Cin 70° | HE BEST ALTERNA|IVE CIMN’s top 25 Love Becomes Electric Hazy Shade of Winter Just Like Paradise Moonbeam Never Gonna Give You Up Y She’s Having a Baby Devil Inside Heaven Knows I Saw Him Standing There I Get Weak The Language of Love . Hysteria Dancing in a Dance Club Body. Next To Body One Day In Your Life So Careful Man in the Mirror What Have I Done to Deserve This? Out of the Blue Lake of Fire Face to Face Hometown Hero Magic (In Your Eyes) I Wasn’t the One Say You Will Strange Advance Bangles David Lee Roth Men Without Hats Rick Astley Dave Wakeling INXS Robert Plant Tiffany Belinda Carlisle Tu Def Leppard The Northern Pikes Falco Meets Brigette Neilson 54-40 The Spell (Images in Vogue) Michael Jackson Pet Shop Dusty Springfield Debbie Gibson Jato Michael Breen Loverboy FM Boys and Agnetha and Peter Cetera Foreigner Who was Will the Count ever re- member who he is? Will Elsa and Hahn ever find the missing public pros- ecuter? 5 Why was the murderer pardoned? Why was the murderer unlucky? that lady? Why does Hilde look so much like Inge? Who #€oco? DuesN adame Maria re- ally have all the answers? Finally, and at long last, these questions and many more that have been burn- ing in your dreams can be Second City comedy troupe plays Charlottetown By Dawnne Chappelle Maybe [’m just getting old, but I remember a time ” when “diamonds” used to be a girls best friend. How- ever, the Toronto-based Sec- ond City Touring Company that anpeared at the Cofed- of the Arts 12 seems to have Their “Condoms are a Girl’s Best eration Centre on March another idea. song Friend” rates right up there with the best of them, along with the wackiest rendition of “Anne of Green Gables” that has ever, and probably will ever, hit the stage of the Confederation Center. Second City is com- posed of some of the zani- est people one is likely to that Saturday night meet. The six per- formed last Garry are Jackie Brown, Campbell, Neil Crone, Den- nis Cutts, Colin and Alana Shields. Mochrie, This par- ticular group has only been together for a short while, but they are all extremely talented in the art of comedy. The hours of show was three straight comedy, composed of some vintage Second City material, short skits, and a short improvi- The show was sational rnamber. sec- ond part of .he an “excruciutingly serump- version of Anne of Gables, tious” Green which was of our little Island darling and Stephen a combination King’s Firestarter, and an- a The third scene was entirely improv. other improv. Although the rehearsed material was absolutely hi- the improvisations the because there was a lot of au- larious, were still best, mainly dience input. The audience gave a first line (Oh no! The hamster died!) and a scene (an explosion), and Second City took it from there. The second improv was on a sim- ilar basis (Here we are in the middle of the Northum- berland Strait...), with the only problem being that the didn’t or what the Northumberland group know where Strait was- they flew in! But lack of Island geography, the despite the crew’s show was really worth it. The jokes were funny. and mostly in good taste, espe- cially the spontaneous ones. And while they weren’t Rick Moranis and John The City Company managed to pull off Candy, Second Touring some of the best comedy Dve heard in a long time. n answered as director, Lau- rel Smyth; producer, Terry Pratt; and the cast and crew iI Theatre Society Pepresent our produc- tion of Count Oederland. Af- ter eight weeks of rehearsals, building, planning, schedul- ing, and scrounging about, we are ready to go. Tonight, tomorrow night, and Satur- day night you will be able to view this piece of theatrical history. of the @ctors, techni- md designers on this projeet are eager for an au- dience and pleased with the efforts put forth by all. We know we have a fine show on our hands and now all we need is you to share it with us. So come to the MacKen- zie th@@tre at 8:00 p.m. and see the one and “only Count Oederland. questions answered... Have all your UPEI students rehearsing. this year's major production, Count Oederland theatre March 17th 1988 =e Page 9: