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V. DW A tinckset young

1,. l woman looked up .`r(i\ ;_*.') at mu with an en.

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“olh NS, indeed, I feel perfectly uble D°”°~ 0"' llllly has just been put on, Hd ull the six weeks the chorus re- el\f-Svd it we didu't get n cent. \\'e

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AW':>‘A';‘°»" teeth and d h

' '. ' -`.'t\,. ,_ _ . , ‘ ' 4 every wvrinldeptencd llcvu do uinle we ure relieursnlg u ne\v _\ V time WMC; ° *I Phil' fur that eomonny.

\ " and hard wgrk I \\;I`ul.1 fined $3 lust time I cume to _ ' ' - ou. , - . . .. . __\ ‘,` robbed of nu scour E Icy Lnlled ri rLlu:us.\l und I left

liness.

I S“\0fl‘¢‘|'0d my #HSD of nsbonishmen

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and asked the stereotyped question Ee

"Hnve you nny photo,';\':\1lhs of yourself to show me?"

She hndu’t: nny. They never have

those poor, deluded women in hetere-y

of n beauty which no one eavceptbthem.

selves is nble to perceive. Their photo- be

ome before the mill. They don`t wuut "5_ t0 P050, but wlult do they s'pose \\'e`re “mg in live on while we’re leuruing u W ]\l:\y'r"

"I’ll make it up to you," I told her;

“llns un_\'l>ody Seen Ellen Dey?" Ellen wus li snur-y, dimplcd benuty with

sparkling L-_wg , d |‘|'f.~ .

geneous ntllre who make the rounds of fr L W U “mt hl Um

the studios rind insist upon rgcgmitiou tl

Om the two young linings discussing ieir careers while they wllitcd. "She cuiuc ezlrly. about ten minutes fore you did, :ind she left n inessnge

graphs “had 'not turned °“t “`0U." U10? for you. She snid to ll-ll rnu tlmt her sul" _ -_ nwtlier euiue'l|e1‘e :liter her and it wns

_This -applicant \r:is`persisient. The S sight of n slim yoilngglrcnuty, who un. t nounccd “I'm on time!" -'ng she grcgtcd

Oluetlling very iu\|iort:\nt and she hut] o go," it third model informed me. .-\ lnissing nmdel is :1 serious thing

""5 “ml °f "“°tll(‘\' Wlllllllzr model who when one luis sein-duled certain pietures l°0li0‘l like UDDI!! l>l0S30l“§ and tangled The pliotogi-:|1>lier sympnlliired with me'

sunlight us to [lice nud lim-_ in nowise

“I niust: say" he cumlnented, “thnt

‘ll5°°n‘3'¢"t°d hcl- Sh” left her nddross Eno" D"5"s mlollit-1' looked remnrlmbly

:ind urged me to let her know when 1 li vould use her. g

he n tall young num in u iii,-_'li hnt." And then he went on rummuging

*The slim girl .with chesmut hmwn hnstily tlirnugh his desk.

hair that erisped into curls dyommd into

“Where are the stmups?" he demanded.

11 chair and begun slowly un( pniufuuy "I’\‘e get to have stumps ri_-:ht nwny. \Drub 'her limbs. These pictures riiust go inuuediritf-l_v.”

“lou dou‘t knvow how they tl-hm-I she He wus distracted. Ilere wus mnil tu

exlilmned. “\\e rehcurscd iftcr me get off, and in the studio models were

performance lust night and wet-e had to rehearse every dey, besides me pe, iormnuec. Seems to me the gm-mess I will never get out of my muschg, _

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Ga_ievlevo'Lym, Now Mrs. J.

‘Mu|‘|‘8y'Al1der30n, Mudd for `:=w:-r. “Ynu'll never get n substitute

MOI( 0f “I8 Sllltllos. this time in the morning." it-uid the it~ gh”

.nivnltlng him nt the

('1\Ill(‘l'l|.

His lmokkecper

looked contlnislwnt- ingly .nt him. . “I-Irlun Kenny has been lierr-," she told him. "nnd you know she always takes the stumps. nml the postul cards too." she added.

“It's girls like that

who mnke it hard for the rest of us." mourned my indus- trious young trio, starting for the dressing roo ms : "People think all models are like that.” "No, they don't," _

I comforted. "Every-` body knows that none ot the other glrll not like Ellon and Edna." “Why do you hire thom7"__ . .

