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§olmmerside~Charlofleiowfi i

sun

um LARBIMOBI (Continued)

Al the bridge over the gully ati “l8 011cc oi town I knew lie didn't wiiiii. anybody t0 see him with mo‘ but. 1 didn't. care 1 didn't care lbvlll anything I wanted to do “mmhilii; crazy and wiid. It was ‘Xiliius. at first, w no» in Mini Villitlins car, though we only ‘out on country roads. He acted iioii. oi wild and crazy, too- I ‘lions-lit he was tight, iiiii. he ‘la-lit He was lust mad»

‘ll/hat. do you temcmber lenient? Jim asked. rfiiio considered i’or a moment.

"minus with concentration, We iui-iicd into that road, she snid H? Wanted to park, but 1 didn't “out to and I said your riding "WWW? was somewhere near i0 soit oi take his\h1ind oil the idea "l Wilkins. 1 think 1 said some- WPR about. you. I can't remember 0})“ 1i was. but it made him furi- Hi‘ aiellped on the gm and the “ir shot‘ ilihfflf‘! {like a rake‘; I

‘i ion‘ know. ny I g'“bb“il the wheel-rind then--

‘ Nrvcr iiilnd. Dolv Jim ytroked

W1‘ hand

ol the

cocoon wifidnfiiiifi

RUE BY THE ' ~

“ked- Try not. to think oi it. iti

dcesni.’ matter now. He's gone away, hasn't he? she

asked. alter a moment.

Yea. Jim replied. You something lo do with that, youl

I told Dad to keep quiet. ii that's what you mean. After Miss Vaughn canie to sec mo. I ieit dilierently about it. She was so nice to me. Not. snooty at nil, just friendly Ind realbi interested. Her father is paying the ho=pltal bills and he's going to send mo. to Atlntic City iei- two Weeks fliiei‘ I set out 0i here, I think Cecily —Miss Vaughn —thought of tliiit.

She made the

had didn't

suggestion. Jim

said.

So Why uioiiin I lei. Dad you around about. sueinii illWmdYy Dolly went on Jerry Clyde 1155'“ any money. I went with him. didn't i? He didilt sandbli! m! or kidnap me nr iin_vihing Besides —'- She drew licr hand from Jimfi grcped iinili-r ilo. mound 0i Dliillw-‘l-

til-cw out n small satin jt.'\‘<'€|;'1i"li box and allfippfill OPP" m“ ‘i

soothlngly. l'm sorry I ' Look. she snld

Jim saw the small diamond set‘

' think. he naked, that Joey

in a flurry of carved white gold i fitted between folds of velvet.

Herbert’) he asked.

No-the Prince 0i Wales. He. proposed to me over the radio. The gaiety died out oi’ her voice. Yes, Herb, she said

Do you want to marry him, Doi- 1y?

Her flax-blue eyes into his steadily, with ronlidennci and serenity. Yes, I do, she said ' gravely Lying here makes you think. Kindness means more than any- thing, doesn't it? I<Icrb‘s, been so sweet to me. He really loves me. And alter all this-Well, I know he'd stand by me through any- thing.

Yes, Dolly. I think he would

Herb isn't exciting D o l l y ’is glance wandered from Jim, rc ted upon the mil-row in the bum-nu at. the foot of the bed. He'll iicrcr ilo anything thrilling, she continued. as though she were talking to her reflection in the min-ow, ihnt iin- iamillar Dolly in a bed jacket of lace and chiffon wiili an orchid pinned on her breast. I (HNESS this had been the most excliiuir thing that will ever happen to me. It will be lun to have a house. though. And babies, maybe. Penny brings up the new babies from Th." nursery They're sweet.

Be ' appy. Dolly, Jim mid

I will, she sold siuuiirlilv I lmic .

inokcrl tip

to leave ihe kids, i|l0ll‘lil'-—JO(‘_\‘i enpccinly . An idi-n 0ili‘lll‘l'i‘(l lo Jun Ilii _vi.u ‘

would i like i0 work with mo? Her face brightened. She turned

to look at him swiftly, gratefully Could you give him a job? she asked,

I think’ so Jim smiled at heir obvious delight. He isn't niraid o! horses, is he? , not afraid of fillyihillfl, Milli proudly. That's .\\\'eli of you, Jim. She caught ills hunri. licld it. against her check I'll fcci so relieved to know he's vvliii you. Take care or him for lfl‘. won't you? I don't want. him to hang iiround with the tough gang in town.

I'll do my bust. Jim promised. Alter all I'm only l'i'lill_\'illf{ a debt. You sent me out io lhc Vnughus‘

I did, didn't, I? 'I'l'ie thought seemed to give iii-r pleasure Jim. sht- snid hesituiinplv, are you-i’ Is Cecily-i’

I'm not and slii- isn't . Jim re plied. She's going to Bermuda

with her lather. Then she hasn't

Dolly said warmly Jim smiled.

good sense!

You're prejudiced. You like me. he said,

Oh, I do, She slipped licr t-n- gagcment ring on and oll her lin- tier. I hope she'll come buck from Bermuda, she said. I hope you'll I get what you want. You've been h.\\'(‘i'. i0 me

hiircs Penny opened iili‘ door

'l‘iinc'.; up! she crlicd briahtly

(lo nwxiy. Penny, i)oll_y' bflid

Jim |'l\.~~‘ [ruin his chair i)-'lvil'il' Llii lliki Kiln l‘i-iiil\ i» niilll, ii: rulti. You mu t. not get iilflii. I'm going now.

