Page 10 The Guardian Monday, July 21, 1958

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ATLANTIC DAYLIGHT TIME

4.30—Atternoon Musicale 5:00 p.m.-—Man From Tomorrow 5.15—Children's Newsreel 5.30—Kiddies Kartoons 6.00—Western Theatre 5.54—CFCY TV News 7.01—Gazette 7.30—My Little Margie 8.00—Great Sport Thrills 8.30—Souven1‘r 9.00—The Millionaire 9.30—0n Camera 10.00—I Love Lucy 10.30—Tugboat Annie 11.00 — Studio One summer Theatre. 12.00—CBC TV News 12.13—Loca1 Weather Forecast 12:15 a.m.—-Viewpoint ’ 12:30 mun—British Empire Games

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CBA MONDAY DAYLIGHT TIMI.

7:15—Marine Weather and Fill 7:305-A.M. Chronicle 8:08—CBC News Y and Weather ads—Maritime Sportscast 82m—IA.M. Chronicle 8:45—Morning Devotions 9:00—'A.M.~' Chronicle 10:00—A.M. Chronicle 10:50—Morning - Commentator. 11:00—Scored for Chorus. I- 11:15—Performers Showcase. 11:30—Now I Ask You. ‘ 12:00—Jamboree Junction. 12:15—Jamboree Junction. 12:30—Maritime Farm B’cast. lzm—CBC News and Weather 1:15—Pages From Life 1:30—Take it From Here. 1:59—D.0. Time Signal 2:00—Variation On A Theme 2:15—Summertime with Bert Devit. 2:45—For The‘ Piano 3:00—News. 3:30—T/C Matinee. . ROG—Big Band Show. tz3OI—A. Touch of Greaseramt. 5:00—Maritime Fish Broadcast 5:30—Time For A Song 5:45—The Story Man ' 6:00—CBC Times 6: lO—Maritime Sportscast 6:15—CBC News and Weather 5:30—Alex Baris. _ 6:45—Roving Reporter 6:55—Byline ‘ 7:00—Music In The Evening 7:30—Cue for Music. 3:00~«Hi Fi Club 8:30—Maritime Magazine 9:00—Vancouver Theatre 9:30—Summer Fallow 10:00~International Concert. 11:00—CBC National News Roundup

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Opening lean—king It dia- monds. \

This hand was played in Eng- land some time ago in a par con- test. Althoth the point involved in the play of the hand is a com- parativer simple one, it was overlooked with surprising fre- quency by many contestants.

A six spade contract was al- most invariably reaIched. Only the, most timid South-s failed to contract for the spade slam after North had shown atspade preter- ence over three clubs.

The, slam bidders assumed at least twelve tricks would be made if North had either the king of hearts, queen of clubs, or a dou- bleton, singleton, or Void of clubs.

'35? CARMAN CUMMING Canadian Press Staff 'Writer TORONTO (CPI—As the final

' curtain was rung down in Mex-

ico City’sjlavrlsh Palacio de Bel— les Artes, the orchestra broke into Farewell to Mexico and 2,- 700 patrons stood cheering a group of young Canadian dancers. For many members of Can- ada’s National Ballet Company, this was the climax of an eight- month, 20,000 - mile tour during which they gave 191 performan- ces in three countries. There were teams in the eyes of many ol' them as the packed house con tinned cheering until the music ended.

The company’s three - week stand in Mexico‘C‘ity marked the and of a four-phase tour that took

the United-"Statesghack through Western Canada and then to Mex- ico. They recently retunned to To- ronto.

~For 15,000 miles of the tour— probably the most ambitious of any Canadian theatrical group—- the 76' dancers, musicians and other members of the company travelled by bus with two trucks carrying scenery. » Before they left for Mexico City—Iby train this time—the com- pany stopped all at its headquar- ters here to practise 11 extra bal- lets needed for the Mexico Cit penﬂormances. . Relaxing outside their re hearsal hall over historic St. La'w- rence Market, the dancers re- called some of the woes and tri- umphs of the tour. , “I didn’t find a comfortable position on that bus ’till the very last day,” one groaned. With lit- tle time for sleeping at night, most tried to get some extra rest while the buses moved on to an- other city.

