EEL TI

THE DAILY EXAMIN

: Dozwnars A YEAR,

ALLL! CE OE —

AB seegeabgg

RN tse ceetaaea ay

—— =

“ This is trae Liberty, when Free Born Men, having to advise the Public, may speak free.”—Evrivinzs. Sincie

i

erst

ee et en OR RNR At CRE te ta eneee —elhan* Mtns

LES, CHARLOTTETOWN, P. E. ISLAND. WEDNESDAY, NOVEMBER 19, 1890.

a tee erg on nn a ee ieee

,

ories Two Crnrs

VOL. 26.-NO. 147

R. M. Ei.

a ee ee

, ~- oo Yeo 4 .

Tostim nial Frem Duluth, Minnesota,

Dea Ross,~—-Having tested your “#\VWAGl HEALER,” I wish to « Xpress” my gratitu to vou by he is testimor: lal, which you CR os. if gou think it wili aasist vou fn aol Ha i tiny hand severely with a ( 4 net [the chisel having en- tered the palm of my hand, meking a long and deep : [ «applied your * MAGIC HEALER ‘ ree, and after three pplica tions | ¥ abe te to work, and in three days U i¢ WARS lead 1 P

, Yours truly,

ALONZO H. LAVERS

CHARES I. MORRISON, Commission Merchant AND—— AUCTIONEER,

y

Agent for St John Dye Works, St. Joba, N.B.

—-—-= lor Prince E

ling Machines & “Ideal” C

General agen’ { Was!

I le abt

106 Queen

urns

St. Charlottetowa, PE I.

Oct ‘

a Doth O Sk ae 2. tL dea a artalai Trial is Gira

WOODILL’S

Worm Lozenges.

cA i

Try a Pair of the D. & A. COR- SET*, and you will breathe easy. If you ence try them you will be convinced that they are WELL MUDF,

EASY FITTING, GOOD SHAPE.

Fer sale at PERKENS & STERNS,

Cheap Dry Geods Store.

novi—tf BS

wi oe F 3D Oo HOR EHOUNDANDA NI 7 4 €ORoup eat Couais

WuoopiInNG Sz OLDS.

ap <4.0 YEARS. IN USE. Si PRICE 25°PER BOTTLE See

a Na ‘= ? Try ;

SOURIS LITS FOR SALE ) ry 'tHOSE two beautifully situated Lots ad- i joining the Court Hoase, 100x100 ; alo two o' hers, same sizs, on the hill opposite Dr. MeIntyre’s residence. These Lots command a beautiful view, and are desirable sites for Price low. Apply to JOHN COOMBES, Charlottetown, Orto C.C. CARLTON, | Sours.

pr ivate residences.

octl4—eod

J. H. BELL, The Leading Custom Boot and Shoe Maker of the Province,

oy NOW READY with a good selection of LEATHERS and TOPS for the Fall and Winter trade, and woull respectfully invite

; all who require a first-class Loot or Shoe to}

inspect our stock aud prices before placing their orders. A'l our goods are guaranteed not to squeak, alse to fit well and comfortable. - ee Orders always filled up to time. A full live of our own make kept constantly on hand. Quality the highest, prices the lowest, REPAIRING of all kiads promptly attend-

ed to, J. i. BELL, Upper Great George Street. Ch’town, Sept. 6, 1890 3m 2aw (thu sat)

, , , ° ; iward Island fer

vane onmnary UM WATL

~~

Ww RECEIVED:—A Full Line of ANNIE S. SWAN’S ¢ WORKS, seid to be superior to the Pansy Books. those who have the Elsie Series should get the Mildred, a continuation of Elsie. We have a large stock of late works by the following good authors:

Purses, Pocket Books and Card Cases. We keep a full line of STATIONERY at lowest prices. (PRINTING and BOOKBINDING in all branches. Get our

prices and see our work in this line before you place your

order. HASZARD & MOORE,

Charlottetown, Nov. 11, 1890 —dy eod BROWN’S BLOCK.

\.

eee i ee Senet

COMPASS

sires ‘inte thsi aenennigia

the

7” io

**A few days ago au American gentleman, being asked which point was | North, pulled out his watch, looked at it, and at once pointe] to the North explain, he said; Point the hour hand to the sun, and the South 1s exactiy half , Way between the hour and the figure XII on the watch. For instance: Suppose it is 4 o'clock. Point the hand indicating 4 to the sun and Ii on the watch is exactly South.” —Extract from London Truth in Jeweler’s Guide.