Tltonnr boolrlreop-~

er llkod, this very practical question from' the depths ot her ignorance of studloneedr. The fihbtodhpher and I iookghl nt her nghgst Not hire two of the most fetching

‘ wt-reus unrclinble ns the weather nnd uno had u lrenchnnt for other |»eo1»lo's pos

version more tempting thun posing of- fered und they in-ennle :L joy in the studin. As [nr pnst.-ure. une could leurn to keep nn eye on the stump drnwer, hut one could not e-et eyes on such models oflcu in n lifetime.

l-"cw moflels nre punctual. Mine were

;:ettiu,': into etu».t\1inr-s and ntvniting n lmlnletl cnltple hcfure the duy's work cnulrl ht-gin.

Il-r-r-r»|‘! slu‘ille|_i the tnlephmi:-_ This time the uttcndnnt looked pity-

in;_'l_v ut uit-. ; "lt’s Miss Sanders. nml she sflys thut I shi- <-nn'i rome. She has n relic.-urs.-il on this umruini-Z"

I niglwd. "Whom cnn we get oi' her typl-'."'

pnred rlr-sp:-rntely. Then we beg1\u'ut the telcpliuncs.

"()ut." 'l`lu1t wus the unvnryinz nn-

tondnnt, helping me get teleplimlc num- bcrsi.

"llc-llol' Ili-1' fnce suddenly lighted

np. ".\‘ndie (furtcr i.-I nt. honie :ind sh(-'ll rome if you nt-nil n lnxir-nh for her." She wus jubilant.

"Send u tnxl"~`--. I lnpsml, sp:-eel lens. Sadie Cnrtcr lived in lin- llrunx.

“\‘<-s. She says il's rniniuz. She

cnn t rome unless you send n cult. I

I looked out nt the \\-inflow. Sure,

enough n light sprinkle was fullii iz.

"Tell her nil right and to get i'en<l_v

quick; we are whiting." 'I u'r;:c-d hor. meantime jiugling the other telephone to get n cab service. _

Wlmt with delays nf models und tele-

phoning the morning ind nlmost sped

nwny, _ _

"I suppose Angelo Ricard \vnn't

ing the climax to my troubles.

tlhle. But you know she-'s always late," the attendant comforted.

Back in the studio the other models

reassured me on this point. _

"Yon can count on her. Angeie told

me sho was coming. Shes always late. You know she can't keel) ll lvl) U0-‘M150 |ho’s never on time. Such a sweet slrl, too. Sho'| lost her lust job."

"Yoo, sho in nice," I ngreed. “'I'hnt‘s

too had about her company. IIow~did they come to d\‘0D l\@f7"

"Late for relrmrnals' and Into for per- formances. The management couldn’t _ stnnd for thnt. Think of n girl coming along in the middle of nn net and ek- peetlng to he kept in the chorus!"

“I thought |l1u'd on the road for

_ the girl who 1-:|n`L hold d|»\\’n her juli for

time und telephones? Sometinlcs no di- i

"\\'<-ll. I'n\ llmnlcful she lot me know." __

Over n list. of nrsulnlrlc models we }_,‘

hut nhl- lrruvl-fl it out. _

, . Visit |u_\' lmnn- iwnivlt- on-r ilu-it-. rn

_ ,, l ol ilu- .\ll:||iii~-. .

001118," I d0CllPEd» by WHY °f nnucipn' it is lu-lpl°l|l to |n:\kr~|‘s ni' |iir-lures. ll<»\\'- y

" rflslll-in

She did. She hull :i niet- iiurl for IICY

buck home. I"r|:m ’\\';iy out \'.`e.~'t. ton." “-'\ud she wurlls so lmnl null does H0

Well wlion you enn get her 111011.-." suid her friend.

"Yes, she's u good girl nnd she noses

br.-nulil`ully," I evilxtiilllrtl-fl.

“Tin-.re she is!" her 1-ritit-.~\ exclaiui-‘-L

And then they _lt-l-rt-tl lu-1', l`x'il-llrlly\\'isf!.

“Here vein(-s the girl who can never

“'l`l\<- ul\\':|_\`.< lute .\ii>.» iii:-:\\‘d Y" "\\`h:|l.' do _\|.|| .~'|n».s|» \\lll l|n|i;n.-n in

t-vi-ii li \\'|-1-l:`."'

.»\|`f»-l‘tion:1te hedinnge it was in tone,

if it-lllnc in ivortls.

.»\n;:<‘le sluiit-ll lzizily and tried to I:-ol;

indi,-:n.'1ut. hut her tl-inner Wm- loo s\\'|-et in he smiroll by :|n_\'lhili;,' ir:|t~. unin- ugr-rs, jr,-\-l'ili|.: i'1'i<-lids nr il'l'iiul4~il [virt- url--niiikers, \\'Im.<.~ dullurs \\‘r-nt with her llc-Inys, could suy to in-r.