Okay, Mister. Good-by. Tilrilliloi.

ll . Nliiinsky

i for coming. Thanks for the orchid i

and Jocyls job 'I‘hiinks {or every- thing

You're Good-by.

He walked to the door, turned to look at her again. Her eyes, lol- lowing him were wistful. One hand lay against the orchid at her breast Jim smiled. She returned the smile. iii-r eyes narrowing and crinklliig in the way hi; fgfngm- bored.

more than vi elcome

To Be Continued

BOOKS—ART—-MUSIC

‘__viCOlliiIlllEd from Page 2)

and although his intolerance oi‘ llie stciidiolit canons ol tradition worried and shocked Karsavlna licr belief in him was decpiy rooted and KBHSBVIIIB, Pavlova and Fokine became lenders in what was con- sidered nn expression oi the mod- em mind But Kare-avinn also moved steadily to the lop in the Clasdcal ballets, and Fokine, though he vrorked new patterns mi it, used Classical dance as the basis oi his clioregraphy. i The advent, ol Dlagiiilelf, who took exceptionally promising morn-g bcrs or the Russian Ballet to Paris» brought. world wide lame to K: - vina. Fokine and the genius with whom Kai" urinal often ilnnced Outiiniding nil iliesi- .\\l(‘Cl'r-\('S lor Knisavinn. ivus "Thu Flrcblrd" ballet with Stravin- hkys music; and Fokincfs master- i piece, first staged in I913,

the i.

‘lead-deariiraiaieiribfkfiiiaviii;

there was a part-"perhaps the most ivonderiui of ail I ever had."

Karsavina. followed Oiaghileil through the Romanticism, in which she had been brought up. to the Modernism of Statics "Par- ade" but there she had to stop be- cause of her fears that ballet was departing from its first vital prin- ciples and thus doomed to ultimate failure.

The last section oi‘ the book deals with Karsavinirs return to Russia and her escape after the Revolu- tion to England where she still lives

"Theatre Street" is a very simply and modestly written account of the liie o! a great lady oi’ the stage

and her place in a glorious epoch of ballet

In the production oi‘ Foklneksi ballet "Ooq d'0r." m a d e f o r l Dlaghilefl Ln i913. tlirrsingers sang ' from the sidelines while the action was mimed and danced by the Bal- let-

Recently Fokine has produced another version, this one pure bal- let based on a scenario which Fokine has adopted from Pushkin and set to the music or a, suite irom Rlnuiky - Korsakovfl: opera.

In America the new version has been highly praised-imam is a vrork that reaches into the region oi fine. healthy. full-blooded art

." and is ranked amongst. the -

most brliimit achievements of th" tie Basil Ballet Russo,

In London when the new "Coq- d'or" was given for the first time last. summer, it received some

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PAGE FIVE

'7

SALES REPRESENTNPIYIC

extent on the incl that lu tartan;- ing a ballet l0 music an opera Fokine has intention of the 0011190“??- l-md admirable replies {or his critics-"kiy reply is illhthl haw altered the intentions of i..c com- poser much less than the cour- poser had iillercrl ihmc oi :iic P0" Pushkin did not write his \'l‘i‘-\CS ti» be sung . ."

iinrarted ‘Ale Fokini-

Another version of the "Coir.

w; it icn for v

‘severecriticisms based to a gri-ii! ‘ ‘

l!) fll'.'l\iliili'\

Duke has written an oratorlo "The _

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gfor.“ giro“ nt the hictropoliiun ‘ lust season, was the presentation ("Willi 1'1 lliiiiii - ~ of the opera of Rlmslqv-Korsakov 01W‘ ifliflii“! l" "i ii" in its original lYTlCai lo n sunu "Yliiwdl" i“ 7'3 ‘ """“‘“‘*‘ and performed as “su'ol'di\l“ . OT m“ i‘ “m! "‘ opera, Willi Lily Ports 8.5 the Queen illiwiro‘. l (J i". .». > f '. Pit-lit‘? l but he \\t'u‘,i it t. . ‘PIQS Oil . v .. . c -- Bcside Rimsky-J/{orsakcv and‘, War? t)“ U “ ' ’ '1 Stravinsky. Tchaikowsky‘ was a1 °‘°"" "P11 A n M ‘Q1 famous composer of mllalt‘ which; m“ f""_l" “ ‘ ‘ ““°( has been used for the Ballet. And i dma- “l W‘ now the music. tor the first ballets , A n, a‘. ,. ._ . . M; m, ever to be created exprcsdy for the W “In l ,1 ‘ " m, m‘ screen, has been composed by an ‘Ikmk, W“ _ l I m En other Russian ——V0rnon Duiu _‘ ‘ "' ‘ ‘ once Vladimir Dukcl ky ‘ '. "m" Prtersburg. The balicls at" " "oi , V__: Nymph,“ and "Romeo and Jill!‘ t‘ j v ‘a, in jazz with stcp= cxcciiicii hi‘ -i Bnllanchinc In his hPflTi" iznic A, 1 N. D. /i~. rcLean

End oi Si

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