If you have not a good Watch to prove the above, call ‘and get one of our ROCKFORD, WALTHAM or ELGIN WA'‘'ICILES; and if you cannot see the figures on the dial ‘distinctly, a pair of our best Spectacles might aid you.

! KB. W. TAYLOR, Charlottetown, Nov. 8, 1890—2aw & wky CAMERON BLOCK, CITY.

FIRE INSURANCE.

North British and Mercantile Insurance Co,

OF ae BRITAIN. “ASSETS OVER FIFTY MILLION DOLLARS | —_-—+x) sii

| he Strongest Britivh Insursnce Company Without Exceptisn. oe _. COMPANY has transacted business in P. E. Island for over Thirty Years,

and has always paid its honest losses with promptness and liberality. | FRED W. HYRDMAN, Agent. Charlottetown, Oct. 21, 1890—im eod

syed) IS PRIME Babe

~~ JounsTon'sFLurm BEEF —

in 2 concentrated and readily digestible form. —— ———(x — --

| A STRENGTH-GIVING FOOD

FOR INVALIDS FOR CHILDREN | FOR ALL WHO DESIRE

—AND— To Improve Their

CONVALESCENTS. ALL AGES.

novi—-dy & wky

is

Wire Mattresses,

i x j e

'The Dominion Steel Spring Wire Mattress,

Possessing Specisl Advantages over all other Spring Mattresses made.

(x)

‘or Ease, Comfort end thicanmaal this Mattress takes a front rank.

proved by the Medicai and sale by

Charlottetown, October 14, 1899.

3 dna yall, Chas. Kings- ley, R. M. Ballentine, W. Hl. G. Kingston and Louis Rousselet, |

| PHYSICAL CONDITION. |

Durability, Cleanliness, Meni) 7 oh dca veiag Aaa Ap- Sanitary Profession. For

MARK WRIGHT & CO,, Ltd.

ON A HOLIDAY TRIP

Soma Notss by the Way,

The World in Wax.

ee

Attractions of the Kden Kusee

No visitor to New York should miss see- ‘ing that temple of art known as the Eden ‘Musee. ‘The building is a magnificent vne

|——a credit to the erty. It is located on

Twenty third Street, between Fifth and

Sixth Avenues. The Musee is thoroughly” cosmopolitan in its character, and affords

an opportunity for instruction, amusement

jand recreation without coming into contact

with anything that is vu'gar or cffensive,

that cannot be had elsewhere in America.

| Within its walls are wax representations of

scenes from all quarters of the world, and

tivures of rulers, s'atesmen, artists, scien-

jtists, ete., inuumeiable. Many of the

| heads and figures of the persons represented

‘have been modclled after nature, and the

grouping and dressing is ali done by dis-

‘tinguished artists. There are no nude

figures shown. Every hgure is clad in the

costume of the country and age represented,

;and in several instances theorig:nal! clothing

iis used,

How interesting and instructive it is to lock upon these plastic representstions of [historical scenes and personages! So ;tmarvellously correct. is the workmanship } upon the figures that one can easily im-gine | he is lookingat real flesh and blood inmen and | women instead of wax counterfeits, and so, | realistic is the arrangement in some of the ,seenes in the Historical Chamber and i'Chamber of Horrors that/ men and women

have been known to shudder as they louked upon them.

My visit to the Musee was made on Sun- , day evening. I was accompanied by two friends, both residents of the city. We | passed a goodly, portion of the evening in ‘the place, and, [ think, thoroughly inspected every:hing in it. The attendance was large during our stry, but so perfect were the arrangements that no one was prevent- ed from sight-seeing tu his or her heart's .content. And whac a lot there was to be jfeen, too. In the vestibule we found ‘a very interesting group. Near the box ‘flice where we purchased our tickets,

i

stands an English tourist and his daughter’

‘intently reading the sign, ‘*Beware of Pick-

™ pockets,” and as they are reading, one of

ithe fraternity is going through the tourist’s |pockets. Near the turnstile, apparently ' . » .

