"THE. CADRE, OCTOBER 22, 1974, PAGE 16
mm "Evolution, The Sea, & They Call Them Killers in Search of The Bowhead Whale" N.F.B. Duffy Amphitheatre, Wed: Oct. 9, 7:30 P.M. Adszree'
"Silent Running": U.P.E.I. Duffy, Sun. Oct. 27, 8:00 Adm: $1.00
HOLLAND COLLEGE Mon. Oct. 21, 12 noon and 8:00 P.M.
catharsis
by
4.
"Legend of Nigger Charlie" Adm:Students 75¢, Others $1.00 PRINCE EDWARD CINEMAS #1 Blazing Saddles #2 For Pete's Sake or Where the Lilies Bloom -,7:00 & 9:00 P.M. Adm: $2.25 17 and under $2.00 Further info contact 2—8331
POLITICAL SCIENCE FILMS: Wed. Oct. 23, 8:30 A.M.
NA - 4
1:15 P.M., 3:15 P.M. D 210 Duffy Amph.: "Rising Tide"
Canadian National Ballet
While making its first eastern Canadian visit since 1967, the National Ballet of Canada will make its presentation of "Giselle" at the Confederation Centre Theatre on October 22.
Peter Wright (a British choreographer) staged "Gis— elle" for the National Ballet of Canada after the original choreography of Jean Caralli and Jules Perr— ot. Desmond Heeley_who rec- eived two Tony awards for his sets and costumes in the New York production of "Rosencrantz and.Guildenstern are Dead" provides the decor as well as costumes for "Giselle".
The ballet is based on an ancient Germanic legend con- cerning a young peasant girl betrothed to Albrecht who hides the fact that he is a member of the aristoc— racy. Giselle dies when learning that Albrecht is already engaged to another member of the aristocracy. After death Giselle joins the spirits of betrothed girls who have died because they were deceived by their faithless lovers.
Performing the character of Giselle takes great technical skill as a dancer, as well as being able to perform the dramatic role of the character.
Giselle is the only work which has remained in demand and in production for more
than a century and is recog- nized as the supreme achieve— ment of the Romantic Ballet. Les Sylphides is the first "abstract" of pure dance work (WhiChincidentally is on- f the most poetic ballets of all time) to recreate the Romantic style in the 20th century. It was first pre- sented in 1908 by the artists of the Imperial Russian Ballet under the name of Ch— opiniana. It consists of a male dancer and three female soloists each of whom have
subtly contrasted roles. The corps de ballet dancers
provide links between these solos and the choreography relies upon the sensitive
‘ blending of corps de ballet
and soloists. A pas de deux ensembles at the opening as well as the closing of Les Sylphides. Music is by Frederic Chopin, choreography is by Michael Folsine, pro- duced by Celia Franca and Eric Bruhn and production
is by Peter Farmer.
Le Loup's choreography is produced by Roland Petit, music by Henri Dutilleux and decor and costumes by Jean Carzou. Le Loup is acclaimed for its supposed revolutionary choreography and the Canadian premiere of Le Loup was pre- sented at Toronto's O'Keefe Centre in the fall of 1970.
Basically the story is of a young husband who on his
wedding day elopes with a
'oct.22 - oct.28
an exhibit
COnfederation Centre Art Gallery: "Eskimo Exhibition of Prints & Drawings"
Oct. 22 - Nov.3.
that"
CONFED CENTRE THEATRE: National Ballet of Canada: "Giselle", Tues: 0ct.22, 8:30 p.m. Tickets, $5.00 & $3.00, Rush Seats for Stud- ents $1.50, Senior Citizens 10% Discount.
National Ballet:‘
"Les Sylphides; Le Loup; Kettentanz" Oct. 23, Wed. 8:30 P.M.
Tickets: $5.00, 4.00, 3.00.
John Allan Cameron & Feux Follets: Oct. 25, 8:00 P.M. Tickets: $4.00 & 3.50
Carlton Show Band:
Oct. 26, 27, Sat & Sun: 8:00 P.M.
Tickets: $3.50 & 3.00
U.P.E.I. Music Recitals can-
7 :gypsy girl formed into a
wolf. Strangely enough the girl discovers that he is indeed a wolf but because } of his frankness, bravery and loyalty she becomes drawn to— wards him. When the local in- habitants of the village dis— cover a wolf among them, they
‘ set out to|destroy it. The
tension never seems to sag and the action involved is admirable.
Chinatown» excelent
Roman Polanski has recreat-v ed the Bogart & Gagney image in his latest film "Chinatown"
Jack Nicholson plays the part of J.J. Gittes, a sleezy private eye whose main cOncern is solving mat- rimonial problems since this is where the bread is to be made. Screenwriter, Robert Towne's plot demands rather close attention but it seems to be worthwhile since it gives us some rather indepth insights into L.A.'s crime,
celled until further notice due to renovatidns within the department. ' ‘
list
Oct. 24, Thurs, 6:00 P.M. All interested in assisting for Octoberfest please meet in the basement of Memorial Hall: Your help would be greatly appreciated.
Oct. 24, Thurs, 9:00 - 12:30 Pig 'n' Whistle, U.P.E.I. Barn, Music by Taquila
Adm: 75¢ ‘ ‘
YE ALL COME_IQ THE PUB Sponsored by Business - ' ‘ Society: Fri. Oct. 25152-5 p.m. Beer: 50¢, Open to,allL,'
Bus. Soc. Memberships snail— able at the Pub. " . new
Thurs. Oct. 24, 8;00 p.m. Duffy, "University in the Community". Lecture & dis—
- cuSSion (Dr. A. Porter)
public (i.e. outside) part— icipation anticipated.
Due to the early publication of this paper any section of this directory is subject to change.
Since ballet is éofiéiééfed to be one of the more refined arts, I strongly urge anyone who has never seen a ballet before to take in at least one of the above mentioned and I am sure that you will be able to at least appreciate the quality and skill involved in performing such an artistic form of expression. I hope you enjoy. ~
- ’ Mam. _ but duln t stay long corruption and greed during the thirties. Dirty deals
and land grabbing are evident as well as J.J.'s_one night
~stand with Faye "unaway, who
incidentally gives away more than she talks away! Suggest— ive or what!! I for one cer- tainly enjoyed this flick
but was rather disappointed in‘its short lived stay in Charlottetown. I guess there's more demand for skin flicks
in towu as opposed to class- icsl