THE CADRE,-0CTOBER 29, 1974, PAGE 9 
     
    
   
   
    
     '9‘  Fall Festival Schedule 
     
    
   
   
    
       
     
    
   
   
    
       
     
    
   
   
    
       
     
    
   
   
    
       
     
    
   
   
    
       
     
    
   
   
    
     ’ 11:00 - 6:00 P.M. - Steak & Suds in the Barn 
     
     4:30 - 6:00 P.M. - German Food & Suds in Cafeteria 
     
     Thursday Off-Campus students $2.20 
     
     7:45 - 8:30 P.M. - Alive Kung—Fu Show in Duffy 
     
     \ .9:00 - 1:00 A.M. - 'Port City Five' in the Gym. $2.00 
     
     ' 1:00 - 2:30 A.M. - Hot Chocolate in Bernadine Co-ed Lounge 
     
    

    
     1:00 - 2:30 A.M. - Skate in the Rink‘ 
     
     1:30 - 6:00 P.M. - German Food in the Barn .1 . 
     
     1:00 - 5:00 P.M. - Pub in Panther Lounge with Jim McMillan 
     
    

    
     :00 - 6:30 P.M. - Supper Break , 
     
     2:30 -. 8:30 P.M. - C.S.U.R. Greatest All-Time Hits "may 
     
     7:30 -ll:00 P.M. - Man's search for innerwpeace2&u9atisfactiOn(Duffy) 
     
     9:00 ~ 1:00 P.M. — ’Ash Mguntainlesn the Gym./ $2.00 
     
     :30 - 5:00 A.M., — ill_nite-movies in Duffy (ngerflMoOnons) 
     
     Bowling, Bowling & Cartoons. 
     
     1:30 - 4:00 P.M. — Football - St. F.X. v.3. U.P.E.I. 
     
     i 5:00 - 7:00 P.M. - Godspell, The Rock Musical at 
     
     I Confederation Centre $2.00 
     
     Saturday * 9:00 - 1:00 zuM. - 'Port City Five' in Gym $2.00 
     
     . 1:00 — 2:30 A.M. - Hot Chocolate in Bernadine Co-ed Lounge 
     
     1:00 - 2:30 A.M. - Skate in Rink 
     
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     h 
     
    
   
   
    
       
     
    
   
   
    
       
     
    
   
   
    
       
     
    
   
   
    
       
     
    
   
   
    
        
     
       
     
       
     
    
   
   
    
     :00 - 4:30 P.M. 
     
      - 5:30  
     
    
   
   
    
     :00 -lO:00 F M. 7 Movie In Duffy 
     
    
   
   
    
     Sinng-Long'in‘the Barn 
     
     Inter—Faith Service in Marian CheedLLounge 
     
    
   
   
    
       
     
    
   
   
    
       
     
    
   
   
    
     eptune Theatre 
     
    
   
   
    
         
     
         
     
       
     
         
     
        
     
       
     
       
     
    
   
   
    
     "GODSPELL" is one of those 
     
     very so often to pump life more alive. 
     
     lood into the theatre, the 
     
     heatre that - according to 
     
     he pundits — has been dying 
     
    
   
   
    
     still to be read over this 
     
     ersistent non—corpse which, 
     
     like King Charlesll, is taking 
     
    
   
   
    
       
     
    
   
   
    
     appy miracles that come along any rate — has never been 
     
    
   
   
    
     The story behind "GODSPELL"‘ 
     
     is proof, if any were needed, 
     
     that the young are as concer— 
     
     or centuries. Last rites have mad about this ancient art as 
     
     any dyed—in—the—wool Shakes— 
     
     perean traditionalist. 
     
    

    
     John—Michael Tebelak, 22, 
     
    
   
   
    
     an unconscionable time a-dyingia §tUdent 3? caFnegie'Mellofl 
     
     In fact theatre - in Canada at UniverSity 1n PlttSburS, was 
     
    
   
   
    
     required to direct a classic 
     
     play as a thesis for his Fine 
     
     Arts Degree. An incident at 
     
     Sunrise Service on Easter Sun- 
     
     day, fired Tebelak with the 
     
     desire to write his own play 
     
     for this production. Permiss- 
     
     ion was given and "GODSPELL" 
     
    
   
   
    
     was born. And the incident? 
     
    

    
     He had been frisked for drugs 
     
     by a town policeman in the nave 
     
     of St. Paul's Cathedral where 
     
     he had gone to worship on that. 
     
     snowy, early spring morning. 
     
    

    
     The reception off—Broadway 
     
     for this joyful celebration 
     
     of the Gospel according to 
     
     'St. Matthew, as arranged by 
     
     John—Michael Tebelak, with 
     
     Stephen Schwartz as composer- 
     
     lyricist, was ecstatic, and 
     
     "GODSPELL" now goes down into 
     
     theatrical history in the good' 
     
     company of "THE THREEPENNY 
     
     POPERA", "HAIR" and "THE FAN- 
     
     'TASTICKS" as the people's 
     
     choice in theatrical entere 
     
     tainment. . 
     
    

    
     "GODSPELL" is still running 
     
     in New York and London, and 
     
     has been seen by Canadians in 
     
     Vancouver and Toronto prod— 
     
     uctions. At one time, resident 
     
     companies were playing in 
     
     eight large American cities 
     
     simultaneously with the New 
     
     York production. Translations 
     
    
   
   
    
       
     
    
   
   
    
       
     
    
   
   
    
       
     
    
   
   
    
       
     
    
   
   
    
     Milt 
     
    
   
   
    
     into manysiunguuges.havei1ed 
     
    
   
   
    
     Sunday 
     
    
   
   
    
     to presentations in all parts 
     
     of the world, and tours have 
     
    
   
   
    
     ~reached innumerable college 
     
    
   
   
    
     campuses and civic auditor— 
     
     iums. 
     
    

    
     The man who created this 
     
     phenomenon, John—Michael Teb— 
     
     elak, is said to have "walked 
     
     into a New York theatre when 
     
     he was nine and stayed there". 
     
     He spent several summers, be— 
     
     fore he wrote "GODSPELL", work— 
     
     ing in summer and regional 
     
     theatre during his University 
     
     years. Among his awards, he 
     
     has been named THEATRE MAN OF 
     
     THE YEAR, as well as MOST PROM- 
     
     ISING DIRECTOR, and he rec— 
     
     eived the New York Drama, esk 
     
     Citation in 1971. His f&,m 
     
     version of "GODSPELL" was ch— 
     
    
   
   
    
     ‘osen to open the Cannes Film 
     
    
   
   
    
     Festival of 1973. 
     
    

    
     Neptune Theatre's Artistic 
     
     Director, John Wood, first saw 
     
     "GODSPELL" during its Toronto 
     
     production in 1972. He recent—‘ 
     
     1y saw it again in New York and 
     
     is enthusiastic about bringing 
     
     this jubilant, unusually though 
     
     provoking musical to the Mari- 
     
     times. He is equally enthused 
     
     about his cast, ten ambitious, 
     
     young talents recruited from 
     
     his own wide theatrical exper- 
     
     ience from coast to coast, 
     
     though many of the ten players 
     
     were chosen at auditions held 
     
     in Nova Scotia earlier this 
     
     year. I