keeping a close eye on the box office, is a

itall, good-looking policeman. ‘The ap- ‘pearance of this wsx guardian of

,the peace is so life-like that it is not an ‘uncommon thing for strangers to accost him as they pass into the hall. A short distance from the policeman is a lady en- 'gaged lacing her shoe, and standing beside |heris a dude watching the operation and sucking the knob of his cane at the same \time. Passing from the vestibule into the ‘entrance hallthe first thing that attracted /our attention was a group of figures repre- ‘senting the Emperor Napoleon and Joseph- ine at the time when Napoleon, after \having been proclaimed Emperor of France, asked Josephine to consent to a i divorce, the reason being that Josephine 'had net borne him any child, thus pre- | cluding him from havinga direct successor ito the throne. Near by isa capital repre- sentation of the balcony scene in Romeo jand = Juliet, ard oa large and ipictureeque group representing one |of the most stirring and dramatic scenes in the American Civil War, viz., the surrender of Lee’s army at the village of Appomattox ‘Court House. The formal surrender was made to General Grant, in a room in the house of a man named Wilbur McLean, in April, 1865. The room shown is said to be a correct representation of the one in McLean’s house, and the furniture almost entirely the same. The entrance hall opens into the central room of the building, where the life-like! -and brilliant groups to be seen on all sides at once attract attention. After examining a group of Japanese jugglers, and the figure of Ericcson, the emiuent engineer and in- ventor, which occupies a prominent position to the left of the entrance, we came to a) group of twenty figures representing the, rulers of the world. This tableau, or group, | takes up almost the entire length of the left side-wall of the hall, and is divided in- to three divisions. Among the figures are excellent representations of Queen Vic- turia, President Carnot, President Harri- son, Pope Leo XIIL., William IL., Em- peror of Germany; Francis Joseph L., Em- peror of Austria; Alexander JIL, Czar of Russia; Humbert, King of Italy; Nessr-ed- Deen, Shah of Persia; Alphonso XIL., the lite King of Spain; Abdul Hamid Khan, Su'tan of Turkey, semetimes called the “Sick Man of Europe;” Leo Caprivi Cap- rora de Monticuculi, President of the Prus- sian Ministry; Prince Bismarck, Von Moltke, Gladstone, Gambetta, Prince Gcrtsahakoff, and last, but ot least, Gen- eral Boulanger. Another group, perhaps ‘one of the most interesting in the whole _eellection, represents the present Imperial \family of the German Emperor—Kmperor William II., the Empress Augasta Victoria, and the Crown Prince Wiiliam. The uni- forms used in this group were imported from Berlin, and are said to have been made The uni- forms and orders shown here cost upwards ‘of $1,200. Next to the Pasteur group, which is near by, is one of the most natural- looking figures in the Musee. It is the simple figure of a man reading a book as he sits on a bench, but so life-like is the re- presentation that evensomeof those who are constant visitors to the place have been de-

,hot unacquainted; and by Sullivan’s eal

!

ceived by it. Adjoining, are splendid re- the body. This last g oup, I understand, is

presentations of the late Gen. Uancock imodelled after Gerome’s famous pictare in

and Police Captain Williams. i gallery of the Palais de Luxembourg. The A group that attracts much attention is | ®t scene thows the Chinese mode of punish-

that showing the greatest musicians of Lraeen.

the ; : al

world. In the centre of this ee ihe streets with a heavy weight tied about aes ne ‘heno B, the father} neck, ‘Lhe unfortunate victim is being organ, 18 Junbann Sevastia 21Ci), etiather) lled « j swig ai ;

of German music, an? the stately-looking | Shaie, sud wae isin the et bt Gata man standing at his right is the celebrated} heavy blows with a whip ‘the Russian George Frederick Handeh To the left of’ mode of punisiiment known as the knout is the crzan sits Christopher Willibald Gluck, also shown here, as well as the guillotine, the founder of the modern opera, and with which the french decspitate their crimin- directly behind bim is Joseph Haydn, one, als. The clothes worn by the figure await- of the great c mposers of the last century, | /9& ¢xecution by the guillotine, are said to

A culprit, undergoing the puuishment known as the Kaug. is being dragged through

r ‘ as 3 ore wh vy ¢ -} > ‘ } and the suhor of “The Creation,” be th — = by fe oe -_ ae ually . - |execnted., r te a box the oratorio so successfully given in|®*ec@ted. Alver teking o look af the intertor

Charlottetown some months ago by the - . ae eee vs herdy miners busily Philharmonic Society. Tu the right of| fusing fora hort time at. taiteau fa bie the organ, sitting by the side of Handel, is ) prison cell, we proceeded to contemplate a Wolfgang Amadeus Mi zat, one of {he | group eatitied ** The History of a Crime.” most gifted musicians the world has ever | (his is a series of four tableaus of a stirring seen, and in the centre of the lower plat- | and most interesting character. The criminal, form, near Handel, sits Ludwig Van Beet-|a mere boy, bas effected an entrance into hoven, who is in music what Shakespeare the chamber of a wealthy man. In trying to is in. poetry. At the right hind corner|open the safe his vicim is aroused from of the upper platform stands Franz Schu-| #8 slumbers, aud while about tu call for ert, one of the brightest stars in the firm-|/t!p is fatally stabbed by the miduizht ament of the poet-classical period of music, | Y'S'°" Sars thus left free to go on with his and by his side is the far-famed Felix ~ > cet a ete = Mendelssohbn-Bartholdy, whose ‘* Songs Seechiiie't ae ag at oe ae : Mae Without Words” Mjastiy popular. Sitting |, sab ee aicecidsteceaaae ae Ly pe . pirtment of a woman of low cherecter, ‘Lhe net far from Beethoven is Richard W agner, {| back ground shows the rempants of the nigh ts and to the left of Wagner, also sitting, is} carvonsal, A table covered with empty wine Charles Gounad, the sweet singer of Faust. | giasses and bottles, the woman dressed in By the side of Gounod sits FPiacz Liszt, the} gaudy garments, and a negro servant bringing king of all pianoforte players. Oa the} more glasses indicate clearly how the night upper platform, standing behind Muzurt, is} as been passed. Ina small ante-room can be Anton Rubinstein, one of the most accom. | $22 the criminal stingg-ing with two officers plished musicians of the present day, an | *%° @te ta tiie act of putiing the - bracelets who is now a director of the Imperial en ee ee ok ae 5 . : cons*quence of th ‘est— al. Academy of Music in St. Petersburg. Near! -rhis scene shioarns the interior of a court of the steps of the lowerplatform sits Giachino -astice. Seated on a bench, with au anxious Rossini, the great composer of operatic};

: aes ee efasiClexpression on his face, is the murderer. music, and by his side is Giuseppe Verdi, | Opposite the prisoner, aud pointing at bim another eminent Ltalian compvser. On

with his finger in a threatening manner, is the extreme left of the lower platform

the lawyer for the prosecution. Stern and stands Jacques Offenbach, the king of opera | stolid sit both the jadge and clerk, listening deuffe, and by his side, sitting on the edge

to the prosecuting attorney, The fourth and of the upper platform, is Arthur Seymour

last scene—the executioa—comes next, This Sullivan, one of the best musicians England ;*0WS the interive of the cell and the young has produced, with whose Pinafore and

murderer during his last moments on earth. lis er, & V b} i Mikado Charlottetown theatre-goers are His mother, a venerable looking eld woman

with grey hair, has come to bid a last fare- well to her unfortunate son = A _ priest stands by her side speaking comforting words to both of them, and the door leading to the prison yard, where stand the gallows and the executioner, is being held open by the jailor for the prisioner to pass through. After contemp ating this great moral story without words, we proceedel to the next scene, a representation cf Oliver Cromwell taking a last look at all that was mortal of his victim Charles I. asthe dead monarch lay ia his coflia. Near by is aa excellent representation of Charlotte Corday, looking through the bars of her prison window, and an illustration showing how crimioals are executed by

sits Johann Strauss, the waltz king, whose compositions have been heard im every ball room in the eld and new worlds. Pass- ing from the musicians we proceed- ed to inspect the group showing leading European and American artists—actors and peinters. Among the figures of actresses and actors I noticed representations of Sara Bernhardt, Mme. Patti, Helen Terry, Mrs. Langtry, Henry Irving, Joseph Jefferson, Pussart and Coguelin; and amoung the artists Munkacsry, Gerome, Knaus and Meissonier.

Our next visit was to what is known as

: } i electricty. Arother scene shows a young the Historical Chamber. Here are por-| woman being eaten by a pet lion, into trayed many scenes that are both interest-| whose cage she foolishiy ventured ing and instructive, an-lin whichareshown|on the day set for her wedding,

attired in her bridal garments, while outside the cage, contemplating the scene, but unable to render assistance, is her fiancee. The look upon the latter's countenance is one that once seen is no’ soon fo: gotten,

The art gallery is a portion of the Musee that should not be missed. The elevator leading to this place is located in the entrance halJ. The gallery is well filled with choice paintings, the work of American and foreign artists. In a corner of the gallery is t figure of a handsome young woman jvoking over at the crowd below; and at one end of the gallery will be found a smoking room, which i: said tobe the only one of the kind inthe United States. It is fitted up after the Turkish style. All its decorations were made in the workshops of the Musee, and it is safd that the sum expended in fitting it up was over $4,000. Those who claim to know say that it itisan exact reproduction of the Oriental smoking room in the celeprated Chateau de Blois.

