f \LENDAR FOR JANUARY, 1894. \ ) 19 » bh 7’ . S W S9a 7 ‘ N ¥ S S ; ? wat } after’) ‘ s 6 34 Q 7 2; \ ; 0 & 28 Ty : a & 232 % OF = ~ é 10 3 ~ - | > sf a i ts ; morn i } 0 23 4 f 0 54 i 3l . » a s ! - 50 . ' i } 4 } 7 4&5 : ’ 6 Tf > ‘ 5 +i s 4 . ’ 45 _ : : u Ti i4 1] ‘ > aft ‘4 wi 042 is I 32 i S 3 2 5 4 : ‘ & 57 ee
a ae
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or P. E. ISLAND,
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while the historical descriptions give the work a value beyond all wthor spent nearly the whole summer at the ing the work of the corps
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EXHIBITION AND Sit E-
inees witnuout
{ ant ones.
| hills of
ject of critics ' . | thor, says: *‘My own theory on the gen
She's Still Single. The summer fun is over; All lonely is the shore; The maiden is a rover Abont the sands no more.
The hops and diss!pations Among companions gay,
Her various smal) flirtations, Forgotten are today.
The young mea she enraptured, But dida’t seem to care,
Though one she might have captured, She never set a snore,
The unsophisticated Perhaps the knowledge shocks, But none who on her waited Iliad half enough of rocks ~New York Press, The Actor’s Nightmare. An actor who is noted for his good na holy surprised his
‘nre and lack of mela: a at one of
riends recently by appearing is haunts with downeast air and dejected ai ners
‘Hello, Joe,” said one, ‘‘what fn the orld ails you? I never saw you look so wretched,” ‘‘My dear boy,’’ said the actor, ‘my e js one that is beyond medical aid I'm not going to lic. My ailment is not physical. Tam from melancholy, superinduced unpleasant part that has been issigned to me by our manager. IT am vee for the villain’s part, you see, and + # a Villuin of mean aud ansympa am, sort. The better I act it the more condenined by the at
on’t look scared
uffering the
the
icieges
i wil be
No woman’s smiie will greet my appenr snce, no tear will mark my exit. My an 1appy ending will provoke smiles. My
rcliminary triumphs will arowSe anger
nd indignation. [am beginning to feel he contempt and coldncas with which |
ill be greeted, I shall be miser
bask
my audiences, and their applatse
Llexll this
seaeOL, I love to in the smiles of is muUsSIC My soul is attuned to syin thas it pot. be begin to feel the
You must
loinug Moin”
in my ears wathy and suffers whet
sides I know I shall soon haracter [have to assume urprised if 5 \ man can’t be mean and ry night and several mat netimes losing his real
nature whén off duty too.
not he s bee me strange thi
~ontem pti oie evi
“Some people likes to play mean parts as well as pleas That is a mistake, I assure you If it were not that I cannot afford to re 4ign at this time, fd throw up my con- tract immediat ”__New York Sun.
Wis Trump of Fame. Milwaukee the other ‘unl after I vent there to do I looked he took me ont to show We walked around on all maf streets, aud he pointed out e big buildings and all that sort ing. Finally we reached a down wn corner, and my friend took up his
nil there.
“T was out in lay,’ saida bu rad done what I vy
; l
iness man, ‘
| pretty pearl screws did smile :
OLE BULL AS A CHILD.
Concert Was Applaaded With a Whip.
From his earliest childhood Ole Bull was exceedingly sensitive to music. His uncle, who belonged to a quartet eleb, nsed, when playing on the violoncelle, to put the little fellow in the empty case sed keep him there until his nervous excite ment made it impossible for him tore main,
In spite of
observed all
Lis Midnight
this excitement he narrowly that the players did. He knew the sound of the notes long before he could name them, and when at the age of 5 Lis nocle made him the proud posewse- or of a li scrap of a vielin, which te
received with kisses and embraces, to ev- ery One's sinazemeont he played upon itat once with remarkable correctness.
Iiis next violin was given to him at his
licitation two or three years aft y his father. He could sot aleep for thinking of it. When he bLeaet Lis futher and mother Crawing the cdeep breath of sleep, he rose and lighted a candle and tiptoed to the roon: where his dear violin | ler to open for one de ‘The violin was s9 red,”
‘yin oF the case
' = uted look.
aan Palpitation
\ OF THE
Heart,
ia Exhaustion
AND
Stomach Trouble.
uvhter, Mrs. Mars, has been oi +1} .
e above diseases for g Lemos ed all the
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acing Physicians
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i sid he, as Mrs. Child reported, ‘‘and the | :
tmeso! ]
| pinched the strings just « little with my
T more.
imagine that the actor |
} whois
| jarge nmount
| and six cows,
| on he
fingers. It smiled at me ever | ore and I took up the bow and looked at it it said to me that it would be picasant to try it across the strings. Sol did try it— just a very, very little And it did sing to me so sweetly! Then I did creep farther
away from the bedroom. <At first I did play very softly. I made very, very little noise. But presently I did begin « capric
cio, which I like very much, and it did go ever louder and leuder, and 1 forgot that it is midnight and everybody asleep.