“Wlmt would you do il’ you did|1't

lmvo :I nuilln-|~ to help you?" all-luulnlt-d tho you||;_' things \\'l|~rlin1l no such hlvss- ing in sn-illnr lift- for ilu-ln, null \\'l1n wurlit-ll r:lu-el'il_\- :ihmit t-i;:l\le1-n to

ing," fir.-felulrd l‘Iu;;s-le, “und I'\'¢- got n j..i."- --

i;"-t 'I .lfvltl .\l\-»|l|<-;~j1»lrl"

“limv dill you do il?"

_ \\'h:it l|i:1lm;:-~r \\-nulfl lnlte _\'~n'."'

'on ilu- |»l|f»|o;'l':\|il\|-|~ join:-rl they

chorufé of ('x<~ln|||l\Iioll<, | -\llZ<-lv lin-lu-ll n ilii`||~ |li.w~.»\\1-|»|»||-fl,

\\'ilh lin- l'1i~:il\|l'l?fl\\'|v l'|»\-lj-;|v:_'»'." ilifnrlin-rl us. "`l`|t1~_\"r|- J--in-; nlr,-will

in 1| i|~\\' \\<~4-its :ind l ll|~u;.l|l l`~l liltl- tn

jolliwl ilu- (_-.nil|\»z|»_\-_"

“Iln\\"ll you t-ver ,gr-l l--lei. l 'l`l|t-1-l‘_\' \\':|.~4nn|- ulsi-if-1-x'|-fliwvifly. li

I l‘x||r|~.~---il lllr- f|u-i-;.»|»|- 1-mil-ill~i».|i thu! ‘ . |

the mise(-qui:-:it-:~< of "l»t»|\‘; l-tw-" ui uh! l`nll-»\\' .\||'.'|-lu v\`lu \||u|n llw ntl.:-r sitl

ilu- <~:|nu‘l':\ :lull im--\x'l:<-il :-n-ll_\‘: »-

l .

“.\l.'|_\'l»<- \\'v`ll sm- .\.=r;;1-||- lin:-it nauln ;

wlir-u ilu- ir.-ill.i-i:'s not -l iroiu l’ul‘i~." ‘

Anuf-lv f-xliillirwl the lmit lh.|l i.|:|il~ f

donned the enslniim in \\'l|i~ll :.l||- \\‘:\.<` tn pose mul tool: In-r plum- \\it|\ un~; ruffled mit-n, df-in-.' :ill with n |l:-lil\v~i-;\t~- 1-xpetlilioii us rs-.-lful to the onl~»o|;i~:~ us

Over Init- .\ll;.:1-lt- lnilzlll in-_ n.-4 lu-r fl'i|-n|l- l

"Oh, -Ve°¢5h°'3 °°mi"'l She’ dcppml' snid, when shr- wus "there" she \\'orl;|-d ,

well null with un unhnsling; r.'\|iidil_\' rdru l

in either inollel or <~l\o\'u.-. Nu wontler * niunngcrs \\'<‘rv ghul to rf-walr-l her \\'i|l\ parts when she could he lu-ld tu re-

hcursnls long ennngli to lv:\ru them.

Sntlle Cnrtur cnlue tripping in, fyupnhlc, pri-ity. well groomed, nn ull lllcse haird , worked models nre, und with n mere word of cxplnnniioii \vn.~4 ready to curry out the purt oi her missing conirere of the studios.

“Are you posing so ns to keep yourself

on the stage until you 2-'t n good i\nri?" nhl- nsknd the girl \\ith the npple blossom fuel-. II

"N0," the gllnting hnlred one told her,

“I'm _never going on the stage; posing pays much better."

tor so advert!"-

l.-.~,~ , _ l _ -tai-lllllfl _ig .

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self. Apurt,lnindyoulnudslie1-ouldn`t. he punctual und they luul ll- ~~hip iwi'

l\\'ont_\~ lu»||r.~< ;| d:|_\'. l

“\\'|-ll, l just <~:ln`l ;:t't up ln the n\nr|\»|

ht-r\':1lu:|||l1~. l\'l|'- hzul 1':-In~l_\ lli~'|n-li\'l-il I \\`il|\ her \\r:||r~‘. ||r|‘.'|i:g|~<l hor lmir. j'

_#__

Miss Katherine Clements, mont-.

I U Model by Harrison Fisher.

nu-nts.” explained the chestnut haired girl. “'l`lu-y ||:\_v hi-llcr thnn the stage.

“l|'s nwful hurd work till you get 3

part." udiuitted nnelher girl. "but when _von mire get n gum] srnrt you chu .'|l\\':iys ||»:il.'c u livin,-.:, und lu polling l lveoiilc- get lirefl of the slime faces and ` drop _\-nu, nnd then you'\'e nothing to fall lmul; on."