Visitors to the Musee may pass from the central hall directly to the concert hail. This is a magnificent room extending the tull depth of the building. The walls are beautifully decorated with mirrors and tropical plants, and ample accommodation is here provided for those who seek rest after a tour through the other portions of the Musee. At the south side of the hall isa stage on which an orchestra performs each afternoon and evening, and around the walls are arranged various groups and figures. But I have neither time nor space

figures of men, many of whom are re- nowned for their valiant deeds or detested for their cruelty; in each instance some characteristic episode has been taken in illustration of their careers. A little to the left, at the foot of the stairs which must be descended before the visitor reaches this place, we found a most realistic group of the Chicago anarchists. The scene repre- sents the office of the Arbeiter-Zeitung, and seated or standing therein are the seven men who were hanged in Chicago sume time ago for inciting the Haymarket street riot, which occasioned the loss of so many lives. Anadjoining scene represents the remains of Napoleon III. lying in state in the little chapel at Chiselhurst, in the county of Kent, England. The Emperor is attired in the uniform of a field marshal of France, and around him, either kneeling or standing, are his widow, his only child (the Prince Imperial), his cousin, Prince Jerome Bonaparte, and the two sons of the atter. .A scene inthe immediate vicinity of that to which I have just referred repre- sents one Of the most tragical incidents in the h'story of the United States Army, viz , the massacre at Little Big Horn and the death of General Custer. Leaving this sad scene, we proceeded tu the group showing the imperial family of Germany, a group which represents four generations of the illustrious house of Hohenzollerin. Seated on a chair at the right of this tableau is the

Emperor William, holding one of his great-| {or further description. VIATOR. grandchildren on his knee. The Ewperor’s — eT

widow is shown leaning affectionately over

‘

his chair, and her eldest son, William 11.,| } stands by her side. Seated on the floor, Stop that playing with toy soldiers, are the Princes Friedrich Wilhelm, and Wilhélm. The : CHRONIC Cough Now! third child, Prince Adaibert, is shown " seated on his great-grandfather’s knee, and | { Por ff you fo. A ae ge the fourth child, Prince August Wilhelm, | 6 Gojoe Debilitey and Wasting Diseases, is sitting on the lap of his mother, who is there is nuthing like : shown in the rearof the group. Another a Om CRIES { scene— and a highly aula one it is— Fig Tek f represents a banquet, at which Peter the] ( , gt J, a : Great, Emperor of Russia, executed by his } ~~ * { own hands from two bundred to three hun-| { Stim 4 dred Strelitz, who had been brought before : ii ‘ him for that purpose; andin theceutre of the} ( a 3 chamber is a tableau representing Washing-| $ ery Payee ton crossing the Delaware—a greup which] { E : 5 ranks among the finest in the Musee. An- e Cod Liver Oi] and other imposing group illustrates the storm-| { HYPCPHOSPHITES ; ing of Constantinople by Mahomet, which] { oust Mi, i ee is said to be a faithful reproduction of the } orn ge eee { celebrated painting by Constant, which} ; 1 is aimoet fs palatable as milk, Par : hangs in the Museum of Toulouse, } beter: tran other, socalled SmaMeatas

Leaving the;Historical Chamber we proceed-| { 4 womde: iui Mesh producers ‘ ed to what is known as the Crypt, or “Cham. ; SCOTT’S EMULSION : ber of Horrors.” In the passage leading from] | is put up in asatmon eotor wrapper, Be one chamber to the other are some handsome | ¢ oye aid wet the genitive. Sold by ait} mirrors reflecting the beauties of the human] { Dcaters at 6c. and #2.0%. } form divine under various aspects. The first ; SCOTT & BOWNE, BellovRic. ‘

scene that met our eye on entering was one showing a poor black sailor in the hands of cannibals who are making preparations for cutting him up aud eating him, Alongside is another scene of suffering and cruelty, viz. a poor white man in the hands of savages who

uve tied bim to a tree and sre in the act of scalping him, while a squaw sits in front of their victim grinning her approval of the proceeding. Next, is a ghastly scene indeed— a public execution in Morocco. ‘Lhe con- demned man is kneeling down on the elevated

Cremeans ne arate ee et OOO AOL CO

TO LET.

4 NEW DOUBLE TENEMENT HOUSE

on Euston Street will be ready for ten- ants on the 15th of November, For particu- lars apply to

: aa oe : Euston Street, oint of a public buiiding and the executioneer fs standing over him, sword in hand, ready to Or to D, R, H. MITCHELL, strike the blow that sha!l sever the head from nov8—tf Guardian Office,

MRS. J. W, MITCHELL, “ay

‘el iy ei

“em eae ea Set

eiieieeeedie ee

~<a. tte alt