnc-i} After 1111, no- pom”: n1. .Tif..‘....'a'nd “mum me mum. "Any man who cares enough ket containing anything Ibut a is the wife 1111o1s11:.ii;ii.y. ~ '6" ‘5.“ M pure “.001 fab. to know and observe the rules casually folded handkerchief can 511119 for ilime tclliii: 111-1- 11. .111 . I V 111111111 lif‘W smistin . . . happy new hats 111111 <111;: of 11111111: and 11143 new allure that. will 11:) 1111111: 11111111 you wcar 0111!. Fashion's smoother bait-tin: worn meant to peek from bohiitd a quality hat from Adella's. ADELLA’S MILLINERY Grafton St. '1 llt‘ cr-Tt-r 11-1' markedly dlffrrcnt in 11: 1-111111‘ 211'1‘1. ' and \1'1111'11. 'l'ii.s \‘til‘ i':'i- .1311 119111.111 to combining Charlottetown :1: ll currently lndlt‘illlVC of t: 11 0d also lose him points.‘ ics M our shirts. Stlt'i\\_ 11111111111r~ s‘t'.;lt'\ :i ~11V and Ellll‘lfi‘. VA 1 (MILAHS (“my taste is well drcsz-Nl." s a y s‘MlLlTlA' INFLUENCE ‘ch‘i’ofs and oftcn. our 111‘s; ‘ ~ 11.111. :1 p11: or; ('1ta;k' “11,. m”, “on. “window he Rick Putnam. a Montrcal mcn's V’I‘hcre is a spit'and polish dis- If she buy: 1119 u‘lti'l‘ < «v.1 ~‘ .11, 1‘11 1.1....11 111:“ min «111,1.er 111-1111“; 111111111" noting collars “car specialist with Du Pont of.c1pline still clinging to me, or length ‘bcr lll'istmtli‘fl s ' j . 11 .1 .111.1_!.1.',n‘s.. pm? 5111 'am 11.1113 (“1.11315 were Canada. clothing which Mr. Putman 119-.11-11n t 3.111“ tbn. n... inn-1‘1 . . 1,11: 1 111 its ‘1n 111:2;1111' UN‘li rind rollcd a w a y "He can aluays break the 1111- lic1‘es is partly due to the influ- half lllt’h. (tn tho 11'111‘1‘ 11:11.. 11 . v, s 1111.11 hc .111 s o 1 111 {mm 131p no.1. ,_ Del-{N1 fol 1 5 cs to cxprcss his own individual-,enco the militia have long had suit coat 5 511111111 1-11::.11 1111 11111 , .\11 1121111111 11.1.icrn 111' (.131 (11;..11 «canvas and dictucs‘lity but he must do so knowing-ton basic desig n and detail. 1011:. ti. winis a 110th contrast, tai-din. “hose house was t o Sleeve buttons. for instanceg "If a man 1: {111111 of «WIW 111 1'1”! it 5-“ tic ‘\w:"ii‘\\ittt a narrow ‘11“11‘1" I" a color tv speciali Unlike the breadth of scope in were introduced by Napoleon to shirts and tics and :21 11.111: :‘r'iw r1 111111 111111111- strin- 1‘111 111 w'li. dramatized collarsjwomcn's fashions. the marzin‘keep his mm from using thcir stripcd $1111, 11.; 1111‘ 51112111.! cit sows, 1.:‘ minim should hr in 1111- punt whcrc thcy turned-for error in mcii‘s business rio-‘slccrcs as handkerchicfs make sure 11c .\ Pillli;':t('fi '.1 .,w 1:‘ “twirl 111:1 roliil (‘oioi‘ 1w, an 111111 11.1:c lapcls. .\l:in_\‘ collcc- thcs is oftcn \Cl‘)‘ itnt‘t‘on. Mr.» {\lr. Putmnn fecls that it is two of 111cm 1111;1‘11111.» 111-1111w't1. 1 11111111111 or a mm 51111011 d 011 blc collars. Putman points out much casicr for a business man SAME BASH‘ (01.011 H li'f‘iltflliii “111' 8 p01“ ’.\' "V81- "11 can hich on as little as a to dross knowingly if his with is “Siripcd sb-i'zs 1 111 110 v :‘11 "s ho't' nicii ., ' " 1‘1 W 11H! 011:?"th 0r half-inch of shirt cuff show. also in the know about mam-rs with stripcd 1w; 111‘111'111114: 11 “11 “HUNG ' “98510 ('105- which is do l‘ltlllt‘llr for the 11'cll-lsarlorial, *stripcs :iro 111 11111 mum ‘11 '11:: 111ntiiiiicd scry strong 1 y W, . 