“Presently I hear something go erack! And the next moment I feel my father’s My little red ypped on the floor and was broken { weep very much for it, but it did so good They did have a doctor for it the next day, but it never recovered its health.”
His father hand meant that he should be a clergyman, and in due tiiue the boy was placed at the University of Gottin gen. But it was quite useless—study or not, music would get the upper hand.— Hayper’s Bazar.
whip across ny shoulders.
violin dre
A Rich Russian Brother.
“The house on the right,’’ says Tvan with some pride, ‘belongs to my brother, the richest man inthe village. He bas five grown up sons, and thereforoa cf land, four geod horses Ile lives well.’’ she drink?’ we inquire.
I ” says Ivan, “hard
idays, but he is a good worker and with five work in town. ‘Three of his are and most of their wages come home. for the land, my brother and his two sons and their wives can easily cultivate it. Ah, Bariu! it’s a great thing for us mou jiks to haveg:rown up sons!’ Ivan’s re marks were true enough. ‘The large fam-
Dor “Of he does, |
course ;
laborers
| ilyin «a Iiussian village is a co-operative
‘| didn’t know what he was up to, but | { dutifully stood beside him, and we talk lof vil sorts of things for half an hour r so Just as Il was beginning to pet very ed he nudged meand pointed outa very nary | ing man who was walking
slowly toward us.
‘*«That’s him!’ he said in great excite ment.
‘*T expected to see the president or some
| body equally rreat, and I looked in the di
rection indicated. I saw nobody but the ordinary looking man before mentioned.
‘* «I knew if we stood here long enough we'd him,’ continued my friend. That’s him, sure enough.’
**That’s who?’ I asked.
“Why,’ he answered, ‘that’s Charles H. Harris.’
‘“*And who in blazes is Charles H Harris?’
“IT shall never forget the look of utter contempt thet my friend caston me. Ie drew himselé up to his fall height and an swered in atone that made me feel very small indeed, ‘Why, he’s the man who wrote ‘*After the Ball.”’’ ’’—Buffalo Ex press.
gee
Musical Wales.
Every church and chapel in every vil lage and town hag its choir, often num bering 69, 70 or 100 and every *hoir has its musical prodigies, leaders of parts maybap who have never bad a les
on in music in their lives, or some un couth colliers cor pit girls, with veices which, had they been trained and devel oped, might have made of them Edward Lioyds or Anteinette Sterlings. District district has its **united choral un ion,’’ which will take up the study of some work of tie great masters and deliv erit ntan annual concert or Christmas festival, not in the pale, flickering, dis which is so characteristic
lish choirs, but with rugyed fire and intensity.
L have had the good fortune to hear the greatest oratorios rendered under the most litions that talent and cul ture could produce in this the most tal ‘nted and cultured of all metropoies, but L have never heard the majestic rel! of the ** Halleluinh Chorus” or the match! melodies of the “E ” rendered with such soul and verve and eloquence as by ‘united choir,’’ led by a work ingman in a mining village armong the Glamorgansbire.—Westminster
¥ oices,
aiter
passionate style
cleome Er
brilhant cone
n obscure
Review.
Walter Besant on Critics. Walter Besant, in discussing the sub and criticism in The Au
ct of reviewing—a theory which
{« »not expect to be universally accepted as yei—is this: The work of a critic never sup itto be intrusted to the first novice that is recommended to the editor. If an aspiring critic is as yet unproved by pub ‘ished work, he should furnish some proof tothe editor of culture, reading, knowl edgo of standards, knowledge of the works of writers, living as well as dead, and of special qualifications and special knowl- edge, if he has any.”’
There are no fewer than 19 King streets in London, without reckoning any there may bein the suburbs, and Queen is the designation given to 34 streets and squares streets are still permitted to bewilder people, and a dozen William streets add to the confusion.
Eleven George
Probably the youngest policeman in the country is 5-year-old Louis Clauring, who is the mascot of the Charles street station in New York. The lad wears a compiete uniform, answers the roll call and turns out with the night platoon.
Amber blazes like a torch when light fe applied. Great quantities have been con- sumed in the es broken worst! of 13 cen- turies at Mecca, the sacred ety of Mowem,
Persons who travel will find that cold
| ereucn or vaseline will remove the str +ks | of grime on their faces with much greater
‘ |
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The only chance in this country to pur chase works of masters.
All the Paintings are originale, mostly from the French School, the leading modern school.
Eminent Artists, such as
Ro-negrosse, Aublet, Barau, Pesant, Petit |
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Oot26 Director.
Francais |
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The vich man’s house was no better than its neighbors. It presented the same appearance of decay und nage. no indication of the prosperity of its own cr Leyond the fact that there appeared to be moro accommodation in the yard for live stock.
‘iy your rich brother at work today?”’ wo asked.
Ivan made a tipsily comical gesture of horror; he spat upon the ground with un necessary vehemence and then crossed himeclf.
‘The Barin is pleased to joke,’’ he said. “Tt isa holiday; my brother and his sons are not sinners; they do not work on a holiday.
they should he!”’
“Drunk?” I ventured. “Drunk, Barin, certainly!’’ said Ivan
| “Why, what would you have?’’—Temple
| the
: the reality ef which in the sha
Bar. Vastness of Numbers.
Numbers beyond certain limits cease to convey any meaning to the human mind, however well Ceveloped it be andept to grasp the great and the vast. ‘inke the number expressed Ly the wor 1 ‘‘miliion,”’ sound of which is familiar cnough to most of us ia a country that, more than any other, abounds in millicnnires, but pe of mone is somewhat vague and to the inajority a1 human beings awe inspiring. If a man
| were to count 1,000,000 of $1 bills itwould
take him eight days to accomplish this
| task, devoting 18 hours of uninterrupted | daily work to it and employing the other | six for eating his meals and for taking the
necessary nocturnal rest.
Still, great as the number of 1,000,00° really is, we havea more or less adequat conception of it and its multiples to a cer tain extent. Even 1,000,000,000—that is a thousand millions—has withiu this cen
| tury assumed a familiar sound, though | but few persons are capablo of realizing
| its magnitude.
With a billion num ber becomes somewhat vague and ap proaches what in mathematical parlance is called the “indefinitely great.”’” It i
| easy enough to pronounce the word, not
| being x
ery long and easv to spell, but ii
| actual magnitude begins to bewillder th:
mind. If we were to express the distanc of the nearest fixed starin that unit by which we are wont to measure terrestrial distances—the mile—the number would convey no meaning to our minds and
| woald leave imagination itself powerless
|
—Baltimore Sun.
Horse Language.
My horse has a low whinny which means ‘‘yater,’’ and a higher keyed, more emphatic neigh means ‘‘food.’? When 1! hear these sounds, I know as definitely what she means asif she spoke in Eng lish. This morning, passing along the street, I heard that same low whinny, and looking up saw a strange horse regarding me with a pleading look. I knew he was suffering from thirst, and no language could make it plainer. The language oi the lower animals is not all articulate. It is largely a sign language. The horse
} does a deal of talking by motions of the
| tka other extremity.
| head and by his wonderfully expressive
looks. He also, upon occasion, talks with A peculiar switch
of the tail and a gesture, as if threatcn
| ing to kick, are equine forms of speeca.
Twenty-five cents a bottle. Its value is’)
The darky was not far wrong who said of the kicking mule, ‘It’s just his way of talking.’’—Science.
Wanted to Finish the Job,
Six or seven bootblacks were shooting craps on the sidewalk in front of a busi ness house the other evening when the manager of the establishment came along.
‘““Boys,’’ he said, ‘‘this will never da. You’ll have to move away from here.”’
‘‘Please don’t break up de game fist now, mister,’’ pleaded the businesslike urchin \.ith the muffier about his neck. “Dere’s only one kid wot ain’t broke!’’ —Chicago Tribune,
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Harpers Weekly.
ILLUSTRATED.
Harper's Weekly is, beyend all question,the leading journal! in America, in its splendid iliustrations, in its corps of distinguished con- tributors, and in its vast army of readers. In special lines it draws on the highest order of talent, the men best fitted by position and training to treat the leading iopies of the day. In fiction, the most popular story-writers contribute to its columns. Superb drawings foremost artists illustrate its special articles, its stories, and every notable event of public interest; it contains portraits of the dstinguished men and women who are mak- ing the history of the time, while special at- tention isgiventothe rmyand Navy, Am: - teur Sport, and Music and the Drama, by dis- tinguished experts. In a word, Har er’s Weekiy combines the news features of the daily Pa and the artistic and literary qual ties of the magazine with the solid critical character of the review.
HARPEG’S PERIODICALS
Per Year : HARPER'S MAGAZINE Siw HARPER’S WEEKLY 40 HARPER'S BAZAR “ 40 HARPER’S YOUNG PEOPLE . 20
Postage Free to all subseribers in the United
| States, Canada and Mexico!
The volumes of the Weekly begin with first When no time is meationed, subscriptions will begin with the Number current ai the time of r ceipt of order.
Bound Volumes of Harper's Weekly for three years back, in neat cloth binding, will be sent by mail, post paid, or by express, free of expense (provided the freight does not ex- ceed one dollar per volume), for 370) per volume.
Cloth Cases for each volume, suitable for
| binding, will be sent hy mail, post-pa d, on
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incalculable. Be sure and ask for Mrs. | and the people, it holds a position held |
| Wincloe’s Soothing Syrup, and take no | other kind —m. w. f. wkly—i y
vy no other medicine in this country, or, perhapg, the world.
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receipt of $1 00 cach, Remittances should be made by Post Offiee Money Order or Draft, to avoid ¢ hance of loss, Newspapers are not to copy this advertise ment without the express order of Harper & Brothers. Address : HARPER & BROTHERS,
deel4 New York
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