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Rafi," 7 BEHIND THE SCENES NO MORE “ 'VBROOMBA” " °‘ 1.: r V ‘ q r . V . . ~ 7 v E _ a , .PANTHERETTES by; Janet Coughlin This placed the. team in performance of Patty Bradley. them in. the Yearbook and at ~ The UPEI Broomball ﬁPanther— ' the consolation division. She Played three Vigorous ’ v 2' the Amletic Wards Night ettes have been a team behind The Pantherettes, hoWever, games WithOUt all-Wing a this year - ‘ ' r \ the Scenes for too long. In never said "die" , as they ‘ single 903‘! againSt her- '. ‘ 7 previous years this team was went on to win the next V The 003011 and “wager: " ' ppmbers ofrthe team are: ‘ officially noted as a member ‘ game 4-0 and the final * ' QIUCk Gallisen and Sandy Joym" Gallant 7’ of the university's athletic game 2—0. In the Second - Gilli-Sr were also major ' Jackie Doran I department. It was being game of the day,- Farmington teeters in the team's ‘ Dale Coyle , ’unrecOgnized financially, ’ Flyers, Jackie Doran and Perfom‘anoe- 'Their enth" Jane Hogan as well as publicly, but Janet Cough] in, led the USiasm and Skilled COaChing Patsy A the athletic department did team to victory with two Were Significant t0 the ‘ Patty Bradley not even include the women's ‘ goals each. i In the con— girl's achievement. '. ' Lois Waudnsf broonball team in last solation championship ‘ Theteam “701115 like to Janet ‘Coughlin year's Athletic Awards Night. game Marlene Costain and - thafﬂ< Ann MaCDonald . A Denise Moore A .Sunday marked the first Janet Coughlin'both scored for inViti-ng them to the V Marlene Costain Significant victory for the once to secure the .win over tOUIth- ,SundaY'S ' Dale “CC-lure V team. It captured the Con— the Georgetown Gems. aetiVitieS have Proven to V Susan Enman ‘ ' j a solation Trophy at the ' "One could not write the univerSitY that the ~ Anne'lKnox ' ~- Snowbird Tournament in Souris. about the success of a the UPEI Bromball Pant-hereth ' Ruth Hogan The first game was a 1-0 loss brocmball team without ‘- are impartant t0 the athletic Sharon v in a sudden—death OVertime. mentioning the excellent departimt- WatCh out for I ‘ ' /

‘ APOCALYPSE NOW, AMSECOND OPINION

By Vernon Pah] ‘ a journey into the 1 general insanity of the seem-on .Of the merlcan ' in which he confronted’a r film's subject. - ‘ ' YCf’Uth Who typifybzhye 5117199 mmzcxs man COPPOLA - - ‘ f errors" . . 0 young men or s Q mﬁtgggdﬁctgon of Apocalypse ' The reality 0f Vtetnam' were called “upon ‘to serve " . be ' th f ll of 1975 15 Portrayed thtough a in Nam, and how obviously gan 1n. e. a . .v . .. number of different ' they did not belong there on location in_the Phillip-mes. characters. Captain as faté proves Willardié It becme pgbltc m Aug-ls Benjamin Willard: Played ‘~ destination is.the haunting of 1979. Within that time a by Martin Sheen, is the Colonel Kurtzr played by

war existed be— A . , "Sn—Efuegg—t—Eééidea) made film and developlng hero’ .who ‘ Marlon Brando with heart . th f ' embarks on more than an and sou P Kurtz.

the rgcalCltrant‘ tru. O assassin‘s mission, but ‘ supposed]: mad aétually the Vietnam war? Tins ' -‘ ' an odyssey into the ’ sees the {ruth’and the V as cmlpounded With. «:51 ed very heart of the viél : very horror Ofit .. typhoon (Olga) meh- (3er horror. ~"On his journey, ., uplgc'calypse NOWL, as _ the evacuation 9f (.:ast.an / Willard encounters ' Coppola maintains L‘is not crew and $1.3 mulch 1nth 1" Kilgore (nice name), a film about Vietnam but damages; Martln Sheen, e ' Who iS Vietnam's, answer "is" iS" not \ main character, suffelred a to. Genghis Kahm Lt. your conventional wag; heart? attagé; f C0253: Sign -‘ I Kilgore is played beag— story movie but an eVent ,

hospital” 01." u:th ’ tifully by Robert Duvell. 7 in itself émd must be i the WOO-Operathe wea legr In M" Kilgore We see- one 7 treated as such in order created endless delays, ut mews method of coping and g for one to” grasp thé .

. persevered. fim' surviving in a‘living " - . essence of it ,

""" " The surface Oi l S hEll, t0 IIApocalypsemen a

~ theme 15 based oose'y on a the deV” himself' AS ' T milestone" in'motion picture baStérdlZatJ-On Oftquiteh t Willard makes journey, he history and Should not be pOSSibly the grea es s or is accmpanied by a crOS‘Sﬂ L missed! I ‘ (

story ever written, "Heart of Darkness". For some obscure motive, Coppola ex-

ROBERT DUVALL‘ MARON SHEEN m APOCALYPSENOwtrapolated the intense_and_ FREDERIC FORREST ALBERTHALL SAM BOTTOMS sanewhat canplex conflict in

LARRYHSHBURNEN DENNIS HOPPER "Heart of Darkness" and wove MARLON BRANDO Few a“ mu FRANCEme it inconsistantly throughout

\

7 . Apocalypse. WALYPSE NW " Finally! "pra'lypse by Vernon Pahl' \ Now" is a masterpiece. The K Approxmately 10 Years . photography of Cinematographer agoll Fraan-S Ford CoppOla Vittoria Storaro is capti— ‘ had a vision. Within that - vating.' His unique angles ' vision he conceived an idea We the film more a " inspired by Joseph Conrad's wsteriousljoumey for the. short story "Heart of Viewer than a "movie... The DarmeSS"- What res‘ﬂtedg accompanying soundtrack serves WithOUt a d011th is an,eplc to reinforce the film's motion picture concerning "experience" mystique with i 7?? ‘ the Viet Nam war ' the haunting, apocalyptic ‘9 Francis Ford C°°p°1a - lyriCs [of The Doors tune: i produced, "The End", on the Wow the Screenplay‘ opens and closes. It is " BUt more mrtmtly also punctuated with the thoug I he struggled to Rolling Stones ever—famous A ~ ’ Create a war that's song "Satisfaction", it ’ I ~,Very essence 950a??? all gives the film a nete of 531511318 Cmiprehemsmn' historical authenticity, as

This task was, in itself, well as cmtributes to the