. 1 THE CADRE, trussU JAN. 29, 1974_Page 6 WHNWEE’BV CARNV'HVAE "07 fiwgwggflg mm) "to uosr ASKED ours. The two most asked- questions regarding Winter Carnival '74 are:"Wh are there no Carniva passes"and as Boob Gray so cruely pointed out(see from under the Grandstand)”...Carniva1 arranged in such a way that the Hockey Team is on the road,not to mention the Ladie Panthers" First of a11,if we sold passes there could only be 500 since the Gym only holds 500.Therefore only 500 people would be able attend the events and the majority of students would be screwed. This way everyone has equal opportunity to attend the different functions. The other question is indeed a fair one but it also has a fair explanation,. All other Winter CarniVals At Universities in the Maritimes will be held before Feb.10.A11 entertainment coming to UPEI is on tour with these schools and thus if we were to schedule our events before or after the tour dates it would. be impossible to afford "Listening to Michael on stage is like having a sustained orgasm, arousing tremendous enthu-y siasm, standing ovation and a thundering demand for more, space-age sound equipment.’ 7 ' St. Louis Globe-Democrat/72.73 felt (and quite understa- ndibly)that switching, rinks would leave/his team on the road for too long a time.They could do nothing about it and unfortunately_neither ‘could we.The same is true for the Ladie Panthers. any decent groups if any groups at all.This is not to say that the Carnival Committee didn't attempt to have the Hockey dates changed.Indeed Coach Vince Mulligan was asked how he felt about the idea of switching rinks for the. games.(STU plays UPEI two weeks before the Carnival at UPEI and UPEI plays C°_Chairman STU in Fredericton on _ / , Feb.8&9)Coach Mulligan UPEI Wi?:;;u§arniva1 Bill MaoIntyre \ SAX MAN CAN PLAY NOTE FOUR MIN. ' . - ‘ last March in Ghanna. rope, North Africa, west Africa, with Ike the Middle East,Cana- and Tina Turner, Wilson da and the United St- Pickett, Roberta Flack, ates. In Paris he ref Santana, Eddie Harris corded a version of and many African groups. "In the GhettO" which NEW LONDON - Earl Lett makes the amazing claim of being able to hold a single note for four or five minutes on his saxop- hone and beginning tonight he says made the hit. New Londoners will have a chance to watch, and hear him in action. The New Haven resident who has been featured with the Ike and Tina Turner Revue, opens for a week at the Black Angus restaurant on Willetts Avenue. He and his six-piece band,the gInternationals,feat- juring Lett, whose group ttrades in soul and rock “music, was in the film, Soul to Soul,"filmed He was part of the re- vue that produced the Ike and Tina album at Carnegie Hall, "What You Hear is What You Get." With the group he also worked Caesar's Palace in Las Vegas, the Pearl Bailey Show, the TV Special "Viber- ations from Central Par " and the Johnn Carson Show. ~ Before he hooked up _ with the Turners, Lett played throughout Eu- ~ Allan's smooth profess} Chad Allan. 32 years old. al- ready occupies a neat little dian pop music, It‘s hisxnice that handles the vocal on “tough Shakin‘ All Over. a record payoffs. the early sixties and the hand went on to become the first. (but. fortunater [or his san— niche in the historv ofCEanat- ltyl. Allan didn‘t hang around ‘ With the Guess the big-money He formed his own that went on to become the bands. worked as a single. first Canadian ror'k nontrihu hung around W t t1 n l n e a. tion to the Top-'1') (‘llal'ls of earned a couple ofrlegrees tin the world. That was hack in economics) and went on the _ _ < road a year or so ago wttha guitarist. Allan's experience that. cut the rcmrd likewise band h: led with another and professionalism show. Guess Who alumnus, Randy \ou Just. know from the n, [mm m? markpdhvmm “mm. wrmqimn.‘ look who long has launched a round mcluh ton. issued an excellent alhum appearances that began this week at. Enermn‘s. the con- genial folk club-bar at Church and Gerrard. As an on-stageporformer. working as a single singer- of his own calléd Sequel. and (Yanfidw; ten with a more basic: touch. Most of the songs Allan is phrase in shot Allan's hun- ';in:;ii: are his own colnrjofiji» dies: of lyrics the other night tinns. and “hilt: they're noth- mE special. in the melody/de- partment. the lyric: otmany charts in many Europ- wan countries. "I left Ike and Tina Turner in July of this year and reorganized my band,"Lett said. His first record on his own was for Beantown Records and he says it is doing well in some parts of\ the country, The songs are "Love and Affection" and "Are You Confused." be "mmmd 97- “3" "~"‘I"Pi'll riseh‘ the mood of a western .. _"““‘3“"""2 town. His original touch “"m a "'“7‘7- {rm-"Il‘im‘l‘(ii-‘33“ comes through too in his love it".':-onistitnes uilh a. Sili’llt so“! 1W“; man, of which. Wail is hell Young. more of- ‘shn‘w a‘gi‘r‘éhg bye-r of irony in fact. there was only one that. strutting borrowed note, That ramp in sittietnaumh cruise fine firm: railed Sen. land only) Canadian rock Bafhman‘ smooth,‘ hip way hr handles - _ . _‘ H _ ,.. i . - ,_ hand to hit superstar status. Now Allan's Carper has himsél.’ that hr's played a “Rd if“f3(“ltrflf-‘Hilttltn3nd 2-2;:in'6n“2f;llf§l}1’aghnl’l§1” be the Guess Who. Those two taken one more flip, ppt'hapg thousand bars. and t‘llliif“ and n;,,f,‘f‘f (“1‘ 1:“; "‘5 3mg“; 41} 41*"! P me” items. as things are measured in the direction of more tame 119'“ 3 (Wilton (trimmers in m; " "' 1 m" ""5357 §,I.p,;;"b. ‘ghgf . 3.1:“ “7‘5 in the pop busmess. make and fortune. He‘s abandonnd fag-y rnnlz‘nl He izrr‘t zit kind ham-g “his” r912: rgi‘n'd {Ulgl'lml‘gmigé Chadflwan a “mum? hmor' “'"I‘W‘E "‘51le to be out of of l‘rtz-uasii'n mariner alum: road to tame 'and/ni-‘éirl-iiéié' has mourn 'talrent all bt'l‘ilnl' 1531 flFlute. the place." he mentioned the hint And hr also in: flir- ’«ii't Amman Prajrmmwn. mm. self to 0.7!?!) mo“: than‘mgi a Unfortunately {or his wallet. other ninhtt. meter] to Kinusr of non row that may tittii‘tf to \W‘Sl Cityl mus mm" m... minor hisinrical rich; m (3;. nadian pop.——J,B_ .‘ THE GLOBE AND MNL, V-"ED!"-‘i‘l‘_'ll‘i.':', l‘ltii‘y'EMBE.‘ :3, 1973