11.1' t.ic ticwc-r closings 11 e r e asiiiiiiicirical or at one s 1 d e w 1"“ Brvdcs ncw fabric and line ‘ t R ‘ .' "critic colors gave impetus to F N I T R E F S H1 ‘ I; i "r 11'1"" cti1liii<»ia<1ii for 511115. ‘ 5. 3 .. . \ .1131. purplcd shade of iiayy.‘ " " probably to bc called hluclx-ri-y) n1: 6 11 i s cumin 9 n t. spark 1 cd' ‘ ' ' 11:111 spanking w h 1 1 o h b 'f l h 1111111“ T111I ncutrnls. in all the O U . o . "1'11 'r \aricty of rich 11ml tcx-' firm and sliadinzs. “era the 1":N-1 fa m1 v of col 11's \tlh 11113111111: 1 ivory and ran:- a ‘3: in (lurk brown. ch1 11‘ e r e - . y...— “(WWWi‘\r;~-u1v-fmri-‘> W7“ A\ 1 3 V 1 I o 5' ' . I, 1‘ ‘ '. l pair porn-by pinks. deepen in :1 'n cot-.11. Brilliant carnation red “as inc m ost dashing acccnt rd 1].. t SUTTV the most iincxpcr t ed‘ 111: >00” 111 Paris was the slack' 11:1. \\1ll('h could mean a l‘f‘Vl- 151 111 11115 forgotten outfit. Dior 1111 a Slat'k sun with wide logs and ii spectator sports look in a finely clieckcd s h at land. But (‘mirrucs showed clogant slack 1.111s as an innovation for town “car .11 nahardine and douh 1 c- 1111‘11 1111111 crch 1 Spring prints“-- are ‘far out' Not. bold colors and far-out prints are 1119 real eyccatchers hi this spring“; fashion picture. Every collection — afternoon. Iln'r “llh brilliant pink. lemon trilmr. 1) rt : ht orange and “Follower blue. Prints. borders and panels. mane in sin. nftm mflnzio rnlors for shock effect »— (0r instaiicr. burgundy and pink . . . . fashions for spring presented in the Foreground l 'nmbined With yellow and or- 1 ‘ ’ ' ‘ ' mm "m" I WM Mm Comfofl. sryle. color cover . . . blended 1o prowde in to not any taste. whethcr you r an Charm our bOd . . - . I ' Mummy“. look or. n your home ihe ai'mospho a. use d Y Y hlSl’Ol'IC Pl'OVlnClCl BUII ing (“"11 flowcr garden treat~ and your eye des're ' ‘ ‘ "W:- tilt‘: scntitiiental appeal - n - ‘ . ‘ o . . “I” ‘1:an gaPs‘hiLonncif +ru|y ” easy {10 have a beauh‘ul home 31 price YOU A di-Hnrtiio sottiii:r fm- 9.\¢~-(‘.’i’1‘hlllg }.-,-i:'111111~ ' [Ir-11‘ arr 1-1-1 ‘u'n nt' 111 ‘ ' ‘ ’ ' . i . 111111111911 boldness of a giant can afford when you are 11551519111 by “18 skilled sales— 1119 111:1111' now and amicaling 811141111 1‘1'1‘n111111; 1111-1 .11 1i'\t1;1' . , . 111111 1, abstract from south at t h 9 border . . . V y . V.) 11111 call 111 today alt-11 111111 tiisliion 11111511111111 >111 11;; .1111 .1- 11. But this spring's colorful men 6+ ed sum- :nrr castoff it special care isn't I(111m when laundering T" “99p vour brilliantly 1- n l orPd . ashable looking pretty all liinimer long. heed this ad- r 1‘ rn tho Ma 11.: A A Laundry center. 5 n Home I '- “111 host to launder with cold atcr Bright colors have , a v:‘}’:;t'!"nr_v to lose their beauty Km, Chaflmefown ‘atcr island turriers . ' 9 79 (:l‘firii‘l'l f“. “131 “1278 dedicated to homo improvement