“We had miserable weather all ti a. way to California," another added. “From there on it was gorgeous." _

For the most part they eh; thused about their reception along the way. But they still found an occasional American like the Los Angeles woman ayerheard in a lobby saying in astonishment: “They’re quite good . . You know, there’s nothing JIID there at all.” - -' The company toured the Atlan-

seaboard in February, just in time for some of the worst of the famed “deep—freeze” winter. In sunny Georgia the temperature was zero. ‘ ARIZONA CONTRASTS At Flagstone, Ariz., the com- pany left town in a “raging bliz- zard with six inches of snow on the ground.” They sweltered‘ that afternoon in the blazing sun at Tucson.

Los Angeles was a disappoint— ment. It rained the entire week they played there. '

11:30—First_P—erson.

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E'l'he dmuny, poor as it was, I, provided a very sound play for the contract. The king of dia- monds was generally opened. De- clarer won with the ace, cashed the A-IK of‘clubs, and led an- other club. '

When West followed with the ten, most declarers miffed the club in dummy with.the jack. Had the clubs broken 3-3, twelve tricks would havebecome- certain.

But', when East showed out of /

clubs, doclarer still had a club loser to contend with a well as losertocontendwithaswelles a losing heart.

The play varied at this point, but most Souths now led a heart to the ace and played a tourth

round of clubs. Here came the I

crucial teat.

Those declarens who ruffed the club with the seven, hoping West had been deal/oh the eight, were defeated when East was able to overrutf. They eventually also lost a heart trick and went down one.

But the Souths who made the

the location of the eight of spades ' Instead of ruﬂfing _ the fourth round of clubs in dummy, they simply discarded I a heart from dummy, permitting West to win‘ the queen of clubs.

This play brought dummy down to a singleton heart. It became an easy matter tor South later to trump his heart loser in dum- my and make twelve tricks. On- ly a club trick was lost.

Throughout the tour —- it in- cluded 47 one-night stands-the company missed only one our- tain. That was at Binghampton, in upstate New York, where a patient audience waited an hour and 15 minutes for the perform- ance to start.

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“There was some very bad weather—lots of snow," recalled Celia Francs, the company's slim, dark, artisticdirector. “One of the buses broke down and the other bus was stopped for New York State inspection.” ~

Luckily, the scenery trucks were not delayed and the stage was set for the dancers when. they Makeup was hastily > applied under dim bus lights.

By and large the dancers sur— vived the rigors of road lite‘ better than the buses. The latter returned with new motors while the dancers had nothing more serious than sprained ankles—- three‘ol' them.

TOUR HIGHLIGHTS

In a break between rehearsals Miss Francs, who left a career with the Sadie-rs Wells Ballet in England to form a national com- pany here, recalled some high- lights of thetour. V

“The real achievement is the tact that everyone on the United States knows now that Canada has a ballet," she'said.

“Three years ago when we toured, we had to prove that Can- ada had more than oil and wheat and lumber. We still find some who think that way, but only I very few . . . They’re calling us the best touring company on the North American continent now."

The houses were “on the whole, very good,” she' said. “We didn’t

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plaIy anywhere to unenthusiastic audiences.” .

-"Los Angeles audiences—o they’re well - known for being: rather sticky and blase —— went] crazy about us.” ‘ I

Calgaryrwas the biggest sur- prise on the Canadian part of the tour. .

“We were flabberg-asted by Calgary,” Miss Franca said. “We were there/four years ago and we got a iiice reception but, well, maybe they weren’t quite ready for ballet.

FINE RECEPTION

“This time the town went tull out. There were packed audi- ences and they gave Iis a fan tastically enthusiastic reception.”

For the new auditoriums in Calgary and Edmonton there was praise for everything except the dressing rooms.

“There was obviously a musici- an’s hand involved in designing

them,” Miss Franca smiled. “The .

conductor’s room was most glam- orous, but the star’s dressing room—you couldn‘t swing a cat in it." s,

Regina’s theatre was remem- bered as a “ghastly place," with “painful” dressing rooms and an air-conditioning plant stored at the back of the stage.

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