"Ur else you get u dnuhle chin, like

llllmil.-i Miles, and they hnve to drop l you." snid nnollu-r,

“Ur get too fnt, or get sick nnd

- . ~ ‘ » . . " . .

hold doun hu Joh u “<1 l_\_I V " l .~r'r:i\\'||y. 'ilu-res nlwnys something

"Ill-|'ocol|1t‘s the init- .\»|.~':i iii#-nrll! [|]}_,.|_‘~ |,, lmmmn “,|“_“ yDu»ve nothing

but ]n>.\'in,-; for n living," commented .'\ll;_'<-le.

Alun! I)idn`t I know? Iladu't I lolt

,.-u.-\‘s-|'nl henutiful models hccnuse of tlnuhle <-him, ole-sity or the ravaging 1-f`l`t-els of illness? D `

"i’<»sing's u mighty nlee thing to keep

_von lniing till you get ulong ln you! clmsen prof:-ssir»n." nnid u chorus girl. “I di|n`t. know how I'd li\‘e without lt."

"i'|l give up the stuge nnrl do nothing

hut po.-<0." said nnother member of the |'l|r~ru.~i, “only I'd feel ton uncertain nlmul my li\'i||;:. l<2\'t-ry non' and then |1l\otf»:r:\|iln-|'.~‘ drop u model, for |\ while nn_\hn\\'. und shi- hnu untliing that nba l;n|>\\'s lmu' to dn to .uiimiort herself."

“i'n.<in,-_- for nrli.-its is lnlcrestinl."

1.-uid :| ,nf-ntle d:mf‘1-I' with soft eyes. "Ik

||i~¢-.~'|\'t |m_\' .is well ns the plmtugmphlo

\\'orl;_ but il is onsii-r null it`s intl-rcstini tn .we tm- |»i<-ture |:rn\\‘. I like to hc in pit-t|||'<->x und sl-e lion* the artists hnve 'hun-,'1-ll me. 'l`lu-_\' gt-in-rlllly clmlllle ~m||1-lllilig und irl<'nliv.<- tht* fncc sn IIA £0 iimln- it nmro in-uutil`ul thuu the model."

There was nv rainity in this enrmf

:_-=;virn|\l, for ninixf- in-lmrs.

"l should think Ana:-le would like to

.---ju~t -it still. It`s lazy

\»rk," lnu,:lu-al 1| frienll, "l dnn‘t mind 1\o»=i|\_-.1 for artists." ud-

milli-il Ann:-le, "hut I like the llthge. I lil.i- to tru-el with the companies IMI .v-<- in-\\' |l:\¢-es,"

"\\'|-ll." 1-oiiiessf-il Smile Carter, "I

ali<!n'| ln|o\\- l|n\\~ to do anything when I lmll to main- my living, so I tried poslnf, :mil I ner :ilnmg \-ery wt-ll, but lt's nny~ thin-_' hut the cnsv \\'o|'k people think ii ls. `

"ilk .'\\\Full_\' hard," every one sympt-

rhizefl, "l~'ll't_\' ef-ms nn hour for artists s it-ry little \\'l|»-u the aluys are shtlrt und he lmurs are it-\\‘. 'l`h.\t only llelns i'|'-un nlyuul 1-ll-\'|-n uuiil three 0'0|00h,

\\'lu»n tlu- lieht 4-lirlngl-4." ,

"l'n~'i|\;: for |ilu|to;gl‘:||»lu-rs nt $3 (0 $5

'I'

I n |-f .~i|i;: is hnrd en-lu:l|," explained the ,I ' . nl l. "

ir' l`\-s,~do|\'\l lu- e but posing for urti<l- i~ lunrdv-r. No umtif-r how coll- .~d:l|~mt~ ther nrc, tht-re nrr- some pict- ures \\l|f~rv- _\'u\\ lmiw- to hold l\ dlfilC\Il¢

:mit-\|l~~ until you fuirly nf-he nil over."

“l l;n~»n~," unrecd the girl who danced

until her must-les were sore. She rubbed her limhs ft-f-linply. “Ilut lt. l!n't ll hnrd ns dsineiuiz und rehearsing all the lime. \\'ou‘t. i he tlmnkiul when I. [dt n part to play!" ller eyes lvenmed.

The other girls smiled with hor lhtl

mnde little cooing sounds of eneo\ll\¢U~ ment.

Th.-it was the incentive to tedious dlyl

of studio posing nnd exacting hour! ol sings- practice-there was n camel' bo- forf- them th-it proinised nn independent living nnd help. usnnlly, for some mem- ber of tho family. They are full of cour- oge and hope, these young thinll, md had w@ lm no tqron lor tlun.

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